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ðŸŽĻ Watch the timeless beauty...Get to know 'Claude Monet.

Have you ever wondered why some paintings do not look exactly real, but they give us a strange sense of the light, wind, and atmosphere?

This is the charm of Impressionism, which was sparked by a man named Claude Monet. 🖌ïļ

In an age when artists were often painting each other but in the studio and emphasizing the realistic, Monet chose to slung the canvas frame out to paint outside, to absorb nature and capture the rhythm of "light and color" that changed at each moment. ⏱ïļâ˜€ïļ

The works that best reflect this idea are the 🊷 series' The Water Lilies', or the lotus pool in his backyard, which Monet painted in more than 250 pictures! Despite being the same corner lotus pool, every picture gives a different color and feel to the seasons and moments of light incident.

Impressionism is therefore not just an imitation of truth, but a recording of "impressions" at that moment.

Good inspiration is always around us. Just take a notebook, a pen or a pair of colors and record your own impressions. Maybe you'll find a new perspective like Monet discovered beauty in his backyard lotus pool. 📖🖍ïļ

Who likes any of Monet's works or likes to walk through this kind of art? Comments can be shared! 👇

# OfficeLife # ClaudeMonet # Impressionism # Art history # Art# All around knowledge # Inspiration # Drawing # arthistory

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4/7 Edited to

... Read moreClaude Monet āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļ—āļĢāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļ­āļĒāđˆāļēāļ‡āļĄāļēāļāđƒāļ™āļĒāļļāļ„ Impressionism āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ§āļ‡āļāļēāļĢāļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāđ„āļĄāđˆāđ€āļ™āđ‰āļ™āļāļēāļĢāļ§āļēāļ”āļ āļēāļžāđƒāļŦāđ‰āđ€āļŦāļĄāļ·āļ­āļ™āļˆāļĢāļīāļ‡āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđŠāļ°āđ† āđāļ•āđˆāđ€āļ™āđ‰āļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ "āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ" āļœāđˆāļēāļ™āļāļēāļĢāļˆāļąāļšāđāļŠāļ‡ āļŠāļĩ āđāļĨāļ°āļšāļĢāļĢāļĒāļēāļāļēāļĻāđƒāļ™āđāļ•āđˆāļĨāļ°āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļē āļœāļĄāđ€āļ„āļĒāļĨāļ­āļ‡āļĻāļķāļāļĐāļēāļ‡āļēāļ™āļ‚āļ­āļ‡ Monet āđāļĨāļ°āđ€āļ‚āđ‰āļēāđƒāļˆāļ§āđˆāļēāļāļēāļĢāļ§āļēāļ”āļ āļēāļžāļ™āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆ (en plein air) āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļĻāļīāļĨāļ›āļīāļ™āđ„āļ”āđ‰āļ‹āļķāļĄāļ‹āļąāļšāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆ āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļžāļĨāļąāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļŠāļĩāļ§āļīāļ•āļŠāļĩāļ§āļēāđƒāļŦāđ‰āļāļąāļšāļ āļēāļžāļ§āļēāļ”āļĄāļēāļāļāļ§āđˆāļēāļāļēāļĢāļ§āļēāļ”āđƒāļ™āļŠāļ•āļđāļ”āļīāđ‚āļ­āļ—āļĩāđˆāļĄāļĩāđāļŦāļĨāđˆāļ‡āđāļŠāļ‡āļˆāļģāļāļąāļ” āļœāļĨāļ‡āļēāļ™āļŠāļļāļ” The Water Lilies āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ›āđ‡āļ™āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļŠāļąāļ”āđ€āļˆāļ™āļ‚āļ­āļ‡āļ›āļĢāļąāļŠāļāļēāļ™āļĩāđ‰ āđ€āļžāļĢāļēāļ°āļ–āļķāļ‡āļˆāļ°āđ€āļ›āđ‡āļ™āļŠāļĢāļ°āļšāļąāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđāļ•āđˆāļŠāļĩāđāļĨāļ°āđāļŠāļ‡āđ€āļ‡āļēāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āđƒāļ™āđāļ•āđˆāļĨāļ°āļ āļēāļžāļ—āļģāđƒāļŦāđ‰āđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡ Monet āļˆāļķāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āļšāļąāļ™āļ—āļķāļāđāļ„āđˆāļ āļēāļž āđāļ•āđˆāļĒāļąāļ‡āļšāļąāļ™āļ—āļķāļāļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāđāļĨāļ°āļ­āļēāļĢāļĄāļ“āđŒāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ™āļąāđ‰āļ™āļ”āđ‰āļ§āļĒ āļŦāļēāļāđƒāļ„āļĢāļŠāļ™āđƒāļˆāļ­āļĒāļēāļāļĨāļ­āļ‡āļāļķāļāļ§āļēāļ”āļ āļēāļžāđƒāļ™āđāļ™āļ§āļ—āļēāļ‡āļ™āļĩāđ‰ āļœāļĄāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĨāļ­āļ‡āļ–āļ·āļ­āļŠāļĄāļļāļ”āļŠāđ€āļāđ‡āļ•āļŠāđŒāļ­āļ­āļāđ„āļ›āļ™āļąāđˆāļ‡āđƒāļ™āļŠāļ§āļ™āļŦāļĢāļ·āļ­āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ€āļ›āļīāļ”āđ‚āļĨāđˆāļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āļ§āļąāļ™ āđ€āļžāļ·āđˆāļ­āļŠāļąāļ‡āđ€āļāļ•āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āļ­āļ‡āđāļŠāļ‡āļŠāļĩāđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĢāļđāđ‰āļŠāļķāļāđƒāļ™āļ‚āļ“āļ°āļ™āļąāđ‰āļ™ āļāļēāļĢāļŠāļąāļĄāļœāļąāļŠāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āđƒāļāļĨāđ‰āļŠāļīāļ”āļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļĢāļēāļĄāļĩāļĄāļļāļĄāļĄāļ­āļ‡āđƒāļŦāļĄāđˆāđ† āđāļĨāļ°āļŠāđˆāļ§āļĒāđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ™āļĩāđ‰ āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļ‡ Monet āļŠāļ­āļ™āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļđāđ‰āļ§āđˆāļēāļ„āļ§āļēāļĄāļ‡āļēāļĄāđ„āļĄāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆāđƒāļ™āļ„āļ§āļēāļĄāļŠāļĄāļˆāļĢāļīāļ‡āđ€āļŠāļĄāļ­āđ„āļ› āđāļ•āđˆāļšāļēāļ‡āļ„āļĢāļąāđ‰āļ‡āļ„āļ§āļēāļĄāļ‡āļēāļĄāđ€āļāļīāļ”āļˆāļēāļāļāļēāļĢāļ–āđˆāļēāļĒāļ—āļ­āļ”āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§āļ—āļĩāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āđƒāļ™āđāļ•āđˆāļĨāļ°āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļĢāļēāđ„āļ”āđ‰āļŠāļąāļĄāļœāļąāļŠāļˆāļĢāļīāļ‡āđ†