🗓 May 13–Jul 25, 2026
📍 Lisson Gallery
🎟️ FREE
✨ Kelly Akashi's exhibition Heirloom at Lisson Gallery in New York — her first with the gallery in New York — presents a new body of work in bronze, Corten steel, flame-worked glass, and carved stone that asks how absence is held, transmitted, and given form. The exhibition coincides with Akashi's participation in the 2026 Whitney Biennial and precedes the unveiling of her commission for JFK Airport's New Terminal One.
Visiting Kelly Akashi’s Heirloom exhibition offers a profound experience in how contemporary art explores themes of absence and memory. Akashi’s innovative use of materials like bronze, Corten steel, flame-worked glass, and carved stone creates tactile, evocative sculptures that invite viewers to reflect on what is unseen or missing yet somehow present. As someone deeply moved by art that conveys emotion through form and texture, I found walking through this exhibition at Lisson Gallery to be both contemplative and inspiring. The exhibition's timing alongside the Whitney Biennial and her upcoming commission for JFK Airport’s New Terminal One highlights Akashi’s rising prominence in the art world. It’s fascinating to see how elements such as flame-worked glass capture light and fragility, contrasting with the solidity of bronze and steel—symbolizing how absence can be simultaneously tangible and elusive. Moreover, the FREE entry encourages accessibility, allowing a wide audience to engage with experimental art. For art enthusiasts and newcomers alike, the show offers a unique chance to witness the translation of complex concepts like absence into physical form. I highly recommend planning a visit early in its run to fully absorb the delicate balance Akashi achieves between materiality and meaning, and to participate in any exhibition tours or talks labeled “EXHIBITION TOUR” for deeper insights.
