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Chew 💗 give out orders✅

# powerpuffgirl💕 Cr.Jene Kunthida ðŸĐ·

Create an image using an uploaded image of an Asian girl from a reference image (with 100% of her face intact) Subject: A teenage Asian girl (approximately 18-22 years)

Posture (Pose): Sitting in the back seat of a car, leaning slightly against the back seat, bending down and eyespoons looking straight at the camera lens with a natural cool and charming expression.

Camera Angle: High angle close-up shot, high angle close-up shot, high angle look down on the subject, highlighting the face, shoulder and chest range.

Dress (Suit): Wear a dark grey cap with embossed embroidered lettering on the front. Wear over with a black hoodie jacket (Black hoodie) with the hood pulled up to cover over another layer of the cap to create a layer. Inside, see a plain black top.

Accessories (Accessories): No accessories (No harnesses, no necklaces) to control the look to look minimalist and cool.

Skin: Silky, fluffy, healthy-looking face (Flawless glass skin)

Makeup Style: Clean and minimalist makeup (Clean minimal makeup), focus on natural-looking skin work, plump lips with mole pink lipstick or soft matte pinkish-nude lipse)

Hairstyle: Long straight black hair. Look thick with volume. Let the hair down dirty in front on both sides, covering the jacket.

Scene (Scene): The atmosphere inside a luxury car. Behind the model, the top left corner of the picture is a wall or car ceiling lined with burgundy red leather stitched with a diamond pattern (Diamond-stitched red leather) against the car's black cloth or leather seats.

Lighting: Soft diffused lighting shines in from the car window outside the frame on the left of the image, creating soft light and shadows that help drive the focus of the outline and dimensions of the garment.

Color Tone: Cool, somber, cinematic-style tone (Cool, moody, cinematic tone), controlling the black and gray tone of the dress, contrasting with the burgundy red color of the padding leather inside the car.

Camera Specs: 8k sharp image, Masterpiece, shot with f / 22 narrow aperture (deep depth of field), ultra-sharp focus across the entire scene), no blur or melt backdrop (No background blur, everything in focus), clearly see hair, skin and clothing textures. Aspect ratio: 9: 16

ðŸšŦ Negative Prompt: (worst quality, low quality: 1.4), blurry, out of focus, deformed, ugly, bad anatomy, bad proportions, extra limbs, extra fingers, mutated hands, missing fingers, poorly drawn hands, poorly drawn face, cross-eyed, artificial lighting, 3d rendering, cartoon, illustration, oversaturated, unnatural skin, unnatural pose, text, watermark, signature

# Trending # Create a picture with gemini

4/11 Edited to

... Read moreāđƒāļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļœāļĄāļāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ”āļīāļˆāļīāļ—āļąāļĨāļœāđˆāļēāļ™āđ€āļ—āļ„āļ™āļīāļ„āļ™āļĩāđ‰ āļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ„āļģāļŠāļąāđˆāļ‡āļ­āļĒāđˆāļēāļ‡āļĨāļ°āđ€āļ­āļĩāļĒāļ”āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ‡āļēāļ™āļ”āļđāļŠāļĄāļˆāļĢāļīāļ‡āđāļĨāļ°āļ•āļĢāļ‡āļ•āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļēāļ āļāļēāļĢāđ‚āļŸāļāļąāļŠāļ—āļĩāđˆāļœāļīāļ§āļŦāļ™āļąāļ‡āđƒāļŦāđ‰āļ”āļđāļ‰āđˆāļģāļ§āļēāļ§āđāļĨāļ°āđ€āļ™āļĩāļĒāļ™āļĨāļ°āđ€āļ­āļĩāļĒāļ” (Flawless glass skin) āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ”āļđāļĄāļĩāļŠāļĩāļ§āļīāļ•āļŠāļĩāļ§āļēāđāļĨāļ°āļ™āđˆāļēāļ”āļķāļ‡āļ”āļđāļ”āļĄāļēāļāļ‚āļķāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļāļēāļĢāļˆāļąāļ”āļ§āļēāļ‡āļ—āđˆāļēāļ—āļēāļ‡āļ—āļĩāđˆāļ™āļąāđˆāļ‡āđ€āļ­āļ™āļžāļīāļ‡āđ€āļšāļēāļ°āļŦāļĨāļąāļ‡āļĢāļ–āļĒāļ™āļ•āđŒ āđ‚āļ”āļĒāļĄāļļāļĄāļāļĨāđ‰āļ­āļ‡āđāļšāļš High angle close-up shot āļāđ‡āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāđ€āļŠāļ™āđˆāļŦāđŒāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđƒāļŦāđ‰āļ āļēāļžāļĄāļēāļāļ‚āļķāđ‰āļ™ āđ€āļĄāļ·āđˆāļ­āļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļāļēāļĢāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāđāļšāļšāļ„āļĨāļĩāļ™āļĄāļīāļ™āļīāļĄāļ­āļĨ āļ—āļģāđƒāļŦāđ‰āļĨāļļāļ„āļ‚āļ­āļ‡āļ•āļąāļ§āđāļšāļšāļ”āļđāđ„āļĄāđˆāļˆāļąāļ”āļˆāđ‰āļēāļ™āđ€āļāļīāļ™āđ„āļ›āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļ—āļąāļ™āļŠāļĄāļąāļĒāđāļĨāļ°āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļœāļĄāļŠāļ­āļšāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļāļēāļĢāđƒāļŠāđ‰āđāļŠāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ™āļļāđˆāļĄāļ™āļ§āļĨ (Soft diffused lighting) āļŠāđˆāļ­āļ‡āļœāđˆāļēāļ™āļŦāļ™āđ‰āļēāļ•āđˆāļēāļ‡āļĢāļ–āļĒāļ™āļ•āđŒāđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āđ€āļ‡āļēāļ—āļĩāđˆāļŠāđˆāļ§āļĒāđ€āļ™āđ‰āļ™āļĄāļīāļ•āļīāđƒāļŦāđ‰āđ‚āļ„āļĢāļ‡āļŦāļ™āđ‰āļēāđāļĨāļ°āđ€āļŠāļ·āđ‰āļ­āļœāđ‰āļē āļ āļēāļžāļˆāļ°āļ”āļđāļŠāļĄāļˆāļĢāļīāļ‡āđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļĨāļķāļ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ āļēāļžāļ—āļĩāđˆāļ–āđˆāļēāļĒāļ”āđ‰āļ§āļĒāļāļĨāđ‰āļ­āļ‡āļĢāļđāļĢāļąāļšāđāļŠāļ‡āđāļ„āļš f/22 āļ—āļģāđƒāļŦāđ‰āļ—āļļāļāļŠāđˆāļ§āļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļœāļĄāđ„āļ›āļˆāļ™āļ–āļķāļ‡āļžāļ·āđ‰āļ™āļœāļīāļ§āđ€āļšāļēāļ°āļĢāļ–āļ„āļĄāļŠāļąāļ”āđāļĨāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” āļāļēāļĢāļ„āļļāļĄāđ‚āļ—āļ™āļŠāļĩāđƒāļ™āļ āļēāļžāļāđ‡āļĄāļĩāļœāļĨāļĄāļēāļ āđ‚āļ—āļ™āļŠāļĩāđ€āļĒāđ‡āļ™āđāļĨāļ°āđ‚āļ—āļ™āļ”āļēāļĢāđŒāļāļ—āļĩāđˆāļ•āļąāļ”āļāļąāļšāđāļ”āļ‡āđ€āļšāļ­āļĢāđŒāļāļąāļ™āļ”āļĩāļ‚āļ­āļ‡āđ€āļšāļēāļ°āļŦāļ™āļąāļ‡ āļŠāđˆāļ§āļĒāđ€āļ•āļīāļĄāđ€āļ•āđ‡āļĄāļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļšāļšāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ āļ­āļēāļĢāļĄāļ“āđŒāđāļšāļšāļ™āļĩāđ‰āļ™āļ­āļāļˆāļēāļāļˆāļ°āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ™āđˆāļēāļŠāļ™āđƒāļˆāđāļĨāđ‰āļ§ āļĒāļąāļ‡āđ€āļ›āļīāļ”āđ‚āļ­āļāļēāļŠāđƒāļŦāđ‰āđ€āļĢāļēāđ„āļ”āđ‰āļĨāļ­āļ‡āđ€āļĨāđˆāļ™āļāļąāļšāļ„āļ§āļēāļĄāļĨāļķāļāļ‚āļ­āļ‡āļŠāļĩāđƒāļ™āļ‡āļēāļ™āļĻāļīāļĨāļ›āđŒāļ”āđ‰āļ§āļĒ āļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļ­āļĒāļēāļāļŠāļĢāđ‰āļēāļ‡āļ‡āļēāļ™āļ āļēāļžāļŠāđ„āļ•āļĨāđŒāļ™āļĩāđ‰ āļœāļĄāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđƒāļŠāđ‰ Negative Prompt āļ­āļĒāđˆāļēāļ‡āļĢāļ°āļĄāļąāļ”āļĢāļ°āļ§āļąāļ‡ āđ€āļŠāđˆāļ™ āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ„āļļāļ“āļ āļēāļžāļ•āđˆāļģ āļĢāļđāļ›āđ€āļšāļĨāļ­ āļŦāļĢāļ·āļ­āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļœāļīāļ”āļŠāļąāļ”āļŠāđˆāļ§āļ™ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļœāļĨāļĨāļąāļžāļ˜āđŒāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāđāļĨāļ°āļ”āļđāļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļĄāļēāļāļ‚āļķāđ‰āļ™ āļŠāļĢāļļāļ›āđāļĨāđ‰āļ§ āļāļēāļĢāđƒāļŠāđ‰āļ„āļģāļŠāļąāđˆāļ‡āļ—āļĩāđˆāļŠāļąāļ”āđ€āļˆāļ™āđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĨāļļāļĄāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ—āļąāđ‰āļ‡āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āđˆāļēāļ—āļēāļ‡ āđāļ•āđˆāļ‡āļŦāļ™āđ‰āļē āđāļŠāļ‡ āđāļĨāļ°āđ‚āļ—āļ™āļŠāļĩāđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļˆāļģāđ€āļ›āđ‡āļ™āļĄāļēāļ āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļŦāļāļīāļ‡āļŠāļēāļ§āđ€āļ­āđ€āļŠāļĩāļĒāļ§āļąāļĒāļĢāļļāđˆāļ™āđƒāļ™āļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļšāļšāļ™āļĩāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļĄāļīāļ™āļīāļĄāļ­āļĨāđāļ•āđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāđ€āļŠāļ™āđˆāļŦāđŒāđāļĨāļ°āļ„āļ§āļēāļĄāļ™āđˆāļēāļ”āļķāļ‡āļ”āļđāļ”