From my experience following the NY drill music scene, it's clear that competition and rivalries often drive attention and support for many artists. Slump Dotty's claim that he doesn't receive support because he doesn't diss others highlights an interesting aspect of this genre where conflict can fuel popularity. While dissing might boost exposure, it also creates division. Choosing to avoid dissing can be an act of personal authenticity, but it might make it harder for an artist to get featured on prominent drill pages which thrive on drama and rivalries. This raises questions about the values within the drill community and whether success depends on engagement in these conflicts. However, there are fans and creators who appreciate artists focusing purely on music and lyrical skills rather than beefs. Support might be limited but can be deeper and longer-lasting. Moreover, social media pages dedicated to drill music often curate content that fits certain narratives or styles. If an artist like Slump Dotty does not conform to typical drill protagonist traits, such as diss tracks, they might be excluded unintentionally. Artists in this space could explore alternative promotion methods like collaborations, live performances, and direct fan engagement to build community and visibility. Ultimately, Slump Dotty’s experience points out how interconnected personal style, community dynamics, and media promotion are in NY drill music. For artists who want to stay true to themselves but face these challenges, diversifying their approach to exposure while maintaining their values might offer a path forward.