Anybody remember when I had to goal of painting 365 birds this year?
Lol
The thing about my particular brand(s) of mental chaos is that I have all the audacity. And audacity that those same brands of mental chaos do not even remotely let me live up to the vast majority of the time.
Even still with this impossible (this year anyway) goal I more than doubled my previous best for birds painted inside of a single year. Winter is my favorite and most productive season. And the thing about her bitter beauty is she bookends our years here in the Midwest. Dark and cold days are returning to us in the not too distant future. I’ll get back to painting with fervor, promise.
No idea what I’m talking about? My name is Hannah and I’m painting every bird in North America. How many birds do you think I painted in 2025? (So far anyway)
#watercolorbirds #birdart #impaintingeverybird #birdart #birdartist
You know, when you embark on a wild project like trying to paint 365 birds in a single year, you quickly realize the sheer scale of North American avian diversity. It's exhilarating, daunting, and absolutely demands good resources. That’s where field guides, particularly the Sibley Guide to Birds, become an artist's best friend. I can’t tell you how many times I've flipped through its pages, not just for identification, but for artistic inspiration and crucial anatomical details. For someone like me, who's aiming for accuracy in my watercolor birds, Sibley is simply invaluable. It’s not just about seeing a pretty picture; it’s about understanding the subtle variations in plumage for different ages and sexes, the characteristic posture, and the flight patterns. The multiple illustrations of each species, often showing various angles and behaviors, provide a comprehensive visual library that a single photograph just can't match. This level of detail is essential when you're trying to capture the essence of a bird, making your art both beautiful and biologically correct. When I started this ambitious goal of painting 365 birds in 2025, I knew I needed a systematic approach. It's easy to get overwhelmed or lose track when you're painting birds consistently. Having a Sibley Guide by my side helps immensely. I often use it almost like a checklist, marking off species as I complete them, or identifying which ones I want to tackle next based on their unique characteristics or challenging features. It helps me stay organized and ensures I'm covering a wide variety, rather than just sticking to my favorites. Of course, mental chaos, as I've mentioned before, can definitely throw a wrench in the plans. There are days when the motivation wanes, or I feel like I'm falling behind schedule to my goal. During those times, simply browsing through the Sibley Guide can reignite my passion. Seeing the incredible array of birds, from tiny warblers to majestic raptors, reminds me why I started this project in the first place. It’s a constant source of wonder and a gentle nudge to get back to the easel. It also helps me answer that nagging question: "how many birds have I painted this year?" Because with a comprehensive guide, I have a clear reference point for tracking my progress. While Sibley is a cornerstone, it’s also important to remember that it’s a guide, not the gospel. I always combine my guide research with observing birds in the wild, studying photographs, and sometimes even visiting local nature centers. Each artist brings their own style and interpretation, and while accuracy is important, so is personal expression. The guides provide the foundation, but the art comes from within. So, if you're an aspiring bird artist, or just someone fascinated by North American birds, I highly recommend diving into a good field guide. It’s more than just a book; it’s a gateway to understanding, appreciating, and ultimately, creating beautiful art inspired by our feathered friends. It truly aids in the journey of painting birds consistently and helps one stay on track with even the most audacious goals.

























































