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💌 "Sorry" Letter from Grandma ðŸ‘ĩ🏞 (Book Review) 🏰

My Grandmother Sends Her Regards and Apologises - BOOK REVIEW 📖

âĪïļ The content below is Biu's personal opinion. There is no right and no wrong. Just want everyone to read more books. Anyone who has other opinions can come to joy it. âĪïļ

🏰 My Grandmother Sends Her Regards and Apologises

✏ïļ Fredrik Backman.

📚 Humorous Fiction / Family Life / Magical Realism

💎 this book seems easy to read, and the words are easy to read, but the story alternates real life with fantasy tales, so there's a specific jargon to remember, + the story may be a little long.

My Grandmother Sends Her Regards and Apologises

Elsa, a seven-year-old girl almost eight years old who is too smart to make it difficult for her to get along with other people and is considered a monster. She doesn't even have a friend of the same age. It's just her grandmother, whose grandmother often tells her fantasy tales about a big kingdom and a lot of monsters to get her away from the real world. 🐉

Soon Grandma lost her life, leaving several "sorry" letters to give Elsa a mission to deliver to her apartment. Each letter allowed Elsa to know her grandmother's identity, her past stories, and her grandmother's complicated relationship with her apartment neighbors. 🏠

⚠ïļ (Spoil and Moi start below) ⚠ïļ

I don't like to read fantasy novels very much because I like to have specific names. Hahahahaha (I can't remember) ðŸĨđ

This is like reading Fiction + Children's Tales, because the story of Elsa walks through a child's perspective that some parts feel is not a child's idea ðŸĪ”, but they have already learned that Elsa is older than the average child, and the grandmother has the eldest expression. 😂

This led Elsa to learn the character's life along with that the neighbors in the same building who covered Dielsa were always afraid, not close, or that everyone in the building didn't have the courage to mess with. What reason made them like this? In fact, every human has gone through a lot of stories of sadness, loss, love, sacrifice. Sometimes it's better if we choose not to speak out.

Bi felt that if we try to find the truth or understand everyone on earth, the afflicted will be ourselves, so accepting each other, forgiving and moving forward, the key point of life. ðŸ’Ŧ

RESHELF / TIKTOK / IG @ bbbooknook

See you next book. 🌟ðŸŦĄ

# Read according to lemon8 # bbreadsomebooks # Books to read # Books # Book review

4/5 Edited to

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āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļĨāđˆāļĄāļ™āļĩāđ‰āļāđ‡āļĒāļąāļ‡āļ™āđˆāļēāļŠāļ™āđƒāļˆāđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļœāļŠāļĄāļœāļŠāļēāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļŠāļĩāļ§āļīāļ•āļˆāļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđāļŸāļ™āļ•āļēāļ‹āļĩāļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāļ­āđˆāļēāļ™āđ„āļĄāđˆāļĢāļđāđ‰āļŠāļķāļāđ€āļšāļ·āđˆāļ­āļŦāļĢāļ·āļ­āļĒāļļāđˆāļ‡āļĒāļēāļāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļ„āļīāļ” āļ”āđ‰āļēāļ™āļ āļēāļĐāļēāļ—āļĩāđˆāđƒāļŠāđ‰āļ­āđˆāļēāļ™āļ‡āđˆāļēāļĒāđāļĨāļ°āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ—āļļāļāđ€āļžāļĻāļ—āļļāļāļ§āļąāļĒ āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļāļēāļĢāļ­āđˆāļēāļ™āļ—āļģāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļāļēāļĢāđƒāļŦāđ‰āļ­āļ āļąāļĒāđāļĨāļ°āļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāļ„āļ§āļēāļĄāđāļ•āļāļ•āđˆāļēāļ‡āļ‚āļ­āļ‡āļ„āļ™āđāļ•āđˆāļĨāļ°āļ„āļ™āđ€āļ›āđ‡āļ™āļŦāļąāļ§āđƒāļˆāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ• āļšāļēāļ‡āļ„āļĢāļąāđ‰āļ‡āļāļēāļĢāđ„āļĄāđˆāļžāļđāļ”āļ­āļ­āļāļĄāļēāļ•āļĢāļ‡āđ† 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āđƒāļ™āļˆāļ”āļŦāļĄāļēāļĒāđ€āļŦāļĨāđˆāļēāļ™āļąāđ‰āļ™āļ—āļĩāđˆāļŠāļ§āļ™āđƒāļŦāđ‰āļ„āļīāļ”āļ•āļēāļĄāđāļĨāļ°āļ‹āļķāļĄāļ‹āļąāļšāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡ āđ‚āļ”āļĒāļŠāđˆāļ§āļ™āļ•āļąāļ§ āļœāļĄāļĄāļ­āļ‡āļ§āđˆāļē "āļˆāļ”āļŦāļĄāļēāļĒāļ‚āļ­āđ‚āļ—āļĐāļˆāļēāļāļ„āļļāļ“āļĒāļēāļĒ" āđ€āļ›āđ‡āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļāļąāļšāļ—āļļāļāļ„āļ™āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒ āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™ āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđƒāļ™āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĄāļ™āļļāļĐāļĒāđŒ āđāļĄāđ‰āļˆāļ°āļĄāļĩāļ„āļ§āļēāļĄāđāļŸāļ™āļ•āļēāļ‹āļĩāđāļ•āđˆāļāđ‡āđ„āļĄāđˆāļ—āļīāđ‰āļ‡āļ„āļ§āļēāļĄāļŠāļĄāļˆāļĢāļīāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™āđ„āļ›āđ€āļĨāļĒ āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāđāļ™āļ°āļ™āļģāļ§āđˆāļēāļ„āļ§āļĢāļ­āđˆāļēāļ™āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ”āđƒāļˆāđāļĨāļ°āđ€āļŦāđ‡āļ™āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđāļĨāļ°āļŠāļļāļĄāļŠāļ™āļĢāļ­āļšāļ•āļąāļ§

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