Automatically translated.View original post

🧧 Howto Make Up Get Chinese New Year Pretty Juicy Up Camera 

Is there a beautiful look in Chinese New Year this year? If not yet, come to see this post! Today, Fern took a "beautiful juicy makeup technique on the camera" to focus on the skin, the mouth is full of water. Take a picture out is Jung! Let's go see the steps.

🌟 Step 1: Use Tint Lock Look (No. 02 Nude). This is a baby. The skin is very beautiful. His texture is light but conceals the downer. Blur the pores are smooth and waterproof. It's also waterproof. Wiring the envelope all day.

👁ïļ Step 2: Sweet Eye Makeup

Fern chose to use the JOVINA Spring in Paris pallet. The color is very tender.

👃 Step 3: A Chinese girl-style barrage.

Indispensable is the nose contour! Fern uses Judydoll * Down the contour number (1), beside the ridge of the nose and the tip of the nose, as pictured. Highlight number (2) on the head of the eyes and the tip of the nose. Let the beam look like a Chinese girl.

💄 Step 4: "Baby Lip" glossy succulent mouth

This technique, Fern 1, uses Lip Shine Mee. This is a glossy succulent mouth like a mirror, but very durable.

1. Use concealer to drown the lip color first.

2.Paint 503 (Heart Me) all over the mouth as a floor.

3. Add 501 (Cherry Me) color inside the mouth, brighten.

4. Blend the mouth to look full of water. Healthy.

Finish. Look! 💖âœĻ

This is the Chinese New Year look, but still cute, more beautiful, the camera. Who likes the look that Fern composed, do not forget to press to save the dress together. 🧧ðŸ’ļ

# Howtobeauty # Chinese New Year  

 # Namite Lock Luke # Lip Song Seven # Foundation Seven

2/5 Edited to

... Read moreāļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāļ•āļĢāļļāļĐāļˆāļĩāļ™āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđƒāļŦāđ‰āļœāļīāļ§āļŦāļ™āđ‰āļēāļ”āļđāļŠāļ§āļĒāļ‰āđˆāļģāđāļĨāļ°āļ‚āļķāđ‰āļ™āļāļĨāđ‰āļ­āļ‡āđ„āļ”āđ‰āļ‡āđˆāļēāļĒāđ† āļ‚āļ­āđāļŠāļĢāđŒāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ„āļ”āđ‰āļĨāļ­āļ‡āđƒāļŠāđ‰āļ—āļīāđ‰āļ™āļ—āđŒāļĨāđ‡āļ­āļ„āļĨāļļāļ„āđ€āļšāļ­āļĢāđŒ 02 Nude āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāđ€āļ”āđˆāļ™āļ„āļ·āļ­āđ€āļ™āļ·āđ‰āļ­āļšāļēāļ‡āđ€āļšāļēāđāļ•āđˆāļ›āļāļ›āļīāļ”āđ„āļ”āđ‰āļ”āļĩāļĄāļēāļ āđāļ–āļĄāđ€āļšāļĨāļ­āļĢāļđāļ‚āļļāļĄāļ‚āļ™āļˆāļ™āļœāļīāļ§āļ”āļđāđ€āļ™āļĩāļĒāļ™āļāļĢāļīāļšāļŠāļļāļ”āđ† āđƒāļŠāđ‰āđāļĨāđ‰āļ§āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ€āļŦāļĄāļēāļ°āļāļąāļšāļ‡āļēāļ™āļĢāļąāļšāļ‹āļ­āļ‡āļ•āļĢāļļāļĐāļˆāļĩāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āđ€āļ”āļīāļ™āđ„āļ›āļĢāļ­āļšāđ† āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļĨāļąāļ§āđ€āļŦāļ‡āļ·āđˆāļ­āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĄāļąāļ™āļ—āļģāđƒāļŦāđ‰āđ€āļĄāļ„āļ­āļąāļžāđ„āļŦāļĨāđ€āļĨāļĒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļāļēāļĢāđ€āļĨāļ·āļ­āļāļžāļēāđ€āļĨāļ—āđāļ•āđˆāļ‡āļ•āļēāļŠāļĩāļĨāļ°āļĄāļļāļ™ āđ€āļŠāđˆāļ™ JOVINA Spring in Paris āļŠāđˆāļ§āļĒāđ€āļŠāļĢāļīāļĄāđƒāļŦāđ‰āļĨāļļāļ„āļ”āļđāļŦāļ§āļēāļ™āļĨāļ°āļĄāļļāļ™āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ‡āļēāļ™āđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļ™āđˆāļēāļĢāļąāļ āļŠāļ”āđƒāļŠ āđāļĨāļ°āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ–āļ„āļ­āļ™āļ—āļąāļ§āļĢāđŒāļˆāļĄāļđāļāđƒāļŦāđ‰āļ”āļđāļžāļļāđˆāļ‡āđāļšāļšāļŠāļēāļ§āļˆāļĩāļ™āđ„āļ”āđ‰āļ‡āđˆāļēāļĒāđ† āļ”āđ‰āļ§āļĒāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ‚āļ­āļ‡ Judydoll āļ—āļĩāđˆāđƒāļŠāđ‰āļĨāļ‡āļŠāđˆāļ§āļ™āļŠāļąāļ™āļˆāļĄāļđāļāđāļĨāļ°āļ›āļĨāļēāļĒāļˆāļĄāļđāļāđƒāļŦāđ‰āļŠāļąāļ”āđ€āļˆāļ™āļ‚āļķāđ‰āļ™ āļžāļĢāđ‰āļ­āļĄāđ„āļŪāđ„āļĨāļ—āđŒāļ—āļĩāđˆāļŦāļąāļ§āļ•āļēāđāļĨāļ°āļ›āļĨāļēāļĒāļˆāļĄāļđāļ āđ€āļžāļīāđˆāļĄāļĄāļīāļ•āļīāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āļĨāđˆāļ‡āļ›āļĨāļąāđˆāļ‡āđƒāļŦāđ‰āđƒāļšāļŦāļ™āđ‰āļē āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđ€āļ—āļ„āļ™āļīāļ„āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ—āļģāđƒāļŦāđ‰āļ›āļēāļāļ”āļđāļ­āļīāđˆāļĄāļ™āđ‰āļģāđāļĨāļ°āļŠāļļāļ‚āļ āļēāļžāļ”āļĩ āļ„āļ·āļ­āļāļēāļĢāļ—āļēāļĨāļīāļ›āđāļšāļš Baby Lip āļ”āđ‰āļ§āļĒāļāļēāļĢāđƒāļŠāđ‰āļ„āļ­āļ™āļ‹āļĩāļĨāđ€āļĨāļ­āļĢāđŒāļāļĨāļšāļŠāļĩāļ›āļēāļāļāđˆāļ­āļ™ āļˆāļēāļāļ™āļąāđ‰āļ™āļĨāļ‡āđ€āļšāļŠāļŠāļĩ 503 (Heart Me) āļ—āļąāđˆāļ§āļ›āļēāļ āđāļĨāđ‰āļ§āđ€āļ•āļīāļĄāļŠāļĩ 501 (Cherry Me) āđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļāļĨāļēāļ‡āļ›āļēāļāđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŠāļ”āđƒāļŠ āļŠāļļāļ”āļ—āđ‰āļēāļĒāđ€āļšāļĨāļ™āļ”āđŒāđƒāļŦāđ‰āļŸāļļāđ‰āļ‡āđ† āļ—āļģāđƒāļŦāđ‰āļ›āļēāļāļ”āļđāļ‰āđˆāļģāļ§āļēāļ§āđāļšāļšāļāļĢāļ°āļˆāļ āļ•āļīāļ”āļ—āļ™āļĒāļēāļ§āļ™āļēāļ™āļ•āļĨāļ­āļ”āļ§āļąāļ™ āļ‹āļķāđˆāļ‡āđ€āļŦāļĄāļēāļ°āļĄāļēāļāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļ­āļąāđˆāļ‡āđ€āļ›āļēāđāļĨāļ°āļ–āđˆāļēāļĒāļĢāļđāļ›āđ€āļāđ‡āļšāļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāđƒāļ™āļ§āļąāļ™āļ”āļĩāđāļšāļšāļ™āļĩāđ‰ āļŦāļēāļāđƒāļ„āļĢāļ­āļĒāļēāļāđ„āļ”āđ‰āļĨāļļāļ„āļ—āļĩāđˆāļ”āļđāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļ•āđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđƒāļ™āļ‡āļēāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™ āļĨāļ­āļ‡āđƒāļŠāđ‰āđ€āļ—āļ„āļ™āļīāļ„āđāļĨāļ°āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ”āļđāļ™āļ°āļ„āļ° āļĢāļąāļšāļĢāļ­āļ‡āļŠāļ§āļĒāđ€āļ›āđŠāļ° āļŠāļđāđ‰āđāļŠāļ‡ āđāļĨāļ°āļ”āļđāļŠāļļāļ‚āļ āļēāļžāļ”āļĩāļŠāļļāļ”āđ† āđ€āļžāļĢāļēāļ°āļāļēāļĢāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļāļēāļĢāđ€āļžāļīāđˆāļĄāļŠāļĩāļŠāļąāļ™āđāļ•āđˆāļĒāļąāļ‡āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āđƒāļˆāđāļĨāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ§āļąāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŠāļļāļ‚āđāļĨāļ°āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ—āļļāļāļŠāđ‡āļ­āļ•āļ āļēāļžāļ„āđˆāļ°