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Half Year 2026 ðŸ‡ŊðŸ‡ĩ | 5 Favorite Shrines

The first half of 2026 has visited Japan, and this trip is a lot of shrines. 😂

So let's choose the five favorite shrines from this trip, and I can say that it's very difficult to choose from each other, both from personal preferences, atmosphere and shrine stories, so I want to share the five favorite shrines in case anyone likes to visit the shrine too. ðŸĪ

1.Seimei Shrine â›Đïļ

First, it comes purely from personal preference. We already like Ravon Myoji and Abe no Seimei. Seymay Shrine is one of the most intended places to come to Kyoto, and when it comes, it feels like it...It's finally here. ðŸ”Ū⭐

2.Kifune Shrine â›Đïļ

This is one of the most atmospheric shrines, among the mountains and nature, and the red lantern ascent is very beautiful. The important thing is that we walked from Kurama across the hill to Kifune. When we arrived, we were particularly impressed. ðŸŒŋ

3. Okazaki Shrine â›Đïļ

The reason is very simple...Losing to the rabbit. 🐇 There are rabbits at various points in the shrine. You can find him wherever you go, and the amulet is so cute. It's a shrine that goes in and has no complicated reason.

4.Sumiyoshi Taisha â›Đïļ

I like it because the area is very wide. I can walk around and there are many shrines to walk inside. I especially like to find the "Kodairiki Rock." ðŸ”ī⚩âšŦ It feels like I have a small activity while walking around the shrine.

5.Tsuyuno Tenjinsha â›Đïļ

I like it here because of both the story of Ohatsu and Tokubay, and the atmosphere in the shrine is so cute. 💕 I didn't think it would be so colorful at first, but when I entered the whole heart, the pink decorations were full of shrines.

In fact, there are many shrines that you like, but if you choose from 5 places on this trip, it's probably 5 places. Anyone who has a shrine in Japan that you like to share, in case the next trip will follow. 😂ðŸ‡ŊðŸ‡ĩ

# Half-year review# Japanese shrine # Travel to Japan by yourself # Japanese tourist # Japan

7/8 Edited to

... Read moreāļ—āļĢāļīāļ›āđ€āļ—āļĩāđˆāļĒāļ§āļĻāļēāļĨāđ€āļˆāđ‰āļēāđƒāļ™āļāļĩāđˆāļ›āļļāđˆāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļāļēāļĢāđ„āļ”āđ‰āļŠāļąāļĄāļœāļąāļŠāļāļąāļšāļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™āđƒāļ™āđāļ•āđˆāļĨāļ°āļĻāļēāļĨāđ€āļˆāđ‰āļēāļ„āļ·āļ­āđ€āļŠāļ™āđˆāļŦāđŒāļˆāļĢāļīāļ‡āđ† āļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆ Seimei Shrine āļ—āļĩāđˆāđ€āļāļĩāļĒāļ§āđ‚āļ• āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđāļ„āđˆāļĻāļēāļĨāđ€āļˆāđ‰āļēāļ˜āļĢāļĢāļĄāļ”āļē āđāļ•āđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļ­āļ‡āđ€āļĄāļĩāļĒāļ§āļˆāļīāđāļĨāļ°āļ•āļģāļ™āļēāļ™āļ‚āļ­āļ‡ Abe no Seimei āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āđ„āļ”āđ‰āļĒāđ‰āļ­āļ™āđ€āļ§āļĨāļēāļŠāļđāđˆāļĒāļļāļ„āđ‚āļšāļĢāļēāļ“ āļŠāđˆāļ§āļ™ Kifune Shrine āļšāļ™āļ āļđāđ€āļ‚āļēāļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ—āļĩāđˆāļ›āļĢāļ°āļ”āļąāļšāļ”āđ‰āļ§āļĒāđ‚āļ„āļĄāđāļ”āļ‡āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ€āļ”āļīāļ™āļ‚āļķāđ‰āļ™āđ€āļ‚āļēāđ„āļĄāđˆāđ€āļŦāļ™āļ·āđˆāļ­āļĒāđ€āļāļīāļ™āđ„āļ› āđāļ–āļĄāļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŠāļ‡āļšāđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļžāļīāđ€āļĻāļĐāđ€āļĄāļ·āđˆāļ­āđ€āļ”āļīāļ™āļ‚āđ‰āļēāļĄāđ€āļ‚āļēāļĄāļēāļˆāļēāļ Kurama āļ­āļĩāļāļ”āđ‰āļ§āļĒ āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđ€āļ”āļīāļ™āđ€āļ—āļĩāđˆāļĒāļ§āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļĨāļ­āļ‡ āļ•āļ­āļ™āļ—āļĩāđˆāđ„āļ› Okazaki Shrine āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļāđ€āļžāļĢāļēāļ°āļĄāļĩāļāļĢāļ°āļ•āđˆāļēāļĒāļ­āļĒāļđāđˆāļ—āļąāđˆāļ§āļĻāļēāļĨāđ€āļˆāđ‰āļē āļ™āđ‰āļ­āļ‡āļāļĢāļ°āļ•āđˆāļēāļĒāļŠāđˆāļ§āļĒāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļŠāļ”āļŠāļ·āđˆāļ™āđāļĨāļ°āļ™āđˆāļēāļĢāļąāļ āļ—āļģāđƒāļŦāđ‰āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāļ™āļĩāđˆāļ”āļđāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āđ€āļ›āđ‡āļ™āļāļąāļ™āđ€āļ­āļ‡ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ”āļīāļ™āđ„āļ›āļ—āļēāļ‡āđ„āļŦāļ™āļāđ‡āđ€āļŦāđ‡āļ™āļ™āđ‰āļ­āļ‡ āđ† āļāļĢāļ°āļ•āđˆāļēāļĒāđ€āļ•āđ‡āļĄāđ„āļ›āļŦāļĄāļ” āļŠāđˆāļ§āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ‡āļāđ‡āļ™āđˆāļēāļĢāļąāļ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļĢāļąāļāļŠāļąāļ•āļ§āđŒāđāļĨāļ°āļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļžāļĨāļąāļ‡āļšāļ§āļāļ‡āđˆāļēāļĒāđ† Sumiyoshi Taisha āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļ§āđ‰āļēāļ‡āļ‚āļ§āļēāļ‡āļĄāļēāļ āđ€āļ”āļīāļ™āđ€āļžāļĨāļīāļ™āđ†āđāļĨāđ‰āļ§āļŠāļēāļĄāļēāļĢāļ–āļŠāļģāļĢāļ§āļˆāļŦāļĨāļēāļĒāļˆāļļāļ”āđƒāļ™āļĻāļēāļĨāđ€āļˆāđ‰āļēāđ„āļ”āđ‰āļ”āđ‰āļ§āļĒ āļāļēāļĢāļ•āļēāļĄāļŦāļē “āļāđ‰āļ­āļ™āļŦāļīāļ™āđ‚āļāļ°āđ„āļ”āļĢāļīāļāļī” āđ€āļ›āđ‡āļ™āļāļīāļˆāļāļĢāļĢāļĄāđ€āļŠāļĢāļīāļĄāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ—āļĢāļīāļ›āļĄāļĩāļŠāļĩāļŠāļąāļ™āļ‚āļķāđ‰āļ™āđāļĨāļ°āļĢāļđāđ‰āļŠāļķāļāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļ•āļēāļĄāđāļšāļšāļ‰āļšāļąāļšāļ‚āļ­āļ‡āļāļēāļĢāđ€āļ—āļĩāđˆāļĒāļ§āļĻāļēāļĨāđ€āļˆāđ‰āļēāđāļšāļšāđ€āļ‰āļžāļēāļ°āļ•āļąāļ§ āļŠāļļāļ”āļ—āđ‰āļēāļĒ Tsuyuno Tenjinsha āđ€āļ›āđ‡āļ™āļĻāļēāļĨāđ€āļˆāđ‰āļēāļ—āļĩāđˆāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ„āļķāļāļ„āļąāļāđāļĨāļ°āļŪāļēāđ„āļ›āļāļąāļšāļšāļĢāļĢāļĒāļēāļāļēāļĻāļŠāļĩāļŠāļĄāļžāļđāļŠāļ”āđƒāļŠ āļ—āļĩāđˆāļ™āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ‚āļ­āļ‡āļ•āļāđāļ•āđˆāļ‡āļĨāļ§āļ”āļĨāļēāļĒāļŠāļ§āļĒāļ‡āļēāļĄāđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āđ‚āļ­āđ‚āļŪāļ°āļ•āļŠāļķāđāļĨāļ°āđ‚āļ—āļ„āļļāđ€āļšāļĒāđŒ āļ‹āļķāđˆāļ‡āļ™āļ­āļāļˆāļēāļāļˆāļ°āđ„āļ”āđ‰āļŠāļ§āļ”āļĄāļ™āļ•āđŒāļ‚āļ­āļžāļĢ āļĒāļąāļ‡āđ„āļ”āđ‰āļ āļēāļžāļ–āđˆāļēāļĒāļŠāļ§āļĒāđ† āļāļĨāļąāļšāļšāđ‰āļēāļ™āļ­āļĩāļāļ”āđ‰āļ§āļĒ āļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ™āļĩāđ‰āđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļ§āđˆāļēāļāļēāļĢāđ€āļ—āļĩāđˆāļĒāļ§āļĻāļēāļĨāđ€āļˆāđ‰āļēāđƒāļ™āļāļĩāđˆāļ›āļļāđˆāļ™āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļŠāļ–āļēāļ™āļ—āļĩāđˆāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒ āđāļ•āđˆāļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļ„āđ‰āļ™āļžāļšāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡ āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļ™āļ§āļ™āļĩāđ‰ āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļ§āļēāļ‡āđāļœāļ™āđ„āļ›āļ•āļēāļĄāļĻāļēāļĨāđ€āļˆāđ‰āļēāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļšāļ­āļāđ„āļ§āđ‰ āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļˆāļēāļāļ—āļĢāļīāļ›āļ™āļĩāđ‰ āđ€āļžāļ·āđˆāļ­āđ€āļāđ‡āļšāđ€āļāļĩāđˆāļĒāļ§āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđāļĨāļ°āļĄāļļāļĄāļĄāļ­āļ‡āđƒāļŦāļĄāđˆāđ† āļ‚āļ­āļ‡āļāļĩāđˆāļ›āļļāđˆāļ™āļ—āļĩāđˆāļ„āļļāļ“āļ­āļēāļˆāđ„āļĄāđˆāđ€āļ„āļĒāļŠāļąāļĄāļœāļąāļŠāļĄāļēāļāđˆāļ­āļ™