🗓 Mar 27–May 9, 2026
📍 Shrine Gallery
🎟️ FREE
✨ Sally Saul’s exhibition Over the River and Through the Woods at Shrine in New York presents hand-built ceramic sculptures that balance playful, stylized figures with quieter reflections on memory, nature, and lived experience. Working with clay and glaze, Saul creates rounded forms with textured surfaces that emphasize touch, accumulation, and time. Installed together, her sculptures suggest characters and environments shaped by observation, companionship, and moments of stillness.
Visiting Sally Saul’s exhibition offered me a unique chance to connect with art that truly celebrates the tactile nature of ceramics. Each piece felt alive with textures made visible through careful layering and pressure, giving a sense of time embedded within the clay. What struck me most was how the playful, cartoon-like forms invited a nostalgic feeling of childhood, yet the calm, contemplative atmosphere allowed space for quiet reflection on life's deeper moments. The environment created by the collection felt like stepping into a small, still community where creatures and trees interact in a gentle coexistence. This balance between familiarity and quiet observation makes the exhibition more than just visual art—it becomes an experience about companionship and the passage of time. For anyone interested in ceramic art or those looking for an inspiring yet soothing exhibition, Sally Saul’s work demonstrates how hand-built surfaces can uniquely express both creativity and introspection. What I appreciated is how the artist’s technique—using rounded forms and textured glazes—emphasizes the importance of touch and layering, reminding visitors of the rich narratives that materials hold beyond their shapes. Heading to Shrine Gallery for this free exhibition guarantees a meaningful, heartfelt encounter with contemporary sculpture that resonates on multiple levels.



























































































