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The Ganesh wallpaper and the Musika rat, a medium of communication between gods and humans. 🊷

Image Size: PC / Desktop / TV (16: 9) Widescreen Gaming Monitor

Type (Code): CF2: Synergy Duo + (2 + Archetypes, e.g., Bi-pole Tensile, Yin Yang, Anima, Animus, Hero Monster, 2 + Cards, 2 + Gods, 2 + Deities, Family, Divinity, Triadic, Four Directions, etc.)

Tier 2: Semi-Custom Archetype (Universal 2 + Archetypes / Differentiated Archetypes Separately Activated / Custom Works from Symbolic Structures / Designed according to Determined Intent Problems / Also Shared Image by More Than 1 Person)

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Preface (Long, but finished reading, clear. If Blue's work is already plowed across chapter 1, see the will of this picture)

Images = living symbols, all lines, colors, shapes, so we don't need to understand them immediately. Good images should keep working in our hearts.

The part of the content (the letter in which Blue extends the intent of each image) as you read it...

Don't believe Blue, but notice our first response, not only at the level of thought / emotion, but at the level that the mind has not yet interpreted. It does not come in the form of a clear answer to like / dislike, yes / no, but often appears in other forms, such as

- This picture makes some ideas come up that you don't want to think about.

- Suddenly, think of old events, some people, some life spans.

- I don't know what to explain about life now, but it's not stagnant.

- Resist, want to argue, want to deny, and still can't explain why.

- Read and want to scroll through unusually fast / come back and read many times without knowing the reason

These are not tastes, and not necessarily good experiences, but they are signs that the unconscious is responding to symbols that touch certain structures in us.

Blue does not recommend using emotions alone; emotions are different to the unconscious; emotions are the result (traces left behind after mental movements), the unconscious is a movement before language (born before what is felt).

An example of an emotion that often follows the unconscious's response is often an emotion that is difficult to explain; it is not a basic emotion (like glad, sorry, angry, scared), but an emotion that results from a mixture of feelings and thought processes together, e.g.

- You know you've never seen it before.

- Awkward, awkward, can't be put down when the picture isn't scary.

- Attracted. I want to stop watching. I don't know why I'm attracted.

- I want to come back and see it. I don't think it was that early.

- I wanted to keep this picture when I didn't mean to find anything like this.

- It's like looking back. Something's staring at us.

- Be still, be quiet, want to stop watching when you don't feel particularly liked.

- A small, heavy body perception in the chest, suffocation, tears that still can't explain what it's about.

I'm frustrated, I want to argue, I want to say no, I don't know what I'm protecting.

- It hung in his head after he stopped watching.

- Its meaning wasn't immediately clear, but it felt like it had something.

If you notice that something in us is moving up and followed by emotions and unexplained reasons, that's enough to say that the unconscious has started working before that.

One picture is not designed to make everyone feel the same.

Symbols are not red lights, green lights that are taught to understand society.

Symbols work differently; they do not convey a single meaning, but they awaken the inner experience of each person.

The same symbol may make someone feel safe, while another feels uncomfortable, and someone may feel nothing.

All this is not wrong, because the function of symbols requires the same floor.

Blue is only responsible for putting the intention in the picture, not the person who works with it, so it's about one person and one picture, and the process is not about the medium. Blue doesn't cheer, doesn't compare, doesn't say which picture is better. Blue's job is only to open up areas for the picture to meet the owner who really resonates with it.

If there is no response, it does not mean that this image is bad. And if there is resonance, it does not mean that this image is suitable for everyone. The image works through our integrity to our unconscious mind (1-1). If just believe every word without asking your mind once, the world will not need to find anything else. We will be rich, famous, loved by the whole world for a long time.

🊞 functional hierarchy of images and symbols.

When people work with images or symbols, there are always two words to talk about: Resonance and Synchronization, these two things are not the same thing, and they are not mutually exclusive, but in step order...This is a very long story.

1. Resonance (internal world response / birth at the individual level because each internal cost is not the same) is the first stage to occur first.

2. The synchro part (reflected to the outside world / born on a materialistic level) is the result that follows.

🊞 the Archetypal Mechanism

We are not waiting for blessings or alms from the sky, gods or beliefs. The thing that really changes life is that the Archetype within ourselves is awakened.

Many people are familiar with the image remember that changing a life is to make a wish. There is an adult, a deity, or a sacred thing, who prays, speaks, or gives something from the outside, like we are waiting for it, and power is what is given. But the function of the image in this way is not that. The deity, power, or symbols do not serve as a blessing and do not change our lives instead, but as a representation or reflection of some part of our mind.

Symbolism, Imagery, Rituals, Beliefs, Dreams, and Art therefore do not send power in from the outside, but serve to stimulate, gather, and organize the psychic energy that is already in us to extract inner power or compressed, invisible, or dared to use it.

When the unconscious perceives that image, the corresponding inner Archetype is awakened. And when the Archetype is Activated,

External perceptions, decisions, and behaviors gradually change. It is this internal change that causes real-world situations, people, and opportunities to move along, not because someone gives us power, but because we become ready to hold that power.

Energy is not something to ask for.. the material world is not a gift from the sky.. but the result of a ready mind.

So the next time we look at the picture or pay homage to the sacred, let's change the conversation in mind from

Please help the baby elephant.

Is

May this power awaken in me, make me ready to attract what corresponds to it, the right people, the right circumstances, and opportunities come in front of me, for example.

This is taking ownership, or taking power back to yourself. The energy will change from the Victim to the Creator as soon as it is over.

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Chapter 1:

In recent times, Blue has become involved in religious dimensions, beliefs, archaeology, spiritual culture, including religious philosophy, so Blue separates the dimensions of power (superstition / power to manipulate the outside world) and the spiritual dimension (the inner world / awakening), because in material theology, power is the sword, and the soul is the hand that holds the sword, if it is powerful but soulless, it is directionless, but if it is spiritual but powerless, we cannot drive anything in the mundane world...

1.Dimensions of power, superstition and power

- Turn the stalemate into a corridor, unravel the death of life. Theologically, he has the power to bend the path of karma in a smooth direction. What used to be jammed like a stone wall will gradually collapse by His mercy. The bottlenecks in life will be removed by the power of the Sesame that broke down folly.

- Endless abundance. With a large ear and a full belly, He is the symbol of wealth flowing unbroken. This energy will attract property and opportunity to life according to the theological law of attraction.

- Musika, who opened the secret passage in the Rat Bible, is a vehicle that goes anywhere. This will help us find shortcuts or livelihood channels that others overlook as a power of access to hard-to-access funding or connectionism.

- Beginning Success Every startup that worships Him will be blessed with a smooth way. If we are going to do a new business or project, the power of the First Gods will help stabilize our foundation as a mountain.

- Shields from danger. The halo around Lord Ganesha acts as a veil of energy to prevent negative energy, curses, or the envy of others from affecting life.

- The power to control the retinue. As King of Gods, Ganapati gives you the power to rule and negotiate, making the people around you considerate and willing to cooperate.

# Mu line # Moo line wallpaper # Auxiliary wallpaper # Personal belief

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... Read moreāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ§āļ­āļĨāđ€āļ›āđ€āļ›āļ­āļĢāđŒāļ„āļ­āļĄāļ—āļĩāđˆāļĄāļĩāļ āļēāļžāļžāļĢāļ°āļžāļīāļ†āđ€āļ™āļĻāđāļĨāļ°āļŦāļ™āļđāļĄāļļāļŠāļīāļāļ°āļĄāļēāļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļ—āļģāđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāđ„āļ”āđ‰āļĨāļķāļāļ‹āļķāđ‰āļ‡āļ§āđˆāļēāļ āļēāļžāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđāļ„āđˆāļ āļēāļžāļ•āļāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāļˆāļ­āļ˜āļĢāļĢāļĄāļ”āļē āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļŦāļĄāļ·āļ­āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļĄāļĩāļŠāļĩāļ§āļīāļ•āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļŠāļ·āđˆāļ­āļŠāļēāļĢāļĢāļ°āļŦāļ§āđˆāļēāļ‡āđ€āļ—āļžāđ€āļˆāđ‰āļēāļāļąāļšāļˆāļīāļ•āđƒāļˆāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ­āļ‡ āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ—āļąāļ™āļ—āļĩāļ—āļĩāđˆāļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ§āļ­āļĨāđ€āļ›āđ€āļ›āļ­āļĢāđŒāļ™āļĩāđ‰ āļĄāļąāļ™āđ€āļŦāļĄāļ·āļ­āļ™āļĄāļĩāđāļĢāļ‡āļ”āļķāļ‡āļ”āļđāļ”āļšāļēāļ‡āļ­āļĒāđˆāļēāļ‡āļ—āļģāđƒāļŦāđ‰āđƒāļˆāļĢāļđāđ‰āļŠāļķāļāļŠāļ‡āļšāđāļĨāļ°āļĄāļĩāļžāļĨāļąāļ‡ āļĄāļĩāļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļŠāļīāđˆāļ‡āļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāļ—āļĩāđˆāđ€āļĢāļēāļ™āļąāļšāļ–āļ·āļ­āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļ­āļ˜āļīāļšāļēāļĒāđ€āļ›āđ‡āļ™āļ„āļģāļžāļđāļ” āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāļąāļ‡āđ€āļāļ•āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļŦāļĨāļąāļ‡āļˆāļēāļāđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ›āļŠāļąāļāļžāļąāļ āļ—āļģāđƒāļŦāđ‰āļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āđ‚āļ­āļāļēāļŠāđāļĨāļ°āļ—āļēāļ‡āļĨāļąāļ”āđƒāļ™āļāļēāļĢāđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļēāđƒāļ™āļŠāļĩāļ§āļīāļ•āđ„āļ”āđ‰āļ‡āđˆāļēāļĒāļ‚āļķāđ‰āļ™ āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļšāļŦāļ™āļđāļĄāļļāļŠāļīāļāļ°āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļ—āļ™āļ—āļĩāđˆāđ€āļ›āļīāļ”āļ—āļēāļ‡āđ€āļ”āļīāļ™āļĨāļąāļšāđƒāļŦāđ‰ āđ‚āļ”āļĒāļŠāđˆāļ§āļ™āļ•āļąāļ§ āļœāļĄāļžāļšāļ§āđˆāļēāđ€āļĄāļ·āđˆāļ­āđƒāļŠāđ‰āļ§āļ­āļĨāđ€āļ›āđ€āļ›āļ­āļĢāđŒāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ‰āļēāļāļŦāļĨāļąāļ‡āļŦāļ™āđ‰āļēāļˆāļ­āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒ āļ‡āļēāļ™āļŦāļĢāļ·āļ­āđ‚āļ›āļĢāđ€āļˆāļāļ•āđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļĄāļąāļāļˆāļ°āļĄāļĩāļ„āļ§āļēāļĄāļĢāļēāļšāļĢāļ·āđˆāļ™āļĄāļēāļāļāļ§āđˆāļēāļ—āļĩāđˆāļ„āļīāļ” āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļĢāļđāđ‰āļŠāļķāļāļĄāļĩāļžāļĨāļąāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āđƒāļˆāđƒāļ™āļāļēāļĢāļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļĄāļēāļāļ‚āļķāđ‰āļ™āļ”āđ‰āļ§āļĒ āļ‹āļķāđˆāļ‡āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļšāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāļ‚āļ­āļ‡āļžāļĢāļ°āļžāļīāļ†āđ€āļ™āļĻāļ—āļĩāđˆāļ§āđˆāļēāļāļąāļ™āļ§āđˆāļēāļ„āļ·āļ­āđ€āļ—āļžāđāļŦāđˆāļ‡āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ āļ­āļĩāļāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ„āļ·āļ­ āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āđ„āļ”āđ‰āļĢāļąāļšāđ€āļāļĢāļēāļ°āļ„āļļāđ‰āļĄāļāļąāļ™āļˆāļēāļāļžāļĨāļąāļ‡āļ‡āļēāļ™āļ”āđ‰āļēāļ™āļĨāļš āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆāļĢāļđāđ‰āļŠāļķāļāļāļąāļ‡āļ§āļĨāļŦāļĢāļ·āļ­āđ€āļˆāļ­āļ›āļąāļāļŦāļēāļ•āđˆāļēāļ‡āđ† āļ§āļ­āļĨāđ€āļ›āđ€āļ›āļ­āļĢāđŒāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāļšāļĢāļĢāđ€āļ—āļēāļ„āļ§āļēāļĄāļ§āļīāļ•āļāđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āđƒāļˆāđ€āļ‚āđ‰āļĄāđāļ‚āđ‡āļ‡āļ‚āļķāđ‰āļ™ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļģāļŠāļēāļ›āđāļŠāđˆāļ‡āļŦāļĢāļ·āļ­āļžāļĨāļąāļ‡āļĨāļšāļˆāļēāļāļ āļēāļĒāļ™āļ­āļ āļ–āļķāļ‡āđāļĄāđ‰āļ§āđˆāļēāļ§āļ­āļĨāđ€āļ›āđ€āļ›āļ­āļĢāđŒāđ€āļŠāļīāļ‡āļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļ™āļĩāđ‰āļˆāļ°āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļĩāļ§āļīāļ•āđƒāļŦāđ‰āļ”āļĩāļ‚āļķāđ‰āļ™āļ”āđ‰āļ§āļĒāļ•āļąāļ§āļĄāļąāļ™āđ€āļ­āļ‡āđ‚āļ”āļĒāļ•āļĢāļ‡ āđāļ•āđˆāđ€āļĄāļ·āđˆāļ­āļĄāļąāļ™āđ€āļ›āđ‡āļ™āļ•āļąāļ§āļŠāļ°āļ—āđ‰āļ­āļ™āđāļĨāļ°āļāļĢāļ°āļ•āļļāđ‰āļ™ Archetype āļŦāļĢāļ·āļ­āļžāļĨāļąāļ‡āļ āļēāļĒāđƒāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāđāļĨāđ‰āļ§ āļāđ‡āļ—āļģāđƒāļŦāđ‰āđ€āļĢāļēāļĄāļĩāļŠāļ•āļīāđāļĨāļ°āļ„āļ§āļēāļĄāļžāļĢāđ‰āļ­āļĄāļ—āļĩāđˆāļˆāļ°āđ€āļ›āļīāļ”āļĢāļąāļšāđ‚āļ­āļāļēāļŠāđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļžāļĨāļąāļ‡āļ‡āļēāļ™āļšāļ§āļāđ„āļ”āđ‰ āļŠāļļāļ”āļ—āđ‰āļēāļĒ āļœāļĄāļ­āļĒāļēāļāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāļĨāļ­āļ‡āđ€āļ›āļīāļ”āđƒāļˆāļĢāļąāļšāļĢāļđāđ‰āļāļąāļšāļ āļēāļžāļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ‹āļ·āđˆāļ­āļŠāļąāļ•āļĒāđŒāļ•āđˆāļ­āļ•āļąāļ§āđ€āļ­āļ‡ āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĢāļĩāļšāļ•āļąāļ”āļŠāļīāļ™āļŦāļĢāļ·āļ­āļĄāļĩāļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡āļĄāļēāļāđ€āļāļīāļ™āđ„āļ› āđāļĨāļ°āđƒāļŠāđ‰āļ āļēāļžāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđƒāļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āđ€āļŠāļīāļ‡āļĨāļķāļāļāļąāļšāļžāļĨāļąāļ‡āļ‡āļēāļ™āļ‚āđ‰āļēāļ‡āđƒāļ™āļ—āļĩāđˆāļ—āļļāļāļ„āļ™āļ•āđˆāļēāļ‡āļĄāļĩ āđāļĨāļ°āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļšāļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļŠāđˆāļ§āļ™āļšāļļāļ„āļ„āļĨāļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ™āļģāļ—āļēāļ‡āļŠāļĩāļ§āļīāļ•āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒ