Golden Globes are Carpet Favorites 2024 Part Two
Part Two (scroll for Part One)
🤍Zoe Saldana in Saint Laurent the nearly black dark chocolate sequin is killing me. I love it
🤍Mindi Kaling in Ashi Studio she is radiant. Absolutely glowing. I hope she just wears this every day for the rest of her life.
🤍Elle Fanning in Balmain. This dress was “inspired” by (read *actually designed in*) a 1930s Balmain illustration and while it’s definitely unique the color on Elle is to die for & as is the pleating and gathers bodice. For a gown that designed in the 50s it does feel very modern and sleek.
🤍Kirsten Dunst in custom Gucci I love for a 30s shape. Drop waist & velvet and simplicity itself.
🤍Andrew Scott in Vivian Westwood I’m a sucker for a monotone look and this icy blue is so unexpected & the way it is bringing out the blue in his eyes is killing me. I do wish the shoe was less basic though. It feels a little disappointing
🤍Adam Brody in Thom Browne this lapel (a broach by Elsa Jin) is so cool. And it’s becoming a staple of his red carpet looks. A signature if you will. Love it. The tailoring is perfection. He always manages to look incredible and sexy but still effortless like “oh I just found this and thought cool”. Big fan of whomever his stylist is. Need to find who they are as I am becoming such a fan. Excited to see more this season
🤍JVN in custom Christian Siriano this color on him (her? Them?…not up to date on their personal preferences-for me it’s all fashion 0 disrespect meant) is incredible. And their skin is glowing. **any nastiness in the comments will result in blocking immediately don’t even bother
🤍Emma Stone in Louis Vuitton love red on the red carpet. While I’m not in love with the new hair cut the shape of the gown is such a statement. A classic but always unexpected shape. I do feel like it’s missing jewelry especially with so little hair. Like give us some excitement from the shoulders up. I think the intention was to showcase a new hair moment but the volume of the dress needs something to ground the top half.
🤍Matty Matheson in I believe Harry Rosen(can anyone confirm?) Okay this might be unconventional and it’s not my favorite as a style choice, but he always just looks like he’s having a ball and thrilled to be there and just comfortable in hemis own skin. So for that alone this fun look with a rifraf lapel is just making me so happy. Maybe not chic but just delightful. I also kind of live that he went with a traditional tailor rather than a global label
🤍Cynthia Erivo in Louis Vuitton she might be a controversial figure but she does have a very clear scene of style. I can’t find is this was beaded lace, or beading to emulate lace but I love the material. I personally am a fan of a more classical silhouette so I would personally have enjoys this like of the outer layer was relaxed but for me the material is just so visually interesting. I do wish there was more on the bust. It’s reading as ill-fit to me.
As always if you posting red carpet images please please please find out who the designer is & credit🙏🏼
#redcarpetfashion #goldenglobes #celebritystyle #galaseason #Lemon8Diary
Don’t forget to check out part one and follow for coverage as award season unfolds
What was your favorite look from this years carpet?
My absolute favorite look from the 2024 Golden Globes? Without a doubt, Elle Fanning's Balmain masterpiece! I honestly couldn't stop thinking about it after seeing her on the red carpet. It was truly a moment where vintage elegance met modern flair, and I just had to dive deeper into why this look resonated so much with me and, I'm sure, many other fashion enthusiasts. Let's break down this stunning champagne-colored ball gown. The original article mentioned its 1930s inspiration, and you can truly see it in the elegant silhouette and the way the fabric drapes. It had that classic old Hollywood glamour, but what really set it apart for me was that unexpected leopard print strapless bodice. It added such a contemporary, edgy twist to an otherwise very traditional shape. The full pleated skirt flowed beautifully, giving it that timeless red-carpet grandeur that makes you feel like you're watching a real-life fairytale unfold. It's incredible how the design, reportedly "inspired" by a 1930s Balmain illustration (and seeing that original design sketch would be amazing!), felt so fresh and contemporary. It perfectly blended old-world glamour with a sleek, minimalist vibe. The color choice was just perfection on Elle – that warm, sophisticated champagne hue was truly "to die for," as the original post perfectly put it. It complemented her skin tone beautifully and provided a soft yet striking canvas for the leopard print. While the dress itself was a showstopper, I did notice, like the original author, that it felt like it was "missing jewelry" to fully ground the top half, especially with her "new hair cut." Sometimes less is more, but with such a voluminous gown, a delicate diamond necklace or some statement earrings could have added that extra sparkle and balance. It's a delicate balance to strike between simplicity and grandeur, right? But honestly, the dress carried itself with such grace that it hardly mattered in the grand scheme of things. Beyond the aesthetics, what I genuinely loved about this look was how it reflected Elle Fanning's personal style – always elegant, often with a quirky or unexpected twist. It wasn't just another pretty dress; it was a conversation piece. It showed confidence and a deep appreciation for fashion history, interpreted for a modern moment. This look wasn't just a "favorite"; it was a masterclass in red carpet dressing. Absolutely unforgettable!