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ðŸŽĻ🌏 BIKINI SAVE THE WORLD: AFTER MISSION RELAX TIME by NONWORLD

Art that invites us to imagine a more livable world, a world where people care about the environment, respect nature, and together make peace, to be born as a space where everyone can live happily.

NONWORLD passed on the idea through the work "BIKINI SAVE THE WORLD: AFTER MISSION RELAX TIME." Through the story of three girls who believed that happiness could only happen when our world was safe and sustainable, the three girls went on a mission "Recycling for Life, Acting for Peace & Sustainable" during the semester to meet little ink QTAKO and join them on a mission to preserve the world together before concluding with "Relax Time" by the sea after the mission for the world they intended to complete.

This piece contains items from QUALY including

ðŸĒ Save the Turtle Magnet.

Sea turtle-shaped magnets produced from recycled materials, to communicate the problem of marine waste and raise awareness of the importance of marine turtle conservation and marine ecosystems.

ðŸŠļ Manta Ray Bottle Opener

Ear ray design bottle opener with refrigerator magnet, made from recycled plastic, to reflect the importance of marine animal conservation and reduce the amount of waste that may flow back into the ocean.

🌍 Earth Bottle Opener

Globe Design Bottle Opener with Refrigerator Magnet, Made from Recycled Plastic, to Communicate Care of the Earth and Reducing the amount of waste that may flow into water bodies and oceans

ðŸĶ€ Ocean Ecology Magnet

Marine Animal Design Magnet Set and Elements of Subocean Ecosystems, to Communicate the Importance of Conservation of Marine and Marine Life

ðŸŒģ Smooth Tray Set

A multi-purpose tray inspired by the natural surface of wood, made from recycled plastic, to reflect the concept of cost-effective use of resources and sustainable coexistence with nature.

If you are interested in NONWORLD's work, visit the Art & Design for a Sustainable World by OPEN HOUSE x QUALY & FRIENDS exhibition, which brings together over 30 paintings and sculptures from 15 contemporary Thai artists, and offers interested parties the opportunity to return to their ownership.

There is still within the work.

🛍ïļ Sustainable Design Market

A total of 11 lifestyle brands preserve the world.

🊷 QUALY Malai Workshop

A design steering wheel from recycled materials.

📍 OPEN HOUSE 6th Floor Central Embassy

📅 3 - 30 June 2026

# CentralEmbassy

# Qualydesign

# QualyAndFriends

# ArtAndDesignForASustainableWorld

# OpenHouseCE

6/23 Edited to

... Read moreāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§āļ—āļĩāđˆāđ„āļ”āđ‰āļ•āļīāļ”āļ•āļēāļĄāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļĢāļąāļāļĐāđŒāđ‚āļĨāļāļ­āļĒāđˆāļēāļ‡ BIKINI SAVE THE WORLD āļžāļšāļ§āđˆāļēāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļœāļĨāļ‡āļēāļ™āļŠāļļāļ”āļ™āļĩāđ‰āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ„āļ·āļ­āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ āļēāļĢāļāļīāļˆāļĢāļąāļāļĐāđŒāđ‚āļĨāļāļāļąāļšāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļœāđˆāļēāļ™āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨāļ—āļĩāđˆāļĄāļĩāļ”āļĩāđ„āļ‹āļ™āđŒāļ™āđˆāļēāļĢāļąāļāđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ•āļĢāļ°āļŦāļ™āļąāļāļĢāļđāđ‰āđƒāļ™āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ āđ€āļŠāđˆāļ™āđāļĄāđˆāđ€āļŦāļĨāđ‡āļāļĢāļđāļ›āđ€āļ•āđˆāļēāļ—āļ°āđ€āļĨāļ—āļĩāđˆāđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ‚āļ­āļ‡āļ•āļāđāļ•āđˆāļ‡āđāļ•āđˆāļĒāļąāļ‡āļŠāļ·āđˆāļ­āļŠāļēāļĢāļ–āļķāļ‡āļ›āļąāļāļŦāļēāļ‚āļĒāļ°āļ—āļ°āđ€āļĨāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļŠāļąāļ•āļ§āđŒāļ—āļ°āđ€āļĨ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāļ·āđˆāļ™āļŠāļ­āļšāđ„āļ­āđ€āļ”āļĩāļĒāļ‚āļ­āļ‡āļ—āļĩāđˆāđ€āļ›āļīāļ”āļ‚āļ§āļ”āļ”āļĩāđ„āļ‹āļ™āđŒāļāļĢāļ°āđ€āļšāļ™āļĢāļēāļŦāļđāđāļĨāļ°āļĨāļđāļāđ‚āļĨāļ āļ—āļĩāđˆāļ—āļģāļˆāļēāļāļžāļĨāļēāļŠāļ•āļīāļāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨ āļ—āļąāđ‰āļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļāļĢāļ°āļ•āļļāđ‰āļ™āđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļ”āđ‰āļ•āļĢāļ°āļŦāļ™āļąāļāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāļĨāļ”āļ‚āļĒāļ°āļžāļĨāļēāļŠāļ•āļīāļāđāļĨāļ°āļāļēāļĢāļ”āļđāđāļĨāđ‚āļĨāļāđƒāļ™āļ—āļļāļāđ† āļ§āļąāļ™ āļāļēāļĢāļ—āļĩāđˆāļĻāļīāļĨāļ›āļīāļ™āđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ§āļąāļŠāļ”āļļāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨ āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āļŠāđˆāļ§āļĒāļĨāļ”āļ›āļĢāļīāļĄāļēāļ“āļ‚āļĒāļ°āđāļ•āđˆāļĒāļąāļ‡āļŠāļĢāđ‰āļēāļ‡āļĄāļđāļĨāļ„āđˆāļēāđ€āļžāļīāđˆāļĄāļœāđˆāļēāļ™āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āļ‚āļ­āļ‡āđƒāļŠāđ‰āļ­āđ€āļ™āļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ­āļĩāļāļ”āđ‰āļ§āļĒ āļœāļĨāļ‡āļēāļ™āļ­āļ·āđˆāļ™āđ† āļ­āļĒāđˆāļēāļ‡āļ–āļēāļ”āļ­āđ€āļ™āļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđ„āļ”āđ‰āļĢāļąāļšāđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļžāļ·āđ‰āļ™āļœāļīāļ§āđ„āļĄāđ‰āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļĢāļ·āđˆāļ­āļ‡āļ„āļ§āļēāļĄāļĒāļąāđˆāļ‡āļĒāļ·āļ™āđāļĨāļ°āļāļēāļĢāđƒāļŠāđ‰āļ—āļĢāļąāļžāļĒāļēāļāļĢāļ­āļĒāđˆāļēāļ‡āļ„āļļāđ‰āļĄāļ„āđˆāļē āļŠāļ°āļ—āđ‰āļ­āļ™āļ§āđˆāļēāđ€āļĢāļēāđ„āļĄāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļĨāļ°āļ—āļīāđ‰āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļ•āđˆāļŠāļēāļĄāļēāļĢāļ–āļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāđāļĨāļ°āđ€āļ„āļēāļĢāļžāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļ”āļļāļĨ āļāļēāļĢāļˆāļąāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđāļĨāļ°āļ•āļĨāļēāļ”āļ”āļĩāđ„āļ‹āļ™āđŒāļĢāļąāļāļĐāđŒāđ‚āļĨāļāļ—āļĩāđˆ Central Embassy āļĒāļąāļ‡āđ€āļ›āļīāļ”āđ‚āļ­āļāļēāļŠāđƒāļŦāđ‰āļœāļđāđ‰āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāđ„āļ”āđ‰āļŠāļąāļĄāļœāļąāļŠāđāļĨāļ°āļˆāļąāļšāļˆāļ­āļ‡āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ° āļĢāļ§āļĄāļ–āļķāļ‡āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄāđ€āļ§āļīāļĢāđŒāļāļŠāļ­āļ›āļ—āļģāļžāļ§āļ‡āļĄāļēāļĨāļąāļĒāļˆāļēāļāļ§āļąāļŠāļ”āļļāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨ āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļāļīāļˆāļāļĢāļĢāļĄāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļžāļđāļ™āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ•āļ­āļĒāđˆāļēāļ‡āļĒāļąāđˆāļ‡āļĒāļ·āļ™ āļ™āļąāļšāđ€āļ›āđ‡āļ™āđāļ™āļ§āļ—āļēāļ‡āļ—āļĩāđˆāļ”āļĩāđƒāļ™āļāļēāļĢāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāđƒāļŦāđ‰āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ•āļĢāļ°āļŦāļ™āļąāļāļ–āļķāļ‡āļšāļ—āļšāļēāļ—āļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āđƒāļ™āļāļēāļĢāļ”āļđāđāļĨāđ‚āļĨāļ āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§ BIKINI SAVE THE WORLD āđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļœāļĨāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļ˜āļĢāļĢāļĄāļ”āļē āđāļ•āđˆāđ€āļ›āđ‡āļ™āļŠāļ·āđˆāļ­āđāļĨāļ°āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļ—āļĩāđˆāļŠāļ§āļ™āđƒāļŦāđ‰āđ€āļĢāļēāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ›āļāļ›āđ‰āļ­āļ‡āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāļœāđˆāļēāļ™āđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāđƒāļ™āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļžāļĢāđ‰āļ­āļĄāļ›āļĨāļļāļāļžāļĨāļąāļ‡āļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡āļ§āđˆāļēāđ‚āļĨāļāđ€āļĢāļēāļˆāļ°āļ™āđˆāļēāļ­āļĒāļđāđˆāļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ—āļļāļāļ„āļ™āļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āļˆāļĢāļīāļ‡āļˆāļąāļ‡