Three Books I Read This Week 📙

🔎 The Hollow by Agatha Christie

The setup for this story sounds fun and compelling, but I found this mystery to be excruciatingly slow and unexciting the whole way through.

🌿 The Tainted Cup by Robert Jackson Bennett

Obsessed. A murder mystery set in a totally original steampunk meets bio-fantasy world. I never wanted to close the book and I cannot wait for more books in the series.

🍸 The Divorcées by Rowan Beaird

I was excited to read about a so-called “divorce ranch,” (a real phenomena where women could shack up for several weeks to “earn” a divorce, back in the 50s). Unfortunately all the descriptive writing in the world couldn’t save what was a slow, plotless story drowning in cattiness and shallow characters.

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#mystery #fantasy #historicalfiction

2024/3/25 Edited to

... Read moreOkay, so I've been thinking a lot about 'The Divorcées' by Rowan Beaird after reading this review, especially that intriguing concept of the 'divorce ranch'. Honestly, before picking up this book (or even just hearing about it), I had no idea such a thing existed in the 1950s! It’s such a unique nugget of social history, isn't it? Imagine, a time when getting a divorce was so challenging, particularly for women, that places like these ranches in states like Nevada became a refuge. Women would literally pack up their lives, move to a new state for a few weeks or months to establish residency, and then finally gain their freedom. It wasn't just a legal loophole; it was a societal statement, a small rebellion against the rigid norms of the era. The idea of these women, from all walks of life, converging in one place – an 'it girl' alongside a 'lonely homebody,' as the OCR mentioned – to navigate this deeply personal and often stigmatized journey, is just ripe for storytelling. The setting alone, a 1951 divorce ranch, provides such a vivid backdrop for exploring themes of independence, societal pressure, and female camaraderie. While the original review mentioned feeling it was 'slow' or 'plotless' with 'shallow characters,' I wonder if for some readers, the real 'plot' isn't a dramatic external conflict, but rather the internal transformation these women undergo. It’s less about a fast-paced thriller and more about the quiet defiance and camaraderie found among women seeking agency in a world that often denied it. The cattiness described might even be a realistic portrayal of human dynamics under stress, especially when societal expectations are so high. I always find historical fiction that sheds light on lesser-known aspects of the past so compelling. The contrast between the 'lonely homebody' and the 'it girl' characters, as highlighted by the OCR, sounds like a perfect lens through which to explore different perspectives on marriage, independence, and societal pressures. You have one woman perhaps reluctantly seeking freedom, another embracing it with flair. How do these different journeys intersect at a shared destination like a divorce ranch? That's what truly draws me in. It makes me curious about the subtle power shifts and personal awakenings that might unfold. It makes me reflect on how far women's rights have come since 1951, yet also how some of those underlying themes of seeking independence and defining one's own path still resonate today. For anyone fascinated by mid-century American history, women's liberation, or simply the intricate social dance between different personalities confined to one unique setting, 'The Divorcées' could offer a lot to unpack, even if the pacing isn't for everyone. It's a reminder that sometimes, the stories we find most valuable aren't necessarily the ones with explosive plot twists, but those that offer a quiet, reflective window into a pivotal moment in time and the lives of the people who lived it.