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Lord Krishna & Our Lady LakshmiðŸĪ

The love between * * Our Lady Lakshmi * * (in Rukmini or Ratha) and * * Krishna * * is one of the most beautiful and profound epics of love in Hindu philosophy, not the love that snatches, but the love that fuses the spirit (Divine Union), which gives us the idea to apply to marriage beautifully:

# # # 1.Love is "Spiritual Oneness"

Although Krishna and Our Lady Lakshmi appear separately, philosophically, they are one, Krishna is "the Lord" and she is "the energy of His love."

* * * Marital Thoughts: * * True love is not to see a lover as "someone else" or "property," but to see the other as an indispensable part of our lives. Having a partner who reflects our identity makes us grow and perfect the way we are.

# # # 2.Love transcends "social status and time."

In the story of Rukmini, she gave up everything to choose Krishna with a pure heart, ignoring wealth or prestige in the royal palace.

* * * Marital Thoughts: * * Stable love must be measured at * * "The Value of the Mind" * * is not a social position or external object. When we choose the right person with faithfulness to our own feelings, we have the courage to break through every obstacle, no matter who looks at it.

# # # 3. "Sacrifice for Duty" (Love as Duty / Dharma)

Krishna often had to leave Ratha or Rukmini to go on a mission to protect the world and maintain the balance of the dharma, but their love never diminished, because it was based on * * "understanding of duty" (Dharma) * * * * * in the real world. Sometimes a job or personal mission can leave us with no time together all the time. A good love is to have * * "trust and understanding of each other's duties." * * * Not to make the other person uncomfortable, but to be the strength of each other to do their best.

# # # 4.Pure love is "freedom" (Love without Possession)

The love of Krishna and Queen Ratha (one of the installments of Our Lady Lakshmi) is love that has no possession but the highest goodwill (Selfless Love) is love that sets each other free, but the hearts remain interconnected.

* * * Marital Thoughts: * * To love someone deeply is to give him a free space, to not commit or to incarcerate him to our expectations. True love is the comfort of seeing the person we love grow and be happy, whether he is near or far away.

> * * ðŸŒļ Compendium of Eternal Love: * *

> The love of Our Lady Lakshmi and Krishna teaches us that * * "The strongest love is love based on wisdom and empathy." * *

> Whether you compare yourself to a warrior who has to protect your job or a mate who has to take care of your family...Love becomes the most powerful "armor" only if we and our lovers are * * "inspiring each other" * * to be a better person every day.

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In your relationship, you think of "understanding of each other's duties" and "being a safe space for each other." When it comes to * * "love" * *, in the context of Our Lady Lakshmi, we tend to think of a strong and great love between Him and * * Vishnu * * *, no matter what the Avatar goes down on a mission to protect the world (such as Rama or Krishna), Our Lady Lakshmi will always follow her side (such as Sita or Nang Rukmini).

His story gives an idea of * * "true and lasting love" * * in view of a deep philosophy that can be applied to marriage in four main areas:

# # # 1. Love is "promoting and supporting each other" (Divine Partnership)

Our Lady Lakshmi is the deity of fertility, and the divinity is the great deity who protects and preserves the world. Both are not together to occupy or rely on the other to fulfill, but to serve * * "Supporting each other's mission." * * * * * * Marital Thoughts: * * Good love is not to burden or bring the other down, but to be a partner who encourages the other to do his or her job better, to be disciplined, and to succeed in the goals of life (like building a common future foundation).

# # # 2.True love must "accept and adapt in all situations" (Unconditional Adaptabilitative)

In every avatar, Our Lady Lakshmi is faced with a completely changed situation, some are palace princesses, some are ordinary people, or some (such as Sita) are severely stricken in the forest and face a crisis behind the lid, but he never abandons the king.

* * * Marital Thoughts: * * Marriage is absolutely nothing. Today may be comfortable. The next day may experience a crisis or a big change. True love is to * * "Ready to hold hands and adjust together." * * No matter what state, with consciousness and wisdom as guides.

# # # 3. "Honesty and Honor" is the shield against relationships.

In the epic Ramayana, although Sita is incarcerated and separated from Rama, her heart never wavers and resolutely preserves her own honor, just like the one-hearted Rama.

* * * Marital Thoughts: * * Amid external stimuli or obstacles that come to the test * * "Honesty and honor in front and behind each other" * * * is what will make love the most stable and secure; it is an advanced emotional discipline that refuses to let the heart flow through the passions.

# # # 4.Love with "Mercy and Forgiving" (The Lotus Heart)

Our Lady Lakshmi is endowed with merciful kindness to all men. His mind is like a pure lotus.

* * * Marital Thoughts: * * Cohabitation is infallible and defective. His Prathic 4 love teaches us to view lovers with * * "compassion and understanding" (Empathy) * * * Know to stop taking deep breaths to control emotions in times of conflict and be ready to * * * "forgive" * * to start over in the present while.

> * * ðŸŒļ Compendium Love Line Mindfulness and Wisdom: * *

> Our Lady Lakshmi's love, therefore, is not a love born of temporary passion, but a love that is * * "pure positive energy" * * that is ready to carry, side by side, and encourage the other to grow into a love full of consciousness and discipline that will keep the promise...No matter what form of life monsoon is faced,

5/20 Edited to

... Read moreāļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ§āļēāļĄāļĢāļąāļāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļžāļĢāļ°āļāļĪāļĐāļ“āļ°āđāļĨāļ°āļžāļĢāļ°āđāļĄāđˆāļĨāļąāļāļĐāļĄāļĩāđƒāļ™āļ•āļģāļ™āļēāļ™āļŪāļīāļ™āļ”āļđāđƒāļŦāđ‰āļĄāļļāļĄāļĄāļ­āļ‡āļ—āļĩāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āđāļĨāļ°āļĄāļĩāļ„āļļāļ“āļ„āđˆāļēāļ­āļĒāđˆāļēāļ‡āļĄāļēāļāļ•āđˆāļ­āļāļēāļĢāļ”āļģāđ€āļ™āļīāļ™āļŠāļĩāļ§āļīāļ•āļ„āļđāđˆāđƒāļ™āļĒāļļāļ„āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ„āļ§āļēāļĄāļĢāļąāļāļ‚āļ­āļ‡āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļžāļĢāļ°āļ­āļ‡āļ„āđŒāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļĢāļ§āļĄāļŠāļēāļĄāļąāļ„āļ„āļĩāļ‚āļ­āļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđāļĨāļ°āļāļēāļĢāđ€āļ„āļēāļĢāļžāđƒāļ™āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļāđˆāļēāļĒāļ­āļĒāđˆāļēāļ‡āļŠāļĄāļ”āļļāļĨ āļ‹āļķāđˆāļ‡āļŠāļēāļĄāļēāļĢāļ–āļ™āļģāļĄāļēāļ›āļĢāļąāļšāđƒāļŠāđ‰āļāļąāļšāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ—āļąāđˆāļ§āđ„āļ›āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ™āđˆāļēāļŠāļ™āđƒāļˆ āļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§ āđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļˆāļĢāļīāļ‡āļ—āļĩāđˆāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļāļēāļĢāđ€āļ•āļīāļĄāđ€āļ•āđ‡āļĄāđāļ•āđˆāļ„āļ·āļ­āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ‹āļķāđˆāļ‡āļāļąāļ™āđāļĨāļ°āļāļąāļ™ āđ‚āļ”āļĒāđ„āļĄāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļ„āļĢāļ­āļšāļ‡āļģāļŦāļĢāļ·āļ­āļœāļđāļāļĄāļąāļ”āļ­āļĩāļāļāđˆāļēāļĒāļ­āļĒāđˆāļēāļ‡āđ€āļ„āļĢāđˆāļ‡āļ„āļĢāļąāļ” āļœāļĄāļŠāļąāļ‡āđ€āļāļ•āđ„āļ”āđ‰āļ§āđˆāļēāļ„āļđāđˆāļĢāļąāļāļ—āļĩāđˆāļ›āļĢāļ°āļŠāļšāļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆāļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”āļˆāļ°āđ€āļ›āđ‡āļ™āļ„āļđāđˆāļ—āļĩāđˆāļ•āļĢāļ°āļŦāļ™āļąāļāļ–āļķāļ‡ "āļāļēāļĢāļŦāļĨāļ­āļĄāļĢāļ§āļĄāļˆāļīāļ•āļ§āļīāļāļāļēāļ“" āļ‹āļķāđˆāļ‡āļŦāļĄāļēāļĒāļ–āļķāļ‡āļāļēāļĢāđ€āļŦāđ‡āļ™āļ„āļļāļ“āļ„āđˆāļēāđƒāļ™āļ•āļąāļ§āļ•āļ™āļ‚āļ­āļ‡āļ­āļĩāļāļāđˆāļēāļĒāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡āđāļĨāļ°āļžāļĢāđ‰āļ­āļĄāļˆāļ°āđ€āļ•āļīāļšāđ‚āļ•āđ„āļ›āļ”āđ‰āļ§āļĒāļāļąāļ™ āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āļĄāļĩāđ€āļ§āļĨāļēāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āđāļĒāļāļāļąāļ™āļ—āļģāļ āļēāļĢāļāļīāļˆāļŦāļĢāļ·āļ­āļāļēāļĢāļ‡āļēāļ™āļ‚āļ­āļ‡āļ•āļ™ āđƒāļ™āđāļ‡āđˆāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ„āļ§āđ‰āļ§āļēāļ‡āđƒāļˆāđāļĨāļ°āļāļēāļĢāđ€āļŠāļĩāļĒāļŠāļĨāļ°āđ€āļžāļ·āđˆāļ­āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ™āļąāđ‰āļ™ āđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļđāđˆāļĄāļąāļāļˆāļ°āļĢāļđāđ‰āļŠāļķāļāļ—āđ‰āļēāļ—āļēāļĒ āđāļ•āđˆāđ€āļĄāļ·āđˆāļ­āļ™āļķāļāļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļžāļĢāļ°āļāļĪāļĐāļ“āļ°āđāļĨāļ°āļžāļĢāļ°āđāļĄāđˆāļĨāļąāļāļĐāļĄāļĩ āļˆāļ°āđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļ§āđˆāļēāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāđāļ—āđ‰āļˆāļĢāļīāļ‡āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāđ„āļĄāđˆāļĒāļķāļ”āļ•āļīāļ” āļ­āļĒāļđāđˆāļšāļ™āļžāļ·āđ‰āļ™āļāļēāļ™āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļĄāļ•āļ•āļē āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļœāđˆāļēāļ™āļžāđ‰āļ™āļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđāļĨāļ°āļ—āđ‰āļēāļ—āļēāļĒāđƒāļ™āļŠāļĩāļ§āļīāļ•āļ„āļđāđˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļąāđˆāļ™āļ„āļ‡ āļ­āļĩāļāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ—āļĩāđˆāļœāļĄāļ„āļīāļ”āļ§āđˆāļēāļŠāļģāļ„āļąāļāļĄāļēāļ āļ„āļ·āļ­ "āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļšāļĢāļīāļŠāļļāļ—āļ˜āļīāđŒāļ„āļ·āļ­āļ„āļ§āļēāļĄāļ­āļīāļŠāļĢāļ°" āļāļēāļĢāđƒāļŦāđ‰āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđāļĨāļ°āđ€āļŠāļĢāļĩāļ āļēāļžāļ•āđˆāļ­āļāļąāļ™āđƒāļ™āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ āđ„āļĄāđˆāđƒāļŠāđˆāļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āļāļąāļ™ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ—āļĩāđˆāļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ„āļ§āđ‰āļ§āļēāļ‡āđƒāļˆāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆ āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļāđˆāļēāļĒāļĄāļĩāļ„āļ§āļēāļĄāļŠāļļāļ‚āļāļąāļšāļāļēāļĢāđ€āļ›āđ‡āļ™āļ•āļąāļ§āļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡ āļ—āļ§āđˆāļēāļŦāļąāļ§āđƒāļˆāļŠāļ­āļ‡āļ”āļ§āļ‡āļĒāļąāļ‡āļ„āļ‡āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āđāļŸāđ‰āļ™ āļŠāļĢāļļāļ›āļ„āļ·āļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļžāļĢāļ°āļāļĪāļĐāļ“āļ°āđāļĨāļ°āļžāļĢāļ°āđāļĄāđˆāļĨāļąāļāļĐāļĄāļĩāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļ•āļģāļ™āļēāļ™ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļšāļ—āđ€āļĢāļĩāļĒāļ™āļŠāļĩāļ§āļīāļ•āļ—āļĩāđˆāļŠāļ­āļ™āđƒāļŦāđ‰āđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ§āđˆāļēāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļĒāļąāđˆāļ‡āļĒāļ·āļ™āļ™āļąāđ‰āļ™āļ•āđ‰āļ­āļ‡āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŠāļ•āļī āļ›āļąāļāļāļē āļ„āļ§āļēāļĄāđ€āļĄāļ•āļ•āļē āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđƒāļ™āļšāļ—āļšāļēāļ—āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļāđˆāļēāļĒ āđ€āļĄāļ·āđˆāļ­āđ€āļĢāļēāļ™āļģāļŦāļĨāļąāļāļāļēāļĢāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļĄāļēāđƒāļŠāđ‰āđƒāļ™āļŠāļĩāļ§āļīāļ•āļˆāļĢāļīāļ‡ āļˆāļ°āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļ‡āļ”āļ‡āļēāļĄāđāļĨāļ°āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āđƒāļŦāđ‰āļāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļŠāļĩāļ§āļīāļ•āļ„āļđāđˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡