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Handle with care. Let's embrace vulnerability.ðŸĨ°

# InsomniaInExhibition

When fuzziness, sensitivity and sensitivity become the language of self-healing, "Handle with care" is an exhibition that invites us to embrace vulnerability by the artist Madeitwhendrunk.

"Handle with Care" takes us to explore "Fragility" as something that is not a weakness, but a trace that says that we are alive, through 5 exhibit zones, from identity faintness to fragility, misguided embrace, putting flowers in the gap of cracks, and finally, self-apology and forgiveness, using the bright colored characters and motionless faces that are unique to MIWD as symbols of identity being assembled from cracks, giving a gentle, fragile but honest feeling.

MIWD's work acts like a broken mirror, but it is more visible to us than it seems, because under bright colors and cuteness, there are important questions waiting for us: How do we take care of our vulnerability and are we ready to forgive ourselves for the pain we once suffered?

This exhibition invites us to look at ourselves more gently than ever before to tell us that vulnerability is not something to hide, that crack is not the end, that disintegration is not defeat, that self-reassembly is not necessarily complete, and most importantly, that embracing wounds is to honor our strength on a day that is still standing, even when broken before.

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📍 Exhibition Place: Xspace (Bangkok)

📅 on display today - December 27, 2025.

⏰ is open every Monday-Saturday from 10 to 5 p.m.

ðŸ’ĩ Admission is free.

🚘. There's a private parking lot.

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# MIWD

# Xspace

# Insommiascene

# Art exhibition

2025/12/1 Edited to

... Read moreāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ Handle with Care āļ‚āļ­āļ‡āļĻāļīāļĨāļ›āļīāļ™ MIWD āļ™āļģāđ€āļŠāļ™āļ­āļāļēāļĢāļĄāļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđƒāļ™āļĄāļļāļĄāđƒāļŦāļĄāđˆ āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāļˆāļļāļ”āļ­āđˆāļ­āļ™ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļāļēāļĢāļĄāļĩāļŠāļĩāļ§āļīāļ•āļ­āļĒāļđāđˆāļˆāļĢāļīāļ‡ āļ”āđ‰āļ§āļĒāļāļēāļĢāđƒāļŠāđ‰āļ•āļąāļ§āļĨāļ°āļ„āļĢāļŠāļĩāļŠāļąāļ™āļŠāļ”āđƒāļŠāđāļĨāļ°āđƒāļšāļŦāļ™āđ‰āļēāļ™āļīāđˆāļ‡āđ€āļ‰āļĒ āđ€āļžāļ·āđˆāļ­āļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āļ āļēāļĒāđƒāļ™āļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļ„āļ™ āļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļœāļĄāđ„āļ”āđ‰āđ„āļ›āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļĄāļē āļĢāļđāđ‰āļŠāļķāļāđ„āļ”āđ‰āđ€āļĨāļĒāļ§āđˆāļēāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļĢāļēāļāļĨāđ‰āļēāļŦāļąāļ™āļĄāļēāļŠāļģāļĢāļ§āļˆāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļšāļēāļ”āđāļœāļĨāđƒāļ™āđƒāļˆ āđāļĨāļ°āļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ„āļ§āļĢāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāđāļĨāļ°āđ‚āļ­āļšāļāļ­āļ” āđ„āļĄāđˆāđƒāļŠāđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļ‹āđˆāļ­āļ™āđ€āļĢāđ‰āļ™ āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ™āļĩāđ‰āđāļšāđˆāļ‡āļ­āļ­āļāđ€āļ›āđ‡āļ™ 5 āđ‚āļ‹āļ™ āđāļŠāļ”āļ‡āļ–āļķāļ‡āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļāļēāļĢāļŸāļ·āđ‰āļ™āļŸāļđāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāļ•āļąāļ§āļ•āļ™āļ—āļĩāđˆāđ€āļĨāļ·āļ­āļ™āļĢāļēāļ‡āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļāļēāļĢāđƒāļŦāđ‰āļ­āļ āļąāļĒāļ•āļąāļ§āđ€āļ­āļ‡ āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļœāđˆāļēāļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļˆāļąāļšāļ•āđ‰āļ­āļ‡āđ„āļ”āđ‰ āđ€āļŠāđˆāļ™ āļāļēāļĢāļ§āļēāļ‡āļ”āļ­āļāđ„āļĄāđ‰āđƒāļ™āļĢāļ­āļĒāļĢāđ‰āļēāļ§ āļ—āļĩāđˆāļœāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļˆāļĢāļīāļāđ€āļ•āļīāļšāđ‚āļ•āđāļĄāđ‰āđƒāļ™āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒ āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđāļĨāļ°āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļāļ„āļ·āļ­āļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāļ”āļđāđāļĨāļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡ āļ”āđ‰āļ§āļĒāđ‚āļ—āļ™āļŠāļĩāļŠāļ”āđƒāļŠāļœāļŠāļĄāļ„āļ§āļēāļĄāđ€āļ‡āļĩāļĒāļšāļ‚āļĢāļķāļĄ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ§āđˆāļēāđāļĄāđ‰āļˆāļ°āļ”āļđāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđāļĨāļ°āđāļ•āļāļŦāļąāļ āđāļ•āđˆāļāđ‡āļŠāļēāļĄāļēāļĢāļ–āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļĄāđāļ‚āđ‡āļ‡āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒ āļŠāļģāļŦāļĢāļąāļšāđƒāļ„āļĢāļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđ€āļĒāļĩāļĒāļ§āļĒāļēāļŦāļąāļ§āđƒāļˆ āļ‡āļēāļ™āļ™āļĩāđ‰āđ€āļŦāļĄāļēāļ°āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđƒāļŦāđ‰āđ€āļĢāļēāđ€āļĢāļīāđˆāļĄāļĢāļąāļāļ•āļąāļ§āđ€āļ­āļ‡āđāļĨāļ°āđƒāļŦāđ‰āļ­āļ āļąāļĒāļ•āļąāļ§āđ€āļ­āļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļāļēāļĢāđ€āļ‚āđ‰āļēāļŠāļĄāđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļŠāļĩāļĒāļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāđāļĨāļ°āļĄāļĩāļ—āļĩāđˆāļˆāļ­āļ”āļĢāļ–āļĒāļ™āļ•āđŒāļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒ āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āđ‚āļ­āļāļēāļŠāļ”āļĩāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļŠāļ™āđƒāļˆāļĻāļīāļĨāļ›āļ°āđāļĨāļ°āļāļēāļĢāđ€āļĒāļĩāļĒāļ§āļĒāļēāļ”āđ‰āļ§āļĒāļ•āļ™āđ€āļ­āļ‡ āļœāļĄāļ­āļĒāļēāļāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļ—āļļāļāļ„āļ™āđ„āļ›āļŠāļąāļĄāļœāļąāļŠāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ™āļĩāđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡ āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ”āđƒāļˆāļĢāļąāļšāļĢāļđāđ‰āļ–āļķāļ‡āļžāļĨāļąāļ‡āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđƒāļ™āđāļšāļšāļ—āļĩāđˆāđ€āļĢāļēāļ­āļēāļˆāđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āļŠāļķāļāļĄāļēāļāđˆāļ­āļ™