How to Draw from Reference 🫶🏾

I did a sketch study the other day and said I would post the step by step of how I go about doing pose anatomy by sketching from reference so here it is!

I find that rough sketching things and cleaning it up later is so much easier for me than the typical way people do this. I have a perfectionistic mindset when it comes to my art so when I’m drawing and trying to get it right the first time, it’s hard for me to commit to the drawing because I get frustrated when it’s not coming out the right way the first time.

I have another way that I go about sketching from reference that Ialso find helps me I’ll do a step by step on that the next time I do a drawing with that method.

I don’t think I’m going to do a “finish” this one. I’ll just add it to my digital sketch diary 😌

#drawingtutorial #lemon8art #tutorials #digitalart #illustration

2024/12/6 Edited to

... Read moreBuilding on the fantastic method for drawing from reference shared earlier, let's tackle a more dynamic challenge: how to capture the energy and motion of a running person! It might seem intimidating at first, but applying those same principles of starting with a rough sketch and focusing on pose anatomy can truly make all the difference in bringing your figures to life. When you're aiming to draw a running person, the key is understanding that you're not just drawing a static figure, but a moment in a continuous flow of movement. My first piece of advice is always to seek out excellent reference material. Don't just grab any photo; look for references that clearly show various phases of a running stride – from the push-off to mid-air suspension to landing. Sometimes, a series of photos or even a slow-motion video can be more helpful than a single image, giving you a better sense of the overall action. Step 1: Capture the Dynamic Gesture (Rough Sketch): Just like with any reference drawing, begin with a very loose, quick rough sketch. Forget about intricate details for now. Your primary goal here is to capture the "line of action" – an imaginary curve that conveys the main direction and flow of the pose. For a runner, this line usually sweeps from the head, through the spine, and extends down the back leg, powerfully indicating forward momentum. Use simple, expressive shapes – ovals for the head and torso, and sweeping lines for limbs – to block out the basic proportions and ensure balance. This initial stage is about feeling the movement; don't be afraid to make multiple light lines without erasing, letting them guide you to the most energetic pose. Step 2: Define Pose Anatomy & Proportions in Motion: Once you have that initial dynamic gesture, start adding more structure and defining the pose anatomy. Think about how the body shifts weight. How are the hips and shoulders tilted in opposition to each other (a concept known as contrapposto, even in motion)? How far is the leading leg extended, and how is the trailing leg positioned for the next stride? Pay close attention to foreshortening – how parts of the body appear shorter or longer because they are closer or further away from your viewpoint. This is absolutely crucial for making your running person look dynamic and volumetric, rather than flat. Use your reference to guide you meticulously, defining the major muscle groups and limb connections without getting bogged down in tiny details just yet. Focus on getting those large forms and proportions right first. Step 3: Infuse Movement and Refine Details: Now you can begin to refine your sketch and infuse it with more life. Think about how clothing wrinkles and stretches with the body's movement, or how hair might flow dynamically in the wind to emphasize speed. The arms of a runner typically swing in opposition to their legs for balance and propulsion. Small details, like clenched fists, a determined facial expression, or the tension in the calves, can really bring the drawing to life and convey the effort of running. If you're working digitally, consider adding subtle motion lines or even a hint of blur to further enhance the sense of speed and fluidity. One common pitfall I see (and sometimes fall into myself!) is making the running pose too stiff or symmetrical. Remember, a person in motion is rarely perfectly aligned. Embrace the asymmetry and the slightly exaggerated forms that naturally come with intense movement. Practice observing how weight transfers and how different parts of the body interact to maintain balance. Don't be afraid to experiment with various angles and perspectives from your reference material. It’s all about capturing that raw energy and momentum. Just like the original post mentioned, I find that not aiming for perfection on the first try is incredibly liberating. Your personal digital sketch diary is the perfect place to practice these challenging dynamic poses. Keep sketching, keep observing, and you'll soon be drawing running figures that truly leap off the page with vibrant energy!

13 comments

Lemon8er's images
Lemon8er

THAT IS SO GOOD!

starlight's images
starlight

love itt 🥰

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