Automatically translated.View original post

👀How to!! Glam Makeup Look Graduation Line!!ðŸĪŽðŸŽ“

- '♡' - hi hiii Everyone's value. How to today

Glam Makeup 🎓 Brown Tone Wire Graduation Look This look will give Philgram like this look to take a picture. I can tell you that the camera is flicked. Definitely pecking the camera!

🌟 skin work

- This look will marry a tight skin, choose a mission or foundation, a semi-matte finish that covers well for beautiful skin work and dough set. This look will focus on the matte skin and we will highlight it.

👀 eye work

- Wear contact lenses the size of a light brown eye with a clear edge. Make your eyes look sexy, crunchy. I wear them as ilens. Mayo Brown.

- Use (01) Javin de seoul Wink Eye Primer No. 03 Peach Orange Apply All Over Upper-Lower Eyelids In Bass Color

- Use (02) meilinda Eye Shadow Stick Brown Latte All Over Upper Eyelid

- Meilinda Chiffon Ribbon Eye Palette No. 05

Use (03) Red-orange Write Shin Upper and Lower Eye Rim Long Drag Open Lower Eye Tail and Draw Dolly Eye Shadow

- Peripera All Take Mood Eye Palatte No. 01

Apply (05) Medium brown Tacet to the entire upper-lower eyelid.

Use (06) Dark brown, apply the upper eye tail range, create a shadow for the eye as a light socket, and write the lower eye. * Write to join the upper eye tail.

- Tonymoly Gel liner Brown Write Eye Slit On Drag Long Lines And Wing Tail Up To Make Eyes Look Sleek

- shu uemura Eye Shadow Palette Haute Street

Cool x Chic

Use (07) Black paint over the eyeliner, emphasize the tail range, increase the eye tail range intensity, and write next to the bottom eye.

- Curling upper-lower eyelashes

- Use Elcate False Eyelashes with Self Adhesive Bouquet No. N1, Stick 4 Bouches on the upper eyelashes, Stick on the eyelashes

- Swipe the black mascara and catch the eyelash bouquet.

💗 cheek work

- Use (04) La glace Baby Vibes Cream Blush No. 10 Brown Mole Pink. Apply All Over Cheek Face Accent Towards Cheekbones. Snout & Chin Fish

- Use (05) La glace Baby Vibes Cream Blush No. 08 Brown Orange with Cheekbone Span

ðŸĪŽ Contour - Highlights

- Use (08) STILA Heavens Hue Highlighter No. Kitten Eye Head Burst and Center Top on Upper Eyelid

- Meilinda Chiffon Ribbon Eye Palette No. 05

Use (09) Nose and Face Frame Contour, Swipe slightly cheekbone range, give skin a sun-cured look

Use (10) Swipe Cheekbone Highlight Ridge / Nose Tip Chin

💋 mouth work

- Use (11) Kage Cloudy Lip Blending No. 02 Write All Over The Edge Of Mouth

- Use (12) Dasique Juicy Dewy Tint No. 27 Nude Brown All Over Top-Bottom Lips

- Use (13) 4U2 Melted Yet No. 15 Brown Balm Tatopop In Mouth

ðŸ’Ĩ and this is Finish Look Glam Makeup 🎓 Look Graduation Brown Tone Wire This look will be dressed to take pictures around, then take the camera. To dress up to the ceremony, it can be said that it is extreme, or to dress for other work, it is smooth. This look is quite full, but it is guaranteed that it is not difficult to dress. Everyone can try to get married. Graduation must be cut in full, hehe < 33

# Drug sign with lemon8 # ilens # Blue lid # lemon 8 box # Graduation makeup

2/26 Edited to

... Read moreāļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāļĨāļļāļ„āđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāļĢāļąāļšāļ›āļĢāļīāļāļāļēāļ—āļĩāđˆāļ”āļđāļŦāļĢāļđāļŦāļĢāļēāđāļ•āđˆāđ„āļĄāđˆāļŦāļĨāļļāļ”āļ˜āļĩāļĄāļŠāļēāļĒāļāļ­ āđ‚āļ—āļ™āļ™āđ‰āļģāļ•āļēāļĨāļ„āļ·āļ­āļŠāļĩāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļĄāļēāļāđ€āļžāļĢāļēāļ°āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āļ”āļđāđāļžāļ‡āđāļšāļšāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļœāļīāļ§āđāļĄāļ•āļ•āđŒāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ™āļĩāļĒāļ™āļāļĢāļīāļšāđ€āļŦāļĄāļ·āļ­āļ™āļ‡āļēāļ™āļœāļīāļ§āļ—āļĩāđˆāļĄāļĩāđˆāđāļ™āļ°āļ™āļģāļŠāđˆāļ§āļĒāđ€āļŠāļĢāļīāļĄāđ€āļĄāļ„āļ­āļąāļžāđƒāļŦāđ‰āļ­āļ­āļāļĄāļēāļ”āļđāđ€āļ™āļĩāđ‰āļĒāļšāļŠāļļāļ”āđ† āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ„āļļāļŠāļŠāļąāđˆāļ™āļŦāļĢāļ·āļ­āļĢāļ­āļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ›āļāļ›āļīāļ”āļ”āļĩāđāļĨāļ°āđ€āļ‹āđ‡āļ•āđāļ›āđ‰āļ‡āđāļĄāļ•āļ•āđŒāļŠāđˆāļ§āļĒāļ„āļļāļĄāļĄāļąāļ™āļ•āļĨāļ­āļ”āļ§āļąāļ™ āļ­āļĩāļāļˆāļļāļ”āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ„āļ·āļ­āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ„āļ­āļ™āđāļ—āļ„āđ€āļĨāļ™āļŠāđŒāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļāļąāļšāļĨāļļāļ„āļ™āļĩāđ‰ āđ€āļĨāļ™āļŠāđŒāļŠāļĩāļŠāļēāļ™āđ‰āļģāļ•āļēāļĨāļ­āđˆāļ­āļ™āđāļšāļš ilens āļĢāļļāđˆāļ™ Mayo Brown āļŠāđˆāļ§āļĒāļ—āļģāđƒāļŦāđ‰āļ”āļ§āļ‡āļ•āļēāļ”āļđāļĄāļĩāļĄāļīāļ•āļīāđāļĨāļ°āļŠāļąāļ”āđ€āļˆāļ™āļ‚āļķāđ‰āļ™ āđ€āļŠāļĢāļīāļĄāļĨāļļāļ„āļŠāļēāļ§āļŠāļēāļĒāļāļ­āđ„āļ”āđ‰āļ”āļĩāļĄāļēāļāđ† āļ™āļ­āļāļˆāļēāļāļ™āļąāđ‰āļ™āļāļēāļĢāđƒāļŠāđ‰āļŠāļĩāļ­āļēāļĒāđāļŠāđ‚āļ”āļ§āđŒāļŠāļĩāļ™āđ‰āļģāļ•āļēāļĨāļĨāļēāđ€āļ•āđ‰āđāļĨāļ°āđāļ”āļ‡āļ­āļĄāļŠāđ‰āļĄāđƒāļ™āđ€āļ›āļĨāļ·āļ­āļāļ•āļēāļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļˆāļĩāđŠāļ” āđ€āļ™āđ‰āļ™āļ—āļģāđƒāļŦāđ‰āļ”āļ§āļ‡āļ•āļēāđ€āļ‰āļĩāđˆāļĒāļ§āđāļĨāļ°āđ€āļ›āļīāļ”āļŦāļēāļ‡āļ•āļēāļĨāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļ™āļģāļĨāļļāļ„āļ™āļĩāđ‰āđ„āļ›āđ€āļĨāđˆāļ™āļāļąāļšāļāļĨāđ‰āļ­āļ‡āđ„āļ”āđ‰āļŠāļ™āļļāļāļ‚āļķāđ‰āļ™ āļ‡āļēāļ™āđāļāđ‰āļĄāđāļĨāļ°āļ„āļ­āļ™āļ—āļąāļ§āļĢāđŒāļāđ‡āđ€āļ›āđ‡āļ™āļŦāļąāļ§āđƒāļˆāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļĨāļļāļ„āļ™āļĩāđ‰āļ”āļđāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āđ‚āļ—āļ™āļŠāļĩāļŠāļĄāļžāļđāļ•āļļāđˆāļ™āļ­āļĄāļ™āđ‰āļģāļ•āļēāļĨāđāļĨāļ°āļŠāđ‰āļĄāļ­āļĄāļ™āđ‰āļģāļ•āļēāļĨāļžāļ§āļ‡āđāļāđ‰āļĄāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŦāļ™āđ‰āļēāļ”āļđāļŠāļ”āđƒāļŠāđāļ•āđˆāļ„āļļāļĄāđ‚āļ—āļ™āļŠāļĩāļ™āđ‰āļģāļ•āļēāļĨāđ„āļĄāđˆāļŦāļĨāļļāļ”āļ˜āļĩāļĄ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļāļēāļĢāļ›āļąāļ”āđ„āļŪāđ„āļĨāļ—āđŒāļšāļĢāļīāđ€āļ§āļ“āļŦāļąāļ§āļ•āļē āļŠāļąāļ™āļˆāļĄāļđāļ āđāļĨāļ°āđ‚āļŦāļ™āļāđāļāđ‰āļĄāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĄāļīāļ•āļīāļ‚āļ­āļ‡āđƒāļšāļŦāļ™āđ‰āļē āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļĨāļīāļ›āļ—āļīāļ™āļ—āđŒāđāļĨāļ°āļšāļēāļĨāđŒāļĄāļŠāļĩāļ™āļđāđ‰āļ”āļ™āđ‰āļģāļ•āļēāļĨāļ—āļģāđƒāļŦāđ‰āļĨāļļāļ„āļ”āļđāļ„āļĢāļšāļˆāļšāđāļĨāļ°āļ™āđˆāļēāļŦāļĨāļ‡āđƒāļŦāļĨāļ‚āļķāđ‰āļ™ āļāļēāļĢāļ—āļģāļ‡āļēāļ™āđ€āļĨāđ€āļĒāļ­āļĢāđŒāđāļ•āđˆāļĨāļ°āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļ­āļĒāđˆāļēāļ‡āļžāļīāļ–āļĩāļžāļīāļ–āļąāļ™āđāļĨāļ°āđƒāļŠāđ‰āđ„āļ­āđ€āļ—āļĄāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āļ—āļģāđƒāļŦāđ‰āđ„āļ”āđ‰āļĨāļļāļ„ glam āļ—āļĩāđˆāđ„āļĄāđˆāļ”āļđāđ€āļĒāļ­āļ°āļˆāļ™āđ€āļāļīāļ™āđ„āļ› āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ—āļļāļāļ„āļ™āļ—āļĩāđˆāļ­āļĒāļēāļāđ„āļ”āđ‰āļĨāļļāļ„āļŠāļēāļĒāļāļ­āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ–āđˆāļēāļĒāļĢāļđāļ›āļ™āļ­āļāļĢāļ­āļšāļˆāļ™āļ–āļķāļ‡āļ§āļąāļ™āļžāļīāļ˜āļĩāļˆāļĢāļīāļ‡ āļŦāļ§āļąāļ‡āļ§āđˆāļēāđ€āļ—āļ„āļ™āļīāļ„āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ—āļļāļāļ—āđˆāļēāļ™āđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāđ„āļ”āđ‰āļŠāļ§āļĒ āļŠāļ°āļ”āļļāļ”āļ•āļē āđāļĨāļ°āļĄāļąāđˆāļ™āđƒāļˆāđƒāļ™āļ§āļąāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļ™āļ°āļ„āļ°