I got published in Japan with this manga!!
Here's my debut manga with Kodansha "This Foreigner Is Too Otaku To Make Her Dreams Come True"!! The original was in Japanese but I got permission to post the English version 💖 Now that I've debuted I'll be working hard to get a serialization too, so I hope you'll cheer me on! ☺️✨ #manga #mangaka #mangaart #anime #animeart
It's still surreal to see my manga, 'This Foreigner Is Too Otaku To Make Her Dreams Come True,' out there, published in Japan! Many of you might wonder what it's truly like to pursue a mangaka dream in a foreign country, especially when your story is about an 'otaku foreigner.' Well, let me tell you, it's a rollercoaster of passion, perseverance, and more than a few 'panic!' moments. The premise itself, as the title suggests, revolves around the unique struggles and hilarious adventures of someone deeply passionate about otaku culture, trying to navigate the Japanese manga industry. From the initial concept – inspired by personal experiences like seeing an ad for a 'zombie anime on the screen' in Akihabara, blending 'maid wars' and the idea of saving 'otaku culture' – to countless revisions with editors, every step was a profound learning curve. It’s definitely not a tale like you'd see in anime and manga with epic journeys to an isekai; this is about the real world, where 'there are no cheat codes.' One of the biggest hurdles, as you might guess, was the language barrier. Learning Japanese isn't just about speaking; it's about understanding cultural nuances, collaborating effectively with editors, and truly conveying your vision. There were moments, like those hinted at in the comic with a character named Suzuka struggling to speak Japanese normally in the office, where I felt like I was constantly fumbling, trying to express complex ideas. It's not always as easy as using a tool like 'DeepT' might suggest! You really do have to put in the effort, and I remember thinking, 'I'm trying!! I really am!' Editors, bless their hearts, are absolutely crucial. They push you to refine your work. I recall getting feedback like, 'This story's too niche,' or questioning if 'super-otaku stories don't really sell, right?' (as some of the panels show). It makes you question everything, wondering if after moving all the way to Japan to follow big dreams, you 'really have what it takes.' But that critical feedback is what helps you find that delicate balance between your unique voice and what truly resonates with a broader audience. While my character designs often got praise, the story itself always needed to evolve. So, what's next after this incredible debut with Kodansha? The dream of serialization! It's a whole new mountain to climb, but with the support I've received and the invaluable lessons learned from creating 'This Foreigner Is Too Otaku To Make Her Dreams Come True,' I'm more determined than ever. This journey has shown me that even when you feel 'too otaku,' your passion can indeed make your dreams come true. I hope this glimpse into the journey and the themes of the manga encourages anyone out there chasing their own big dreams!










