Krishna Kamthenu wallpaper. Sweet rhetoric, ears spelled. 🪷🪽

Preface (Long, but finished reading, clear. If Blue's work is already plowed across chapter 1, see the will of this picture)

Images = living symbols, all lines, colors, shapes, so we don't need to understand them immediately. Good images should keep working in our hearts.

The part of the content (the letter in which Blue extends the intent of each image) as you read it...

Don't believe Blue, but notice our first response, not only at the level of thought / emotion, but at the level that the mind has not yet interpreted. It does not come in the form of a clear answer to like / dislike, yes / no, but often appears in other forms, such as

- This picture makes some ideas come up that you don't want to think about.

- Suddenly, think of old events, some people, some life spans.

- I don't know what to explain about life now, but it's not stagnant.

- Resist, want to argue, want to deny, and still can't explain why.

- Read and want to scroll through unusually fast / come back and read many times without knowing the reason

These are not tastes, and not necessarily good experiences, but they are signs that the unconscious is responding to symbols that touch certain structures in us.

Blue does not recommend using emotions alone; emotions are different to the unconscious; emotions are the result (traces left behind after mental movements), the unconscious is a movement before language (born before what is felt).

An example of an emotion that often follows the unconscious's response is often an emotion that is difficult to explain; it is not a basic emotion (like glad, sorry, angry, scared), but an emotion that results from a mixture of feelings and thought processes together, e.g.

- You know you've never seen it before.

- Awkward, awkward, can't be put down when the picture isn't scary.

- Attracted. I want to stop watching. I don't know why I'm attracted.

- I want to come back and see it. I don't think it was that early.

- I wanted to keep this picture when I didn't mean to find anything like this.

- It's like looking back. Something's staring at us.

- Be still, be quiet, want to stop watching when you don't feel particularly liked.

- A small, heavy body perception in the chest, suffocation, tears that still can't explain what it's about.

I'm frustrated, I want to argue, I want to say no, I don't know what I'm protecting.

- It hung in his head after he stopped watching.

- Its meaning wasn't immediately clear, but it felt like it had something.

If you notice that something in us is moving up and followed by emotions and unexplained reasons, that's enough to say that the unconscious has started working before that.

One picture is not designed to make everyone feel the same.

Symbols are not red lights, green lights that are taught to understand society.

Symbols work differently; they do not convey a single meaning, but they awaken the inner experience of each person.

The same symbol may make someone feel safe, while another feels uncomfortable, and someone may feel nothing.

All this is not wrong, because the function of symbols requires the same floor.

Blue is only responsible for putting the intention in the picture, not the person who works with it, so it's about one person and one picture, and the process is not about the medium. Blue doesn't cheer, doesn't compare, doesn't say which picture is better. Blue's job is only to open up areas for the picture to meet the owner who really resonates with it.

If there is no response, it does not mean that this image is bad. And if there is resonance, it does not mean that this image is suitable for everyone. The image works through our integrity to our unconscious mind (1-1). If just believe every word without asking your mind once, the world will not need to find anything else. We will be rich, famous, loved by the whole world for a long time.

🪞 functional hierarchy of images and symbols.

When people work with images or symbols, there are always two words to talk about: Resonance and Synchronization, these two things are not the same thing, and they are not mutually exclusive, but in step order...This is a very long story.

1. Resonance (internal world response / birth at the individual level because each internal cost is not the same) is the first stage to occur first.

2. The synchro part (reflected to the outside world / born on a materialistic level) is the result that follows.

🪞 the Archetypal Mechanism

We are not waiting for blessings or alms from the sky, gods or beliefs. The thing that really changes life is that the Archetype within ourselves is awakened.

Many people are familiar with the image remember that changing a life is to make a wish. There is an adult, a deity, or a sacred thing, who prays, speaks, or gives something from the outside, like we are waiting for it, and power is what is given. But the function of the image in this way is not that. The deity, power, or symbols do not serve as a blessing and do not change our lives instead, but as a representation or reflection of some part of our mind.

Symbolism, Imagery, Rituals, Beliefs, Dreams, and Art therefore do not send power in from the outside, but serve to stimulate, gather, and organize the psychic energy that is already in us to extract inner power or compressed, invisible, or dared to use it.

When the unconscious perceives that image, the corresponding inner Archetype is awakened. And when the Archetype is Activated,

External perceptions, decisions, and behaviors gradually change. It is this internal change that causes real-world situations, people, and opportunities to move along, not because someone gives us power, but because we become ready to hold that power.

Energy is not something to ask for.. the material world is not a gift from the sky.. but the result of a ready mind.

So the next time we look at the picture or pay homage to the sacred, let's change the conversation in mind from

Please help the baby elephant.

Is

May this power awaken in me, make me ready to attract what corresponds to it, the right people, the right circumstances, and opportunities come in front of me, for example.

This is taking ownership, or taking power back to yourself. The energy will change from the Victim to the Creator as soon as it is over.

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Chapter 1:

ARCHETYPE Krishna Kamthenu, the archetype of the Attractor without chasing and the source of all desires, serves to turn friction into gravity, turning the contradictions around it into a musical sound that everyone wants to stop listening to. Krishna is the Avatar of Pleasure (Ananda), holding a Venu flute made of ordinary bamboo, but when he blows, the breath turns into a frequency that spells even the watercourse to stop flowing, the bird to stop flying, and the human heart to freeze.

Summary of the energy that the image will reflect (Synchronization of the field of possibility of this image going to Resonance until the actual event occurs)

- The Great Mercy Charm that makes people surrender willingly, not by force.

- Spelling rhetoric weighs our words, is sweet to the ears, and has the power to influence the subconscious level.

- Compassion without borders draws true friends and patrons into their lives.

- Endless treasure archives. Power from Kogamthenu that instigates resources to flow to temma without conditions of time and space.

- Protection from above, dangerous conditions and negative energy do not see us as wrapped in the glory of peace.

- Resonance with all things always keeps us in the right place at the right time without the need for ourselves.

Caution:

- If we deliberately use this charm to destroy other people's lives, or to cheat others, the energy of the Venu flute will immediately silence and the force field will bounce back into chaos, because this power exists based on unconditional love.

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Chapter 2: Let's break down the symbolic agreement in the picture about what this thing is trying to communicate to our Ego.

Krishna, in the aesthetic dimension of Ananda, in the midst of the Vrindavan atmosphere, though the image degrades the dark blue skin tone (Shyamasundara) to the natural skin tone to reach the human tone (Nara-Lila), but retains the key symbol, the Peacock Feather, on the tiara, which means covering the knowledge and beauty of the universe. He sits in a resting position that transcends the Tribhanga (three-part tilt) to the calm Prana Pratishtha that makes the image look breathless through a relaxed plane. Both hands cradle the Venu flute with a soft posture but represents the control of the frequency of heaven. The Pitam-bara, the Drapery Analysis, conveys fire and wisdom.

Zoomorphic relationships appear through the albino cows depicting Kamadhenu or fertility; the placement of the cows' heads near the feet conveys the theological hierarchy upon which the fatherhood is dependent; the eyes of both are fixed not on the beholder, but on the inner peace; the drawing of the line between the eye-hand-heart and the forehand lampstand, forming an equilateral triangle which is the Sacred Geometry of balance, with the lampstand as the focal point of energy conveying awakening among the Wabi-sabi simplicity, where perfection appears in the asymmetry of nature behind it; it is a prophetic work that delivers the heavenly state on earth, through the emptiness of the sky and the light perfectly scattered.

# Mu line # Moo line wallpaper # Auxiliary wallpaper # Personal belief # Lord Krishna