The powers that be on the internet tell me I need to share my art process with you to prove that all of my productys are drawn by me, an actual human. Today I’m showing you how I designed the Frog Weather Tracker stamp!
I create all of our designs on my iPad Pro in @Procreate with my Apple Pencil. I am abysmal at drawing with a mouse so I didn’t become a digital artist until the Apple Pencil became a thing.
I start with a sketch layer in the 6B pencil brush I always draw in blue for the sketch layer so that I can see my black final linework over it easily. I start out soft and then add darker sketchy lines to figure out exactly how I want the lines to look.
When I’m happy with that I make a new layer and switch to the monoline brush (I have various customized versions of this brush I use todo all of my lineart) and use black to create the final lines. I trace over my sketch layer to find the line I’m happiest with.
Once I’m happy with all the lines I’m done and I send the file over to photoshop to prepare for the manufacturer and design the packaging. I think that bit is a little boring but Let me know if you’d like to see that part of the process in the future.
And then after a little bit of waiting those black line drawings are delivered to me in the form of a super cute stamp! It’s still a little magical to see things I design exist in real life as usable objects! Let me know in the comments if you’d like to see more process videos in the future!
#artistsoftiktok #artprocess #queerartist #workingartist #digitalart
As a fellow digital artist, I completely relate to the excitement and challenges of creating unique designs on an iPad Pro with the Apple Pencil. One tip I’ve learned is that using a distinct color for your sketch layer, like blue, really helps keep your workflow organized and prevents confusion when doing final linework. I often start with soft, loose lines to explore shapes and form, then gradually darken and refine them—a technique that makes the drawing feel more lively and organic. When it comes to lineart brushes, customizing your monoline or inking brushes to suit your style can make a huge difference in output quality and speed. Experimenting with pressure sensitivity settings is also useful, as it allows for more expressive lines even in minimalistic drawings. After finishing the linework, I usually export the files at high resolution with transparent backgrounds to make them ready for printing or manufacturing processes. Working in Photoshop or similar programs to prepare final files, including adding packaging design, can indeed feel less exciting but is essential for professional results. It’s the bridge that turns digital art into physical products. I’ve started documenting this phase more recently, and it’s been rewarding to share the full creative journey with my community, from digital sketch to real-world item. Watching your designs transform into tangible objects like stamps, stickers, or prints is incredibly fulfilling and motivates me to keep experimenting. If you’re new to digital art or product creation, I recommend practicing layering techniques and exploring different brushes for sketching and inking. Also, don’t be afraid to share your process—even the parts you find boring—as many artists appreciate seeing the complete workflow. It not only builds trust with your audience but also connects you with others who share your creative passion.
