84/100 #meds100heads
I drew this around the time that Ollie's was getting in the arts and crafts supplies from JoAnne's shutting down. I really liked this pastel paper but it turns out that it's not very good for drawing. The marker ink doesn't really absorb into the paper and just sits on top and the linen texture ended up being too strong and directing my pencil along the texture instead of where I wanted it to go.
When I first tried using pastel paper for my portrait sketches, I was intrigued by the soft, textured surface and the appealing linen pattern, which seemed perfect for adding depth to my drawings. However, I quickly realized that not all art papers work the same way with different mediums. For instance, markers tend to sit on top of pastel paper rather than absorbing properly, which can lead to smudges or uneven color application. This happened to me during the #meds100heads challenge, where I was aiming to create quick but expressive speedpaints. One key insight I gained is that the linen texture can dramatically affect pencil control, sometimes more than expected. Instead of allowing my pencil to follow my intended lines, the grainy surface inadvertently guided my strokes along the paper’s ridges, making fine details harder to achieve. This forced me to adapt by either pressing lighter or switching to smoother paper for certain shading techniques. For artists participating in portrait sketch challenges or speedpainting, it’s worthwhile to test your chosen materials beforehand. Different brands and types of pastel papers vary widely in ink absorption and texture intensity. I found that smoother pastel papers or mixed media pads designed to handle markers and pencils more effectively can save time and frustration. Balancing the choice of paper with your drawing tools ensures your artworks reflect your vision without being hindered by material limitations. My experience also highlights the importance of flexibility and experimentation during art challenges—sometimes, the learning comes as much from the materials as from the act of drawing itself.





























































