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A photograph of Her Majesty Queen Sirikit, the Queen Mother, wearing a traditional Thai dress, or Chud Thai the national costume of Thailand.

Thai dress or Chud Thai ðŸ‡đ🇭

Thai dress is the national costume of Thailand.

The royally-approved Thai dress originated around 1960 (66 years ago) by using female role models. Thailand in the past, before the era of royally favored traditional Thai attire.

Thai clothing has evolved over time.

For over 1,400 years, since the Dvaravati and Ayutthaya periods. Up until the Rattanakosin era, clothing was considered a matter of...

It reflects social status and lifestyles that adapt to the context. Of society and social class in each era., Thai upper class and government officials would dress in attire that reflected their status, such as wearing the Rajapaten jacket, while ordinary people dressed simply. Her Majesty Queen Sirikit, the Queen Mother, initiated the creation of a national costume for Thai women and men to use in royal ceremonies and various occasions. This involved adapting traditional Thai women's clothing from the past to be more elegant and suitable for modern times.

The most widely recognized and standard Thai national costume, known globally, is the "Royal Thai Costume," comprising eight types: Ruen Ton, Chitralada, Amarin, Borom Phiman, Chakri, Dusit, and Sivalai. These costumes were designed by Her Majesty Queen Sirikit, the Queen Mother, using Thai fabrics produced in Thailand and showcasing exquisite Thai craftsmanship. Worn on important occasions, both day and night, they add a touch of elegance, sophistication, and awe-inspiring presence, captivating those who see them.

Key features and characteristics of Thai traditional dress., The fabrics used for making traditional Thai dresses are typically hand-woven brocade silk, hand-woven gold brocade silk, or hand-woven cotton. Royal decorations are commonly added to these dresses for formal ceremonies.

Accessories commonly worn with traditional Thai clothing include necklaces, bracelets, and Thai belts.

During Her Majesty Queen Sirikit, the Queen Mother, accompanied His Majesty King Bhumibol Adulyadej, the Great, King Rama IX of the Chakri Dynasty, on royal visits to the United States and several European countries in 1960, she considered the unique identity and image of Thailand to be presented to the world. To promote and create a lasting impression, she instructed the designers of her national costumes to create garments that reflected traditional Thai values ​​from ancient times to the present. This included meticulous craftsmanship, attention to detail, and precision in every step of the process, ensuring the highest quality results.

Therefore, His Majesty graciously commanded that research be conducted into the attire of Thai female members of the royal family in the past, and that consultation be held with specialized experts in Thai history to create.

Subsequently, Her Majesty Queen Sirikit, the Queen Mother, graciously ordered the designs to be adapted to modern times. These royal Thai dresses were designed and the Thai fabrics personally selected by Her Majesty, so that she could wear them on various occasions. This aimed to showcase Thai fabrics and Thai dress as a unique symbol of Thai identity, making them widely known and admired both in Thailand and internationally throughout the countries Her Majesty visited.

These royal Thai costumes have been adapted from ancient styles of wearing to make them easier for Thai people to wear in their daily lives. They are suitable for various ceremonies and events, including casual styles for everyday wear and elegant and appropriate styles for important ceremonies. They also incorporate traditional and modern Thai fabrics and accessories, combined as appropriate, to create a beautiful and unique look for different occasions, reflecting the distinctive identity of Thailand., The tailoring, embroidery, and garment composition styles have been developed to be as suitable as possible, in order to preserve, continue, and pass on the valuable heritage of our Thai ancestors, ensuring it remains with Thailand forever.

Eight types of royally approved Thai costumes.

- Thai house set

- Chitralada Thai dress

- Thai Amarin outfit

- Borom Piman Thai dress

- Thai Chakri costume

- Thai Dusit set

- Thai Emperor costume

- Thai Sivalai outfit

These royal Thai dresses were worn by Her Majesty Queen Sirikit, the Queen Mother, on various occasions, and she also shared the designs with close associates, eventually becoming widely known and used.

The traditional Rajapaten shirt and purple sarong were originally a royal initiative of His Majesty the King., Thai people have worn traditional Thai clothing since the Ayutthaya period, dating back to the reign of King Chulalongkorn. Later, King Chulalongkorn declared it the national costume of Thailand. Thailand's vassal states, such as Cambodia and Laos, were all required to wear Thai-style clothing. From national pride to global recognition, Thai traditional clothing is currently in the process of being registered as an intangible cultural heritage by UNESCO this year, following negotiations between the Thai Minister of Foreign Affairs and the Director-General of UNESCO. This unique Thai identity is ready to shine on the world stage. Thai traditional clothing comes in various beautiful and elaborate styles, suitable for various ceremonial occasions.

Modernized and reinterpreted Thai dresses from the reign of King Rama V are popular at social events.

Eight styles of traditional Thai costumes inspired by the Rattanakosin era and various Thai royal residences.

- Thai house set

A casual outfit made from striped or plain cotton or silk fabric with a border. The skirt is ankle-length, and the top is a separate piece of fabric with a front panel in a color matching the stripes or border, which can be contrasting or the same color as the skirt. The top has three-quarter sleeves that are comfortably wide, a front opening with five buttons, and a shallow, round neckline without a collar. Suitable for wearing to informal events.

and want comfort

For example, attending a Kathina ceremony (a Buddhist merit-making ceremony), going on a boat trip, or visiting a waterfall.

- Chitralada Thai dress

Daytime ceremonial attire uses plain silk with a border, or brocade throughout. The garment is cut as a blouse and skirt; the skirt is long and wraps around the front like a casual style. The blouse has long sleeves, a front opening, and a round neckline with a small standing collar. This attire is used for occasions where men wear full ceremonial dress, such as receiving visiting heads of state at the airport. Women do not need to wear decorations, but the fabric should be beautiful and appropriate for the occasion.

- Thai Amarin set

Evening ceremonial attire uses silk brocade with gold threads or entirely gold brocade. This style of blouse and skirt is acceptable for those who do not wish to wear a belt. Older women may opt for wide, round necklines without collars and three-quarter sleeves, as the beauty lies in the fabric and the appropriate accessories for formal receptions, evening theatrical performances, and specifically for royal ceremonies and parades on the King's birthday. Women may wear royal decorations.

- Borom Piman Thai dress

The evening ceremonial outfit, worn with a belt, uses silk or gold brocade fabric, which may have a border or be entirely brocade. It is cut as a one-piece garment, with a pleated skirt that ties at the side and a front sash. A traditional Thai belt is worn around the waist. The long-sleeved, round-necked blouse has a standing collar and a front or back opening. The pleated fabric extends to the ankles. This outfit is suitable for tall, slender individuals and is worn for full and semi-formal occasions, such as garden parties, royal banquets, or formal dinners on cool evenings. Appropriate jewelry is worn.

- Thai Chakri costume

The Thai traditional dress with a sash uses brocade fabric with a patterned border or brocade throughout the entire garment. The skirt has pleats at the front and a raised train. A Thai belt is worn around the waist. The upper part is a sash, which can be sewn to the skirt as one piece or worn separately. One shoulder is exposed, and the sash drapes over the other shoulder, with the train hanging down the back as appropriate. The beauty lies in the fabric, the stitching, and the wearer's figure. Beautiful jewelry can be worn to complement the outfit, especially for evening occasions.

- Thai Dusit set

This is a formal evening attire, made from silk or gold brocade, similar to the Thai Amarin, Thai Borom Phiman, and Thai Chakri styles. The skirt is long with pleats at the front and a sash, and is worn with a belt. The difference lies in the bodice: it is sleeveless, with a wide and low neckline at the front and back, and a slit at the back. The bodice is embroidered with pearls, beads, and sequins, etc. It is used for royal ceremonies requiring full ceremonial attire.

- Thai Sivalai outfit

It's a truly Thai style, the sarong is in the style of the Thai imperial court.

Silk or gold brocade fabric, long-sleeved shirt with a round neck and back opening, sewn together with a skirt, similar to traditional Thai style., The Borom Piman style of Thai ceremonial attire, consisting of embroidered Thai silk robes worn by the Emperor without an underlay, is used for special occasions requiring full ceremonial dress.

- Thai Emperor costume

It is a truly traditional Thai style. The skirt is made of silk or gold brocade, pleated at the front with a sash. A pleated silk garment in a contrasting color to the skirt is worn as a first layer, and then...

An embroidered blanket, worn by noblewomen in ancient times.

An additional layer of pleated silk is worn on special occasions requiring full Thai Chakri ceremonial attire.

Choosing the right Thai outfit for the occasion.

- Morning work such as merit-making work

You should choose either the Ruen Ton Thai dress or the Chitralada Thai dress.

- Formal events such as weddings.

You should choose the Borom Piman style Thai dress, or a Thai dress.

Emperor, Chakri Thai costume

- Evening party

You should choose the Amarin Thai dress, the Dusit Thai dress, or the Sivalai Thai dress.

Thai royal costume

The Royal Thai Dress is a style of traditional Thai attire designed to be the national costume for important official ceremonies.

Thai Traditional Attire (Gentlemen): Royal Gift Shirt. The Royal Gift Shirt is a shirt that His Majesty King Bhumibol Adulyadej graciously commissioned tailors, namely Chuhas Chuto, Pichai Raknasong, and Sompop Luilapaprasert, to design as the national uniform in 1979. He then instructed General Prem Tinsulanonda, the Prime Minister at the time, to wear it as an example to the public, and General Prem is often associated with this shirt. Subsequently, this style of shirt was adapted and widely worn, especially by politicians and government officials on important occasions, including ceremonies such as weddings.

This royal ceremonial shirt is similar in style to the Rajapaten shirt, a traditional Thai shirt, but differs in the more diverse materials used in its construction. The royal ceremonial shirt features a high, stand-up collar, 3.5 to 4 centimeters high, tapering towards the front placket. It has a contrasting trim around the collar, placket, sleeves, and cuffs. It has five flat, round buttons covered with fabric or a similar material. There are usually one upper pocket on each side, slightly above the bottom button, two outer pockets, and one upper left chest pocket, or there may be more or fewer. The shirt comes in short-sleeved, long-sleeved, and long-sleeved versions. Long-sleeved versions often have sleeves sewn with the same fabric as the body, approximately 4 to 5 centimeters wide and four meters long, starting from the inside, wrapping around the front, and ending in a rounded end at the back of the sleeve. The shirt may have a slit or a seam around the edge, or it may be present or absent. It is worn with long trousers, etc.

Cambodia, formerly known as "Khmer," is a country plagued by a severe identity crisis. Its people suffer from a mental state where they don't know who they are or where they come from. This is due to incomplete historical records, distorted by the French, who ruled Cambodia for 90 years. The French distorted the truth to deceive the uneducated and uneducated Cambodians, enslaving them for exploitation. Throughout its history, Cambodia was plagued by internal wars, which the French exploited to interfere in Cambodian politics, inciting conflict and causing centuries of fighting that left the country scarred by war.

This has caused Cambodians to yearn for their own identity, having been absorbed into the beautiful and civilized Thai way of life to the point of obsession and infatuation. Cambodians have therefore plundered, stolen, imitated, and seized everything Thai to fill the "void" in their hearts, which is filled with pain and suffering from war, because Cambodians are ignorant and lack understanding.

It is impossible to invent a new history and create a new culture of one's own.

Because in the past, Cambodian people evolved from nomadic savages who slept in the forests along the borders of Thailand, Laos, and Vietnam. Filled with inner inferiority complexes, they came to experience and learn about the Thai way of life and culture, and eventually lived with the Thai people as servants. And I'm not bullying anyone by saying this; in the past, Thailand was full of slaves.

They use Cambodians who offer themselves for sale in exchange for money because living as forest dwellers is difficult and arduous.

Cambodia's economic, social, and cultural development to this day is due to Thailand's infrastructure development, education system, and comprehensive assistance. Yet, Thailand, like a beast, exhibits ungrateful, treacherous, and backstabbing behavior, attacking and slandering Thailand and its people.

And surprisingly, Cambodia chose a time when fighting was occurring along the Thai-Cambodian border, the root cause of which...All the wars originated in Cambodia, where Cambodian soldiers and civilians continuously attempted to encroach upon and build homes and agricultural land within the Kingdom of Thailand.

This includes accusations against the Thai monarch, slandering Thailand, and defaming the Thai people with distorted, deceptive, and fabricated information. It attempts to portray Thailand and the Thai military as accusing Thais of bullying Cambodia, and alleges that Cambodia's behavior and actions are despicable and disgusting.

How outrageous! A heartless, dishonorable, conscienceless country of garbage, ungrateful to Thailand for extending a helping hand and showing kindness to Cambodia with good intentions. But Cambodia repaid them by branding them as the villain. Cambodia, a country of garbage, with a population of parasites constantly sucking and exploiting the Thai people.

To be frank, we need to look back and see that the tension along the Thai-Cambodian border stems from repeated encroachments and provocations by Cambodian soldiers and civilians, who claim sovereignty over Thai territory. It continued, and the situation began to escalate until...It sparked a war, initiated by Cambodian soldiers. Military weapons have been hidden along the Thai-Cambodian border in anticipation of an attack on Thailand. Cambodian soldiers then launched an attack on Thailand by firing 10 bombs into the country, specifically targeting a hospital., And the schools and communities of the Thai people, where Thai civilians and Thai soldiers died from this Cambodian military attack, with numerous gunshot wounds, represent a tragic loss. It is a cruel act by Cambodia to choose to destroy relations between the two countries in such a brutal way!

Throughout history, Thailand has consistently shown goodwill towards Cambodia. This includes providing refuge to refugees fleeing the Khmer Rouge genocide, offering humanitarian aid, and assisting in Cambodia's post-genocide efforts on numerous occasions. This involved building roads, hospitals, and schools, laying the foundation for education, and sending knowledgeable Thais to teach Thai dance, vocational skills, and life skills to Cambodians who lacked education in the past. Thailand also accepted Cambodians to study in Thailand and provided support in every aspect. However, less than 50 years later

Cambodia, in turn, treats Thailand with deplorable behavior, such as attempting to steal Thai identity by claiming ownership of Thai dance, traditional Thai clothing, the Loy Krathong festival, the Songkran festival, and Thai Khon (masked dance-drama). They also continuously extort money from Thailand and violate Thai sovereignty.

The country of Cambodia (Khmer) never truly existed in world history. France ruled Cambodia for a long period of 90 years. Before Cambodia fell under French rule, it was under the rule of Thailand for 432 years. France invaded and seized Thai land during the Indochina War, then ceded it to Cambodia, nurturing and supporting Cambodia as a puppet state to incite future invasions and conflicts against Thailand. Cambodia, a country that never truly had its own land, now belongs entirely to Thailand. The term "Cambodia" has only appeared on the world map for 73 years!

During the colonial era, extending to the Indochina War, France, a world-class thief, fabricated history to slander Thailand and spread it to the world. France chose to destroy Thailand by creating false history, portraying Thailand as the villain, when in reality Thailand was the victim, oppressed and invaded by France and Cambodia throughout history. France did this to cover up its own wickedness and the wickedness of its colonial allies.

A brutal colonial power in the past, which roamed the world invading and plundering the lands of other countries., To divert attention, they are falsely accusing Thailand, making it the scapegoat for their own actions.

Compiled articles English ðŸ‡đ🇭

By: Ratcharinda Teachaprasarn 👑ðŸ‡đ🇭

Queen Klearmilly8888 👑ðŸ‡đ🇭

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āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļ”āļąāļšāļ•āļāđāļ•āđˆāļ‡āļ”āđ‰āļ§āļĒāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ›āļĢāļ°āļ”āļąāļšāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āđ€āļŠāđˆāļ™ āļŠāļēāļĒāļŠāļĢāđ‰āļ­āļĒāļ‚āđ‰āļ­āļĄāļ·āļ­āđāļĨāļ°āđ€āļ‚āđ‡āļĄāļ‚āļąāļ” āļ‹āļķāđˆāļ‡āļˆāļ°āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŠāļ‡āđˆāļēāļ‡āļēāļĄāđāļĨāļ°āļ„āļ§āļēāļĄāļ āļđāļĄāļīāļāļēāļ™āđƒāļŦāđ‰āđāļāđˆāļœāļđāđ‰āļŠāļ§āļĄāđƒāļŠāđˆ āđƒāļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āđ€āļ‚āļĩāļĒāļ™ āļāļēāļĢāđ€āļĨāļ·āļ­āļāļŠāļļāļ”āđ„āļ—āļĒāļžāļĢāļ°āļĢāļēāļŠāļ™āļīāļĒāļĄāđ„āļĄāđˆāļ„āļ§āļĢāđ€āļ™āđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄ āđāļ•āđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļēāļ–āļķāļ‡āļ„āļ§āļēāļĄāđ€āļŦāļĄāļēāļ°āļŠāļĄāļ‚āļ­āļ‡āļŠāļļāļ”āļāļąāļšāđ‚āļ­āļāļēāļŠāđāļĨāļ°āļšāļļāļ„āļĨāļīāļāļ āļēāļž āđ€āļŠāđˆāļ™ āļ‡āļēāļ™āļ—āļĩāđˆāļˆāļąāļ”āđƒāļ™āļ•āļ­āļ™āđ€āļŠāđ‰āļēāļŦāļĢāļ·āļ­āļāļīāļˆāļāļĢāļĢāļĄāļŠāļēāļ˜āļēāļĢāļ“āļ° āļ„āļ§āļĢāđ€āļĨāļ·āļ­āļāļŠāļļāļ”āļ—āļĩāđˆāļ”āļđāđ€āļĢāļĩāļĒāļšāļ‡āđˆāļēāļĒāđāļ•āđˆāļŠāļ‡āđˆāļēāļ‡āļēāļĄ āđ€āļŠāđˆāļ™ āļŠāļļāļ”āđ€āļĢāļ·āļ­āļ™āļ•āđ‰āļ™āļŦāļĢāļ·āļ­āļˆāļīāļ•āļĢāļĨāļ”āļē āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļ‡āļēāļ™āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāđƒāļ™āļ•āļ­āļ™āđ€āļĒāđ‡āļ™ āđ€āļŠāđˆāļ™ āļ‡āļēāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļŦāļĢāļ·āļ­āļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩ āļ„āļ§āļĢāđ€āļĨāļ·āļ­āļāļŠāļļāļ”āļ­āļĄāļĢāļīāļ™āļ—āļĢāđŒ āļŠāļļāļ”āļˆāļīāļ•āļĢāļĨāļ”āļēāļŦāļĢāļ·āļ­āļŠāļļāļ”āļˆāļąāļāļĢāļĩ āđ€āļžāļĢāļēāļ°āļˆāļ°āđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļŦāļĢāļđāļŦāļĢāļēāđāļĨāļ°āļŠāļĄāļžāļĢāļ°āđ€āļāļĩāļĒāļĢāļ•āļī āļāļēāļĢāļŠāļ·āļšāļŠāļēāļ™āļŠāļļāļ”āđ„āļ—āļĒāļžāļĢāļ°āļĢāļēāļŠāļ™āļīāļĒāļĄāļˆāļķāļ‡āđ„āļĄāđˆāđƒāļŠāđˆāđ€āļžāļĩāļĒāļ‡āļāļēāļĢāđƒāļŠāđˆāđ€āļŠāļ·āđ‰āļ­āļœāđ‰āļēāđāļšāļšāđ€āļāđˆāļē āđāļ•āđˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļĢāļąāļāļĐāļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒ āđāļĨāļ°āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāđƒāļ™āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ—āļĒāđ„āļ§āđ‰ āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļŠāđˆāļ‡āļ•āđˆāļ­āļ„āļ§āļēāļĄāļĢāļđāđ‰āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāđ‰āļēāđ„āļ—āļĒāđāļĨāļ°āļĻāļīāļĨāļ›āļ°āļāļēāļĢāļ•āļąāļ”āđ€āļĒāđ‡āļšāđƒāļŦāđ‰āļ„āļ™āļĢāļļāđˆāļ™āļŦāļĨāļąāļ‡ āļ™āļąāļšāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļŠāļĄāļšāļąāļ•āļīāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļŦāļ§āļ‡āđāļŦāļ™āđāļĨāļ°āļĢāļąāļāļĐāļēāđ„āļ§āđ‰āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļ‡āļēāļĄāđāļĨāļ°āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđƒāļ™āļĢāļ°āļ”āļąāļšāļŠāļēāļāļĨ