Edi Gathegi sees his role as Mister Terrific as "undoing the wrongs" of a past comic book figure he played once upon a time.
The actor appeared in 2011's X-Men: First Class as Darwin, a mutant of Marvel Comics with the ability to evolve and adapt to various environments, which essentially makes him hard to kill. And yet, that film saw the prime villain (played by Kevin Bacon) easily wipe him out. Over the years, fans of the comics became more vocal on social media, calling for justice for one of the few Black superhero characters on screen at the time.
"I was waiting to be brought back because, as you know, the character doesn't die," Gathegi recalls. "The fact that he died in the first one isn't that big of a deal if he does what he does in the comics, which is come back. So every movie that came out and the character didn't come back, it solidified that it was a misrepresentation and a missed opportunity."
Mister Terrific is a different ball game entirely. "[Superman] isn't the only project that I'll be in," Gathegi confirms. The actor considers Michael Holt "one of the most philosophically compelling heroes in DC. He's an atheist who believes in justice."
In the source material, the character, with a genius-level intellect, suffered through the death of his wife from a car accident. And instead of succumbing to darkness, he found light in knowledge. "He saw that, while the universe might be cruel, intelligence, science, and innovation could make it better," Gathegi describes. "He chose to become hope rather than succumbing to the despair of losing his wife."
As Mister Terrific, the character invented T-spheres, floating computerized orbs that respond to his vocal commands. They can create force fields and holograms, emit electrical charges and explosions, and become communication devices, among a wide range of other functions. Unlike Guy, who's all personality and rash decisions, Gathegi gravitated towards the stoicism of the character for his performance.
"That was the key for me," he says. "And unemotional. Just really interested in doing the right thing and saving the most amount of people. I did have my ideas of how to play the stoicism of this character, and then I found myself in these scenes going, This feels a little psychotic. No one who's going through what these characters are going through, with the stakes being as high as they are, has the ability to not be affected by that. I think in the doing of it, we found a lot more color and more complexity and just more humanization."

























































































