Automatically translated.View original post

Handout AI! Activity Photo Set on Songkran Day WomenðŸ’Ķ

Prompt AI! Songkran Photo Set Activities on Songkran Day Women ðŸ’Ķ

# Gemini # Created from Ai, not a real person

PROMPT:

Picture 1 Songkran Water Play

Photo Woman Person Changing Face to Like the Person in Every Reference Picture, Face, Eyes, Nose, Mouth, and Original Identity Complete Songkran Festival Atmosphere Realistic Photo Woman Waterboarding with Vibrant Colored Water Gun Smiling Fun Wearing Thai Floral Pastel Crop Top with Applied Thai Bag Cloth Long Black Hair Tie Loose Ponytail with Splatter Hair Slightly Blown from Splash White White White White Silky Silky Bright but Still Natural-Looking Bright Summer Sunshine Splash in Mid-Air Festival Street Scene with Flag, Rail and Bucket of Water High Quality Photo Beautiful Light Melt Back

.

Picture 2 Merit during Songkran

Photo Woman Person Changing the Face to Like the Person in All Proportions Reference Photo The girl is making merit in the temple during Songkran Festival. Gentle Smiley Smiley Face Color. Wearing a Pastel Short Sleeve Silk Thai Shirt with Polite Thai Patterned Bag Cloth. I Gathered a Low Boxing with Jasmine Bunch. White White skin is bright, slightly exaggerated silky, but also looks natural. Mobile phone. Sanctuary suit includes a silver bowl with steamed rice and ladle and a pair of lotus flowers. Gold Thai temple scene and soft blurred flowers on the back. Warm morning light. Lifestyle realistic photo.

.

Picture 3 Forming a sand pagoda in the temple.

Photo Female Person Changing the Face to Like the Person in Every Proportion Reference Photo Girl Forming Sand Pagoda in Songkran Period Temple Yard Vibrant Fun Gesture Wearing Cotton Sleeveless Top with Fresh Colored Striped Bag Cloth Loose Boxing Tie Hair Natural Look White White White White White White White Silky Slightly Exaggerated Mobile Small Sand Bucket Temple Yard Scene with Sand Pagoda with Colorful Flag Embellished Daylight Light Realistic Photo

.

Picture 4 is patched.

Photo Woman Person Changing the Face to Like the Person in All Proportions Reference Photo The Girl Is Being Patched Powder on the Cheek at Songkran Festival, Smiling Smiley Shy, Wearing Thai Floral Inflatable Sleeve Crop Top with Applied Short Bag Fabric Skirt, Natural Long Curly Hair Slightly Blown, Clear White White White Skin Bright Silky Exaggerated But Natural Look, With White Powder on the Cheek, Songkran Festival Scene Blurred Back, Splash Water and People Waterboarding, Bright Light, Fashion Style Realistic Photo

.

Picture 5: The Buddha

Photo Woman Person Changing the Face to Like the Person in Every Proportion Reference Photo Young Woman Washing Buddha Water in Songkran Period Temple Gentle Calm Face Light Wearing White Lace Thai Shirt with Thai Silk Bag Cloth Hair Gathering Neat Boxing with Jasmine Flower Clear White Skin Silky but Natural Look Mobile Silver Screw with Flower Floating Water Gold and Flower Buddha Scene Soft Warm Light Beautiful Realistic Photo

.

Image 6 Adult head diving

Photo of the female person in the reference photo, diving adult head in the home during Songkran, humble polite posture, wearing a light lace Thai shirt with Thai silk bag cloth, long hair with loose braid, with small jasmine bunches adorned, fine skin white, naturally exaggerated radiant Korean idol, slightly pink bright Ivory skin tone, succulent in the sun, mobile, silver tightening on flower floating water, Thai wooden house scene adorned with flowers and water powder, soft afternoon light, warm realistic photo, focus on the main person, invisible to the face of an adult

.

How to Create

1. Enter Gemini.

2. Upload your own image

3. Place the prompt and press the image now!

Anyone who has tried, don't forget to share the work.

.

# Songkran 2026 # Prompt Songkran # Ai

3/15 Edited to

... Read moreāļ–āđ‰āļēāđƒāļ„āļĢāđ€āļŠāļīāļĢāđŒāļŠāļ„āļģāļ§āđˆāļē “āļŠāļēāļ§āļĨāļēāļ§â€ āđāļĨāđ‰āļ§āļ­āļĒāļēāļāđ„āļ”āđ‰āļ āļēāļžāļŠāđ„āļ•āļĨāđŒāļŦāļ§āļēāļ™āļĨāļ°āļĄāļļāļ™ āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļāļĨāļīāđˆāļ™āļ­āļēāļĒāļĨāļēāļ§/āļ­āļĩāļŠāļēāļ™āđāļšāļšāļŠāļļāļ āļēāļž (āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļŠāđˆāļ§āļ‡āļŠāļ‡āļāļĢāļēāļ™āļ•āđŒ) āđ€āļĢāļēāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđ‚āļŸāļāļąāļŠ 3 āļ­āļĒāđˆāļēāļ‡āđƒāļ™āļžāļĢāđ‰āļ­āļĄāļ—āđŒ: “āđ‚āļ—āļ™āļŦāļ™āđ‰āļē/āļœāļīāļ§â€, “āļĨāļļāļ„āļŠāļļāļ””, āđāļĨāļ° â€œāļšāļĢāļĢāļĒāļēāļāļēāļĻāļŠāļ–āļēāļ™āļ—āļĩāđˆâ€ āđ€āļžāļĢāļēāļ°āđāļ„āđˆāđƒāļŠāđˆāļ„āļģāļ§āđˆāļēāļŠāļēāļ§āļĨāļēāļ§āđ€āļ‰āļĒ āđ† āļšāļēāļ‡āļ—āļĩ AI āļˆāļ°āļ•āļĩāļ„āļ§āļēāļĄāļāļ§āđ‰āļēāļ‡āļĄāļēāļ āļ āļēāļžāļ­āļēāļˆāļŦāļĨāļļāļ”āļ„āļ­āļ™āđ€āļ‹āđ‡āļ›āļ•āđŒāļŦāļĢāļ·āļ­āļ”āļđāđ„āļĄāđˆāļŠāļĄāļˆāļĢāļīāļ‡ 1) āđ‚āļ—āļ™āļŦāļ™āđ‰āļēāđāļĨāļ°āļœāļīāļ§āđƒāļŦāđ‰āļ”āļđāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļˆāļēāļāļ—āļĩāđˆāļĨāļ­āļ‡āļ—āļģ āļ āļēāļžāļˆāļ°āđ€āļ™āļĩāļĒāļ™āļ‚āļķāđ‰āļ™āļ–āđ‰āļēāđƒāļŠāđ‰āļ„āļģāļ­āļ˜āļīāļšāļēāļĒāđāļšāļšāļāļĨāļēāļ‡ āđ† āđ€āļŠāđˆāļ™ â€œāļœāļīāļ§āđ‚āļ—āļ™āđ„āļ­āļ§āļ­āļĢāļĩāđˆāļŠāļ§āđˆāļēāļ‡āļ­āļĄāļŠāļĄāļžāļđāđ€āļĨāđ‡āļāļ™āđ‰āļ­āļĒ”, “āļ‡āļēāļ™āļœāļīāļ§āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī”, “skin texture” āđāļĨāļ°āļĨāļ”āļ„āļģāļ§āđˆāļē “āļ‚āļēāļ§āđ€āļāļīāļ™āļˆāļĢāļīāļ‡â€ āļĨāļ‡āļ™āļīāļ”āļ™āļķāļ‡ āļ–āđ‰āļēāļ­āļĒāļēāļāđƒāļŦāđ‰āļ”āļđāđ€āļ›āđ‡āļ™āļŠāļēāļ§āļĨāļēāļ§āļĨāļ°āļĄāļļāļ™ āđ† āđƒāļŦāđ‰āđ€āļ•āļīāļĄ â€œāļŦāļ™āđ‰āļēāļŦāļ§āļēāļ™ āļĒāļīāđ‰āļĄāļĨāļ°āļĄāļļāļ™ āļĨāļļāļ„āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ” āđāļĨāļ°āļĢāļ°āļšāļļāļ—āļĢāļ‡āļœāļĄāļĒāļ­āļ”āļŪāļīāļ• āđ€āļŠāđˆāļ™ â€œāļœāļĄāļĒāļēāļ§āļŠāļĩāļ”āļģ āļĄāļąāļ”āļŦāļēāļ‡āļĄāđ‰āļē/āļĄāļ§āļĒāļ•āđˆāļģ/āļ–āļąāļāđ€āļ›āļĩāļĒāļŦāļĨāļ§āļĄ āđ†â€ āļˆāļ°āļ„āļļāļĄāđ‚āļ—āļ™āđ„āļ”āđ‰āļ”āļĩ 2) āļŠāļļāļ”āđƒāļŦāđ‰āđ„āļ”āđ‰āļŸāļĩāļĨāļĨāļēāļ§/āļ­āļĩāļŠāļēāļ™āđāļšāļšāļŠāļ‡āļāļĢāļēāļ™āļ•āđŒ āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļˆāļēāļ°āļ§āđˆāļē “āļŠāļēāļ§āļĨāļēāļ§â€ āļ­āļĒāđˆāļēāļ‡āđ€āļ”āļĩāļĒāļ§ āļĨāļ­āļ‡āļžāđˆāļ§āļ‡āļ„āļĩāļĒāđŒāđ€āļ§āļīāļĢāđŒāļ”āđ€āļŠāļ·āđ‰āļ­āļœāđ‰āļēāđƒāļŦāđ‰āļŠāļąāļ” āđ€āļŠāđˆāļ™ â€œāļœāđ‰āļēāļ–āļļāļ‡āļĨāļēāļĒāđ„āļ—āļĒ/āļĨāļēāļĒāļžāļ·āđ‰āļ™āđ€āļĄāļ·āļ­āļ‡â€, “āļœāđ‰āļēāđ„āļŦāļĄāđ‚āļ—āļ™āļžāļēāļŠāđ€āļ—āļĨ”, “āđ€āļŠāļ·āđ‰āļ­āļĨāļđāļāđ„āļĄāđ‰āļŠāļĩāļ‚āļēāļ§â€, “āļžāļ§āļ‡āļĄāļ°āļĨāļī”, “āļ‚āļąāļ™āđ€āļ‡āļīāļ™â€ āđāļĨāļ°āļžāļĢāđ‡āļ­āļžāļŠāļ‡āļāļĢāļēāļ™āļ•āđŒāļ­āļĒāđˆāļēāļ‡ â€œāļ›āļ·āļ™āļ‰āļĩāļ”āļ™āđ‰āļģāļŠāļĩāļŠāļ”āđƒāļŠâ€ āļŦāļĢāļ·āļ­ â€œāļ™āđ‰āļģāļĨāļ­āļĒāļ”āļ­āļāđ„āļĄāđ‰â€ āļŠāļīāđˆāļ‡āļžāļ§āļāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāļĨāđ‡āļ­āļāļ āļēāļžāđƒāļŦāđ‰āļ­āļĒāļđāđˆāđƒāļ™āļ˜āļĩāļĄāļāļīāļˆāļāļĢāļĢāļĄāļŠāļ‡āļāļĢāļēāļ™āļ•āđŒāļ—āļĩāđˆāļ„āļ™āļ„āļļāđ‰āļ™āļ•āļē (āđ€āļĨāđˆāļ™āļ™āđ‰āļģ, āļ—āļģāļšāļļāļāļ•āļąāļāļšāļēāļ•āļĢ, āļāđˆāļ­āđ€āļˆāļ”āļĩāļĒāđŒāļ—āļĢāļēāļĒ, āļ›āļ°āđāļ›āđ‰āļ‡, āļŠāļĢāļ‡āļ™āđ‰āļģāļžāļĢāļ°) 3) āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ‰āļēāļāđƒāļŦāđ‰āļŠāļĄāļˆāļĢāļīāļ‡ āđ„āļĄāđˆāļŦāļĨāļļāļ”āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļŠāļģāļŦāļĢāļąāļšāļ‰āļēāļāļ§āļąāļ” āđƒāļŦāđ‰āđƒāļŠāđˆ “āļ§āļąāļ”āđ„āļ—āļĒāļŠāļĩāļ—āļ­āļ‡ āļ‰āļēāļāļŦāļĨāļąāļ‡āđ€āļšāļĨāļ­āļ™āļļāđˆāļĄ āđāļŠāļ‡āđ€āļŠāđ‰āļēāļ­āļšāļ­āļļāđˆāļ™â€ āļˆāļ°āđ„āļ”āđ‰āļ­āļēāļĢāļĄāļ“āđŒāļ—āļģāļšāļļāļāļ•āļąāļāļšāļēāļ•āļĢ/āļŠāļĢāļ‡āļ™āđ‰āļģāļžāļĢāļ°āļ—āļĩāđˆāļŠāļļāļ āļēāļžāļ‚āļķāđ‰āļ™ āļŠāđˆāļ§āļ™āļ‰āļēāļāļ–āļ™āļ™āđ€āļĨāđˆāļ™āļ™āđ‰āļģāđƒāļŦāđ‰āđƒāļŠāđˆ “āļ–āļ™āļ™āđ€āļ—āļĻāļāļēāļĨāļ›āļĢāļ°āļ”āļąāļšāļ˜āļ‡āļĢāļēāļ§ āļ™āđ‰āļģāļāļĢāļ°āđ€āļ‹āđ‡āļ™āļāļĨāļēāļ‡āļ­āļēāļāļēāļĻ āđāļŠāļ‡āđāļ”āļ”āļĪāļ”āļđāļĢāđ‰āļ­āļ™â€ āļ āļēāļžāļˆāļ°āļ”āļđāļĄāļĩāļŠāļĩāļ§āļīāļ•āļĄāļēāļ āļ—āļĢāļīāļ„āļŠāļģāļ„āļąāļ: āđƒāļŠāđˆ Negative prompt āļāļąāļ™āļ āļēāļžāđ€āļžāļĩāđ‰āļĒāļ™ āđ€āļĢāļēāđƒāļŠāđ‰āđāļ™āļ§āļ™āļĩāđ‰āđāļĨāđ‰āļ§āđ€āļ§āļīāļĢāđŒāļ: “no extra fingers, no deformed hands, no blurry face, no text, no watermark, no logo, avoid overexposed skin” (āļ–āđ‰āļēāđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄāļĢāļ­āļ‡āļĢāļąāļš) āļŠāļļāļ”āļ—āđ‰āļēāļĒ āļ–āđ‰āļēāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļģāļĨāļļāļ„ â€œāļŠāļēāļ§āļĨāļēāļ§â€ āđāļšāļšāļ™āđˆāļēāļĢāļąāļāļŠāļļāļ āļēāļž āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļ„āļļāļĄāđ‚āļ—āļ™āļ”āđ‰āļ§āļĒāļ„āļģāļ§āđˆāļē “āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āļŠāļļāļ āļēāļž āđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ āļēāļžāļ–āđˆāļēāļĒāļŠāļĄāļˆāļĢāļīāļ‡â€ āđāļĨāļ°āđ€āļĨāļ·āļ­āļāļāļīāļˆāļāļĢāļĢāļĄāđƒāļ™āļ§āļąāļ”/āļĢāļ”āļ™āđ‰āļģāļ”āļģāļŦāļąāļ§āļˆāļ°āđ€āļ‚āđ‰āļēāļāļąāļšāļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļĄāļēāļāļāļ§āđˆāļē āđƒāļ„āļĢāļĨāļ­āļ‡āļ›āļĢāļąāļšāđāļĨāđ‰āļ§āđ„āļ”āđ‰āļœāļĨāļĨāļąāļžāļ˜āđŒāđāļšāļšāđ„āļŦāļ™ āļĄāļēāđāļŠāļĢāđŒāļāļąāļ™āđ„āļ”āđ‰āđ€āļĨāļĒāļ„āđˆāļ°