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Coccinelle Legend First Transgender Star of Perfume City ðŸ‡Ŧ🇷

Jacqueline Charlotte Dufresnoy, also known as "Coccinelle" (lit. "ladybug"), is a French actress, singer and social icon who played an important role in the history of transgender people (Transgender) in Europe, with the epithet derived from the dress she wore at the party with a dress that looked red with black polka dots.

History

She was born on August 23, 1931 in Paris, France. She died on October 9, 2006.

Beginning a career path as a cabaret performer, a transgender girl in the 50s got a job at the famous nightclub Le Carrousel de Paris.

In 1958, she underwent sex reassignment surgery in Casablanca, with Georges Burou following surgery. Doctor Burou said, "Bonjour, Mademoiselle" (meaning "Hello, ma'am").

And when she returned to France, she became famous as the first transgender woman to undergo sex reassignment surgery and was endorsed by the French government as a woman.

She later appeared in the media of the country, such as movies, publications.

In 1959, she appeared in the film Europa di notte, directed by Alessandro Blasetti, and in the same year, Italian singer Ghigo Agosti composed the song "Coccinella" to be dedicated to her, which caused a great wave of debate.

Married life

She was first married in 1960 to her first husband. This marriage is considered to be the first legal marriage of a transgender girl in France, which has provided a key pin for legal marriage in the Transgender group, and she has since been married 2 more times.

In 1987, she wrote an autobiography, Coccinelle par Coccinelle (published by Daniel Filipacchi).

Life in the end.

Coccinelle has worked hard as an activist for transgender rights, founding the organization "Devenir Femme" (translated as "Being a Woman") to provide both psychological and practical support to those seeking gender reassignment surgery; she has also contributed to the founding of the Center to Help, Research and Provide Information on Transgender and Gender Identity.

Coccinelle was hospitalized in July 2006 after a stroke and died on October 9, the same year, in Marseille.

Coccinelle's life was quite colorful. While alive, she received criticism and admiration. In an age when racism was still quite violent, being a Transgender was against social values. She was subjected to racism and contempt from the local and international media, but her existence proved that even if you were a Transgender, you were capable, loving, entitled to have a voice, and legalized, as well as others, a model of gender legal certification in various European countries.

# Transgenderwomen # Type two girls # Movies # France # Coccinelle

4/23 Edited to

... Read moreāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§ āļœāļĄāļ„āļīāļ”āļ§āđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡ Coccinelle āđ€āļ›āđ‡āļ™āļšāļ—āđ€āļĢāļĩāļĒāļ™āļŠāļģāļ„āļąāļāļŠāļģāļŦāļĢāļąāļšāļ—āļļāļāļ„āļ™āļ—āļĩāđˆāļŠāļ™āđƒāļˆāđ€āļĢāļ·āđˆāļ­āļ‡āļŠāļīāļ—āļ˜āļīāļĄāļ™āļļāļĐāļĒāļŠāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļēāļ‡āđ€āļžāļĻ āđ€āļ˜āļ­āđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļ”āļēāļĢāļēāļŦāļĢāļ·āļ­āđ„āļ­āļ„āļ­āļ™āđƒāļ™āļĒāļļāļ„ 50s āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđāļ•āđˆāļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļ—āļ™āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāđƒāļ™āļāļēāļĢāđ€āļœāļŠāļīāļāļāļąāļšāļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄāđāļĨāļ°āļāļŽāļŦāļĄāļēāļĒāđƒāļ™āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļ™āļ‚āđ‰āļēāļĄāđ€āļžāļĻāļĒāļąāļ‡āļ–āļđāļāļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡ āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ‚āļ­āļ‡ Coccinelle āđƒāļ™āļāļēāļĢāđ€āļ‚āđ‰āļēāļĢāļąāļšāļāļēāļĢāļœāđˆāļēāļ•āļąāļ”āđāļ›āļĨāļ‡āđ€āļžāļĻāļ—āļĩāđˆāļ„āļēāļ‹āļēāļšāļĨāļąāļ‡āļāļē āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāļˆāļēāļāđāļžāļ—āļĒāđŒāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ āđ€āļŠāđˆāļ™āļ—āļĩāđˆ Georges Burou āļ—āļąāļāļ—āļēāļĒāđ€āļ˜āļ­āļ”āđ‰āļ§āļĒāļ„āļģāļ§āđˆāļē “Bonjour, Mademoiselle” āļ™āļąāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļˆāļ°āđ€āļ›āđ‡āļ™āļāđ‰āļēāļ§āđƒāļŦāļĄāđˆāđƒāļ™āļŠāļĩāļ§āļīāļ•āļŠāđˆāļ§āļ™āļ•āļąāļ§ āļĒāļąāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄāđƒāļ™āļĒāļļāđ‚āļĢāļ›āļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāđ€āļ›āļīāļ”āđƒāļˆāļĒāļ­āļĄāļĢāļąāļšāļ„āļ§āļēāļĄāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™āļĄāļēāļāļ‚āļķāđ‰āļ™ āļœāļĄāļĒāļąāļ‡āļĢāļđāđ‰āļŠāļķāļāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđƒāļ™āļšāļ—āļšāļēāļ—āļ‚āļ­āļ‡āđ€āļ˜āļ­āđƒāļ™āļāļēāļ™āļ°āļ™āļąāļāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āļ”āđ‰āļ§āļĒāļāļēāļĢāļāđˆāļ­āļ•āļąāđ‰āļ‡āļ­āļ‡āļ„āđŒāļāļĢ Devenir Femme āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āļ„āļ™āļ‚āđ‰āļēāļĄāđ€āļžāļĻāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļēāļĢāļœāđˆāļēāļ•āļąāļ”āđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ—āļēāļ‡āļˆāļīāļ•āđƒāļˆ āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļāđˆāļ­āļ•āļąāđ‰āļ‡āļĻāļđāļ™āļĒāđŒāļ§āļīāļˆāļąāļĒāđāļĨāļ°āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒāļ—āļēāļ‡āđ€āļžāļĻ āļ‹āļķāđˆāļ‡āļŠāļīāđˆāļ‡āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāļ›āļĨāļ”āļĨāđ‡āļ­āļāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļœāļīāļ”āđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļēāļ‡āđ€āļžāļĻ āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāđāļāđˆāļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļāļēāļĢāđāļ•āđˆāļ‡āļ‡āļēāļ™āļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļāļŽāļŦāļĄāļēāļĒāļ‚āļ­āļ‡āđ€āļ˜āļ­āļāļąāļšāļŠāļēāļĄāļĩāđƒāļ™āļ›āļĩ 1960 āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļŦāļĄāļļāļ”āļŦāļĄāļēāļĒāļŠāļģāļ„āļąāļāļ—āļĩāđˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļĄāļļāļĄāļĄāļ­āļ‡āļ‚āļ­āļ‡āļŠāļąāļ‡āļ„āļĄāđāļĨāļ°āļāļŽāļŦāļĄāļēāļĒāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŠāļēāļ§āļ›āļĢāļ°āđ€āļ āļ—āļŠāļ­āļ‡āđƒāļ™āļāļĢāļąāđˆāļ‡āđ€āļĻāļŠ āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļĄāļēāļāļāļ§āđˆāļēāļāļēāļĢāđāļ•āđˆāļ‡āļ‡āļēāļ™āļŠāđˆāļ§āļ™āļ•āļąāļ§ āđ€āļžāļĢāļēāļ°āđ€āļ›āđ‡āļ™āļāļēāļĢāļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāđ€āļžāļĻāļŠāļ āļēāļžāđāļĨāļ°āļŠāļīāļ—āļ˜āļīāļ—āļēāļ‡āļāļŽāļŦāļĄāļēāļĒāļŠāļēāļĄāļēāļĢāļ–āđ€āļ—āđˆāļēāđ€āļ—āļĩāļĒāļĄāļāļąāļ™āđ„āļ”āđ‰āļˆāļĢāļīāļ‡āđƒāļ™āļŠāļąāļ‡āļ„āļĄāļ—āļĩāđˆāđ€āļ›āļīāļ”āļĢāļąāļšāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ—āļēāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āđ€āļĢāļēāļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāđāļĨāļ°āđ€āļ„āļēāļĢāļžāļ„āļ§āļēāļĄāđāļ•āļāļ•āđˆāļēāļ‡āđ„āļĄāđˆāđƒāļŠāđˆāđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļāļĨāļ•āļąāļ§ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļ„āđˆāļēāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļŠāļąāļ‡āļ„āļĄāļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ—āđˆāļēāđ€āļ—āļĩāļĒāļĄāđāļĨāļ°āļĒāļąāđˆāļ‡āļĒāļ·āļ™āļĄāļēāļāļ‚āļķāđ‰āļ™ āļ‹āļķāđˆāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡ Coccinelle āļ„āļ·āļ­āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļŠāļąāļ”āđ€āļˆāļ™āļ—āļĩāđˆāļŠāļļāļ”āļ—āļĩāđˆāļ—āļļāļāļ„āļ™āļ„āļ§āļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļĨāļ°āļ™āļģāđ„āļ›āļ›āļĢāļ°āļĒāļļāļāļ•āđŒāđƒāļŠāđ‰āđƒāļ™āļŠāļĩāļ§āļīāļ•āļˆāļĢāļīāļ‡

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Too lazy to put prices and places cause I’m in the bathtub high af. but I will come back to edit . ðŸŦķðŸ―ðŸ˜
Gothamook

Gothamook

4 likes

Gorgeous Bug!
I've always loved bugs... #vwbug #wheelbug #superbeetle #gregonwheels #justforyou
Greg Sanchez

Greg Sanchez

6 likes

Sidney

Sidney

0 likes

ðŸĶ‡
maria.coccinelle

maria.coccinelle

4 likes