Primo explains why he ranked Jodot Kreep so low #ttpprimo #jodotkreep #nycdrill #drillrap #drillmusic
Having followed the NYC drill music scene closely, I find Primo’s ranking of Jodot Kreep quite thought-provoking. Drill rap, known for its raw storytelling and aggressive beats, thrives on authenticity and consistent output. In the last few months, some fans have expressed that Jodot’s latest releases haven't matched the energy or lyrical sharpness that defined his earlier work. It’s true that in a genre as fast-moving as drill, maintaining relevance means constantly innovating and connecting with listeners. Moreover, the conversation around artists like Dotty B and Pop Kreep highlights how public perception can shift quickly in the drill scene. Some say Dotty B’s influence has waned, while Pop Kreep’s style is sometimes labeled as 'mid,' indicating a perceived drop in quality or appeal. These opinions reflect how fans and critics alike assess the evolving sound and impact of drill artists. From my experience, rankings like Primo’s are shaped not just by talent but also by consistency, public engagement, and adaptability. The NYC drill community is tight-knit but highly competitive, and artists must continuously prove their worth. Discussions on platforms like Twitter or forums often influence fans, contributing to the buzz around who’s rising or falling in the ranks. For listeners wanting to dive deeper, I recommend checking the latest tracks from Jodot Kreep alongside other top drill artists to form your own opinion. It’s also valuable to follow heated debates and discussions tagged with #nycdrill and #drillrap to stay updated about ongoing shifts and emerging talents in this vibrant music scene.























































