Automatically translated.View original post

Refreshing 💗 give out orders✅

📌Photorealistic, 8K, high quality, sharp lighting and shadows.

‎* The woman's face is identical to the one in the original attached image (emphasis on "as close to the original as possible, no editing required"),

Full body shot of a beautiful young Chinese woman with radiant, glowing "aura" skin, standing playfully in a lush green garden. She is looking directly at the camera with a charming, mischievous expression and a sweet smile. She strikes a dynamic pose, raising one hand in a "peace" sign near her eye while winking, and extending one leg out to the side. Her hair is styled in long, intricate dark brown double pigtail braids adorned with small white floral hair clips.

Outfit & Accessories:

She is wearing a light green and white gingham (checkered) sleeveless sundress with delicate lace trim along the neckline and a ruffled hem. She carries a small round straw crossbody bag. Her footwear consists of white mid-calf socks and black glossy Mary Jane platform shoes with a silver buckle. No tattoos or branded logos.

Makeup Details (Douyin Style):

Exquisite Chinese "glass skin" makeup. Subtle cool-toned contouring on the nose bridge and jawline. High-shimmer highlights on the inner corners of the eyes, nose bridge, and tip. Natural peach-toned eyeshadow with heavy glitter on the center of the lids and the "Aegyo Sal" (under-eye area). Thin winged eyeliner with delicate individual cluster lashes on both top and bottom. Natural, feathery soft eyebrows. Soft pink blush applied high on the cheeks and under the eyes for a doll-like look. Gradient "bit-lip" style using matte pink base blurred at the edges, topped with high-shine crystal lip gloss for a plump, dewy finish.

Background & Environment:

The scene is a sun-drenched garden featuring a large lemon or pomelo tree laden with yellow fruit. In the background, there is a small white wooden cottage, a vintage-style scalloped garden umbrella, and a vibrant bush of blue and purple hydrangeas near a white picket fence with a round-top gate. Soft, natural sunlight with professional cinematic lighting.

Technical Specifications:

Photorealistic, shot on 35mm lens, f/2.8, highly detailed skin texture, sharp focus on the face, 8k resolution, ultra-high definition, professional photography, 9:16 aspect ratio. (No oil painting, no 3D render, no cartoon).

āļ„āļģāđāļ™āļ°āļ™āļģāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ›āđŠāļ°:

Negative Prompt: (Tattoo, brand logo, text, watermark, deformed hands, extra fingers, cartoon, drawing, painting, blurry, low resolution, bad anatomy).

#āļ•āļīāļ”āđ€āļ—āļĢāļ™āļ”āđŒ #āļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ”āđ‰āļ§āļĒgemini

2/6 Edited to

... Read moreāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ„āļģāļŠāļąāđˆāļ‡āļŠāļĢāđ‰āļēāļ‡āļ āļēāļž Photorealistic āļ—āļĩāđˆāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡āļĢāļ°āļ”āļąāļš 8K āļ™āļĩāđ‰āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļœāļĨāļ‡āļēāļ™āļ”āļđāļŠāļĄāļˆāļĢāļīāļ‡āđāļĨāļ°āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļœāļĄāļĨāļ­āļ‡āđƒāļŠāđ‰āļ„āļģāļŠāļąāđˆāļ‡āļ™āļĩāđ‰āđƒāļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ‚āļ­āļ‡āļŠāļēāļ§āļˆāļĩāļ™āđƒāļ™āļšāļĢāļĢāļĒāļēāļāļēāļĻāļŠāļ§āļ™āļ—āļĩāđˆāļĄāļĩāļ•āđ‰āļ™āđ€āļĨāļĄāļ­āļ™āļŦāļĢāļ·āļ­āļœāļĨāļŠāđ‰āļĄāđ‚āļŠāļāđ‚āļŠāļ™ āļ‹āļķāđˆāļ‡āļŠāđˆāļ­āļ‡āļŠāļ§āđˆāļēāļ‡āļ”āđ‰āļ§āļĒāđāļŠāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļĨāļ°āļāļēāļĢāļˆāļąāļ”āđāļŠāļ‡āđāļšāļšāļĄāļ·āļ­āļ­āļēāļŠāļĩāļž āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļœāļīāļ§āđāļĨāļ°āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāđƒāļ™āļ āļēāļžāļ”āļđāļĄāļĩāļĄāļīāļ•āļīāđāļĨāļ°āđ€āļŠāļĄāļ·āļ­āļ™āļˆāļĢāļīāļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™ āļāļēāļĢāđ€āļ™āđ‰āļ™āļ„āļ§āļēāļĄāđƒāļŠāļ‚āļ­āļ‡āļœāļīāļ§āđƒāļ™āļŠāđ„āļ•āļĨāđŒ "glass skin" āđāļĨāļ°āļāļēāļĢāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāđāļšāļš Douyin āļžāļĢāđ‰āļ­āļĄāđ„āļŪāđ„āļĨāļ•āđŒāļ›āļĢāļ°āļāļēāļĒāļ§āļīāļšāļ§āļąāļšāļĢāļ­āļšāļ”āļ§āļ‡āļ•āļēāđāļĨāļ°āđāļāđ‰āļĄāļŠāļĩāļŠāļĄāļžāļđāļ­āļĒāđˆāļēāļ‡āļ­āđˆāļ­āļ™āđ‚āļĒāļ™ āđ€āļžāļīāđˆāļĄāđ€āļŠāļ™āđˆāļŦāđŒāđƒāļŦāđ‰āļ•āļąāļ§āđāļšāļšāļ”āļđāļĄāļĩāļŠāļĩāļ§āļīāļ•āļŠāļĩāļ§āļēāđāļĨāļ°āđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļāļēāļĢāđāļ•āđˆāļ‡āļāļēāļĒāļ”āđ‰āļ§āļĒāļŠāļļāļ”āļāļĢāļ°āđ‚āļ›āļĢāļ‡āļĨāļēāļĒāļŠāļāđ‡āļ­āļ•āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āļ­āđˆāļ­āļ™āļ‚āļēāļ§āļ—āļĩāđˆāļĄāļĩāļĨāļđāļāđ€āļĨāđˆāļ™āļĢāļ°āļšāļēāļĒāļœāđ‰āļēāļ›āļĨāļēāļĒāļāļĢāļ°āđ‚āļ›āļĢāļ‡ āļžāļĢāđ‰āļ­āļĄāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ›āļĢāļ°āļ”āļąāļšāļŦāļ§āļēāļĒāđāļĨāļ°āļĢāļ­āļ‡āđ€āļ—āđ‰āļēāļŦāļ™āļąāļ‡āļŠāđ„āļ•āļĨāđŒ Mary Jane āļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ”āļđāļ™āđˆāļēāļĢāļąāļāđāļĨāļ°āļŠāļ”āđƒāļŠāļ™āđˆāļēāļ•āļīāļ”āļ•āļēāļĄ āļˆāļēāļāļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāđ€āļĨāļ™āļŠāđŒ 35mm āļ—āļĩāđˆ f/2.8 āļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ„āļĄāļŠāļąāļ”āļ—āļĩāđˆāļˆāļļāļ”āđ‚āļŸāļāļąāļŠ āļžāļĢāđ‰āļ­āļĄāļĨāļ°āļĨāļēāļĒāļ‰āļēāļāļŦāļĨāļąāļ‡āļšāļēāļ‡āļŠāđˆāļ§āļ™āļ­āļĒāđˆāļēāļ‡āļ™āļļāđˆāļĄāļ™āļ§āļĨ āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĄāļĩāļĄāļīāļ•āļīāđāļĨāļ°āđ‚āļŸāļāļąāļŠāđ„āļ›āļ—āļĩāđˆāđƒāļšāļŦāļ™āđ‰āļēāđāļĨāļ°āļ­āļēāļĢāļĄāļ“āđŒāļ‚āļ­āļ‡āļ•āļąāļ§āđāļšāļšāļ­āļĒāđˆāļēāļ‡āļŠāļąāļ”āđ€āļˆāļ™ āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡āļ–āļķāļ‡ 8K āļĒāļąāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ‚āļ­āļ‡āļœāļīāļ§āļŦāļ™āļąāļ‡āđāļĨāļ°āđ€āļŠāđ‰āļ™āļœāļĄāļĄāļĩāļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļĄāļˆāļĢāļīāļ‡ āļŠāļīāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāļœāļđāđ‰āļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ„āļ§āļĢāļĢāļ°āļ§āļąāļ‡āļ„āļ·āļ­āļāļēāļĢāļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāđ€āļŠāļīāļ‡āļĨāļš āđ€āļŠāđˆāļ™ āļĢāļ­āļĒāļŠāļąāļ āđ‚āļĨāđ‚āļāđ‰ āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļœāļīāļ”āļ›āļāļ•āļīāļ‚āļ­āļ‡āļĨāļąāļāļĐāļ“āļ°āļĄāļ·āļ­āđāļĨāļ°āļ™āļīāđ‰āļ§ āļ‹āļķāđˆāļ‡āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ”āļđāđ„āļĄāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒ āļ‰āļ°āļ™āļąāđ‰āļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļē Negative Prompt āđƒāļŦāđ‰āļŠāļąāļ”āđ€āļˆāļ™āļŠāđˆāļ§āļĒāļ›āđ‰āļ­āļ‡āļāļąāļ™āļ‚āđ‰āļ­āļœāļīāļ”āļžāļĨāļēāļ”āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āđ„āļ”āđ‰āļ”āļĩ āļŠāļĢāļļāļ›āļ„āļ·āļ­āļ„āļģāļŠāļąāđˆāļ‡āđāļĨāļ°āđ€āļ—āļ„āļ™āļīāļ„āļ™āļĩāđ‰āđ€āļŦāļĄāļēāļ°āļĄāļēāļāļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāđ‚āļŸāđ‚āļ•āđ‰āđ€āļĢāļĩāļĒāļĨāļĨāļīāļŠāļ•āļīāļāļŠāļļāļ”āļžāļĢāļĩāđ€āļĄāļĩāđˆāļĒāļĄāđƒāļ™āļŠāđ„āļ•āļĨāđŒāđ€āļ­āđ€āļŠāļĩāļĒāļ—āļĩāđˆāļœāļŠāļĄāļœāļŠāļēāļ™āļ„āļ§āļēāļĄāļŠāļ”āđƒāļŠāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļļāļ‚āļļāļĄāļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ‡āļēāļ™āđāļŸāļŠāļąāđˆāļ™ āļ āļēāļžāļžāļ­āļĢāđŒāļ•āđ€āļ—āļĢāļ• āļŦāļĢāļ·āļ­āđāļĄāđ‰āđāļ•āđˆāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ­āļ™āđ€āļ—āļ™āļ•āđŒāļŠāļģāļŦāļĢāļąāļšāđ‚āļ‹āđ€āļŠāļĩāļĒāļĨāļĄāļĩāđ€āļ”āļĩāļĒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđāļĨāļ°āļ™āđˆāļēāļˆāļ”āļˆāļģ