THE DRAGON SLAYER
ST. GEORGE THE DRAGON SLAYER
A handful of St. George art did match known fossils. But even in these cases the artists from different regions rendered the dragon from the same scene. St George always in the same pose and the dragon below the horse. This was obviously something witnesses describe and observed physically.
A closer look shows that although these dragons look different, each one matches a particular genus of extinct reptile. And not all were dinosaurs; some were (non-dinosaur) extinct Permian reptiles.
Stunning similarities between the ancient art and digital remakes of the matching fossil forms include tooth shape, position, and orientation, body proportions and sizes, head shapes, and other features.
This genuine European artwork reveals reptiles that span a supposed 200 million years’ worth of rock deposition. Yet they all lived with man. This refutes the entire ‘age of reptiles’ evolutionary idea. We now have access to multiple, clear, eyewitness depictions of mankind alive long after the Flood with not just dinosaurs, but with Permian reptiles.
*The tapestry below*
Palau de la Generalitat Saint George or Sant Jordi Tapestry, Plaza Sant Jaume, Gothic District, Barcelona, Catalonia, Spain.
By Zeb Wilson creationgroupministries@gmail.com
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The artwork depicting St. George and the dragon, particularly from the Gothic District of Barcelona, offers more than a legendary tale; it provides visual documentation linking mythical creatures to real extinct reptiles known from paleontological records. These depictions show not simply generic dragons but identifiable reptilian features corresponding to certain extinct Permian reptiles and nothosaurs, carnivorous marine reptiles thought to have disappeared some 210 million years ago. Nothosaurs and other marine reptiles are generally understood by mainstream science as existing long before humans evolved. Yet, the precision in these ancient European artworks—the tooth shape, head configurations, and body proportions—mirrors digitally reconstructed fossils, leading some to argue that humans and these reptiles coexisted. This challenges the traditional evolutionary timeline and supports alternative interpretations of history, particularly from a creationist perspective that suggests these creatures lived with mankind post-Flood. Further intriguing is the position of St. George on horseback with the reptile consistently below, as witnesses reportedly documented. This repeated imagery across regions suggests a shared experience or common narrative rooted in observed reality rather than pure myth. The Palau de la Generalitat Saint George tapestry provides a stunning visual example preserved in Catalonia’s Gothic District, underscoring the cultural importance and widespread recognition of this scene. For those interested in apologetics, archaeology, and paleontology, these depictions ignite discussions about the intersection of myth, history, and science. Whether viewed through a scientific or theological lens, the evidence presented through art invites reconsideration of extinction timelines and the coexistence of man and ancient reptiles. Such findings have spurred debates within both academic and religious communities about the interpretation of fossil records, the age of reptiles, and mankind’s history on Earth.
