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Share interview experienceðŸŽĪ

Today, let's share the experience of interviewing famous colleges in the Portfolio. ðŸŦ ðŸ’“

First of all, we have to say that this one, since '67 (it was dek67), at the end of high school, we were very active children, but still did not leave school, we were interested in going to high school. Chula, because I like pink and want to enter acting as the original capital, and the next part is the SWU Faculty of Arts. At that time, I was determined to enter all the ports, so I was very determined to make a port for the university, but then I was disappointed 🙂 ↕ïļ because I only lacked some points in the score criteria for both universities, huh, but it's okay. I still have hope. We went to see a faculty in Tikka, which is a faculty and major that fits our infloo line, but is a new major at a famous university like Arts (then probably the second year of the application of this major). I read a lot of reviews, so I decided to apply for the round. Port Du At that time, the work was very accelerated. It took us 4 days to make the port, hahahahaha. But the conclusion is that we passed everyone!!! I didn't think of going through the university that I didn't think at first. I was very happy because it was the first round and sent it to my family. He liked it big and gave me a lot of encouragement. ðŸĨđ💝

In that interview, I prepared 50 / 50 because there were only famous people, hahahahaha. We were not very sure at that time. When we reached the queue, he would ask about our lives first, according to the written port (if you remember correctly) "Ask how many years you have worked in this area, make money to support yourself." What? After that, he would draw lots to choose the question, which we remember exactly. The question was "How is the color of the shirt important for living?" Hahahahaha At that time, we were stunned for 5 seconds and answered a lot (thinking that it is definitely not passed). After answering the question, the judges sang the song. Prepared for 1 verse (we choose a song, not in life, but in the heart) 552525 This difficult thing is very diligent. At that time I thought that it would never pass again because I was afraid of the sleepy judges. 5525525

The result was through the interview cycle!! At that time, Ng 2 went. My parents were very happy.

But finally, we came to the conclusion that we had to give up the right because we had to study for 6 days, which we were in Flu, we had to work with. If we studied for 6 days, I thought it was very tired and had a lot of practice, both dancing and singing, so we came to the conclusion and others respected our decision. ðŸŦ ðŸ’“

We currently study in private, where we are not very hard, have flexible time, can make a lot of money during our breaks, which we are very happy.

We want people who are about to decide to go to college or who are putting a lot of pressure on themselves. We want to let go and try to listen to our own heart. Because listening to our own voice makes life a lot easier. In the future, I don't know what will happen, but the present will do my best. 🌟💊ðŸŧ

# Around the port # College interview # Open experience

1/7 Edited to

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Read moreāļ–āđ‰āļēāđƒāļ„āļĢāđ€āļŠāļīāļĢāđŒāļŠ â€œāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡ portfolio āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ‡āļēāļ™/āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļĢāļ­āļšāļžāļ­āļĢāđŒāļ•” āđāļĨāđ‰āļ§āļ­āļĒāļēāļāđ„āļ”āđ‰āđāļ™āļ§āļ—āļēāļ‡āđāļšāļšāđ€āļ­āļēāđ„āļ›āđƒāļŠāđ‰āđ„āļ”āđ‰āļˆāļĢāļīāļ‡ āđ€āļĢāļēāļ‚āļ­āļŠāļĢāļļāļ›āđ€āļ›āđ‡āļ™āđ€āļŠāđ‡āļāļĨāļīāļŠāļ•āđŒāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§ (āļŠāļēāļĒāļāļīāļˆāļāļĢāļĢāļĄ + āļ—āļģāļ‡āļēāļ™āđ„āļ›āļ”āđ‰āļ§āļĒ) āļ§āđˆāļēāļžāļ­āļĢāđŒāļ•āđāļšāļšāđ„āļŦāļ™āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ•āļ­āļšāļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļĨāļ·āđˆāļ™āļ‚āļķāđ‰āļ™ āđāļĨāļ°āļ„āļ§āļĢāđ€āļ•āļĢāļĩāļĒāļĄāļ­āļ°āđ„āļĢāļšāđ‰āļēāļ‡āļāđˆāļ­āļ™āđ€āļ‚āđ‰āļēāļŦāđ‰āļ­āļ‡āļŠāļąāļĄāļ āļēāļĐāļ“āđŒ 1) āđ‚āļ„āļĢāļ‡ Portfolio āļ—āļĩāđˆāļāļĢāļĢāļĄāļāļēāļĢāļŦāļĒāļīāļšāļ–āļēāļĄāļ‡āđˆāļēāļĒ (āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļˆāļąāļ”āđ€āļ›āđ‡āļ™āļŦāļĄāļ§āļ”) - āļŦāļ™āđ‰āļēāđ‚āļ›āļĢāđ„āļŸāļĨāđŒ 1 āļŦāļ™āđ‰āļē: āļĢāļđāļ›āļŠāļļāļ āļēāļž āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āļ•āļīāļ”āļ•āđˆāļ­ āđāļĨāļ° â€œāļ›āļĢāļ°āđ‚āļĒāļ„āđāļ™āļ°āļ™āļģāļ•āļąāļ§â€ 1–2 āļšāļĢāļĢāļ—āļąāļ” (āļŠāđˆāļ§āļĒāļ•āļąāđ‰āļ‡āđ‚āļ—āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§) - āđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒ/āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆ: āļ—āļģāđ„āļĄāļ­āļĒāļēāļāđ€āļĢāļĩāļĒāļ™āļŠāļēāļ‚āļēāļ™āļĩāđ‰ (āđ€āļ‚āļĩāļĒāļ™āđƒāļŦāđ‰āđ‚āļĒāļ‡āļāļąāļšāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ—āļģāļˆāļĢāļīāļ‡ āđ€āļŠāđˆāļ™ āļ‡āļēāļ™āļ„āļ­āļ™āđ€āļ—āļ™āļ•āđŒ āļ‡āļēāļ™āļ­āļĩāđ€āļ§āļ™āļ•āđŒ āļ‡āļēāļ™āļšāļ™āđ‚āļ‹āđ€āļŠāļĩāļĒāļĨ) - āļœāļĨāļ‡āļēāļ™āđ€āļ”āđˆāļ™ 3–5 āļŠāļīāđ‰āļ™: āđ€āļĨāļ·āļ­āļāļŠāļīāđ‰āļ™āļ—āļĩāđˆāļ§āļąāļ”āļœāļĨāđ„āļ”āđ‰ āđ€āļŠāđˆāļ™ āļĒāļ­āļ”āđ€āļ‚āđ‰āļēāļ–āļķāļ‡/āļĒāļ­āļ”āļ‚āļēāļĒ/āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄāļ‡āļēāļ™/āļšāļ—āļšāļēāļ—āļ—āļĩāđˆāļĢāļąāļšāļœāļīāļ”āļŠāļ­āļš āļžāļĢāđ‰āļ­āļĄāļ āļēāļžāļ›āļĢāļ°āļāļ­āļš - āļāļīāļˆāļāļĢāļĢāļĄ/āļĢāļēāļ‡āļ§āļąāļĨ/āļˆāļīāļ•āļ­āļēāļŠāļē: āđƒāļŠāđˆāđ€āļ‰āļžāļēāļ°āļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ—āļąāļāļĐāļ° āđ€āļŠāđˆāļ™ āļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ—āļĩāļĄ āļ„āļ§āļēāļĄāļĢāļąāļšāļœāļīāļ”āļŠāļ­āļš āļ āļēāļ§āļ°āļœāļđāđ‰āļ™āļģ - āļ—āļąāļāļĐāļ°āļ—āļĩāđˆāđƒāļŠāđ‰āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩ: āļžāļđāļ”āļ•āđˆāļ­āļŦāļ™āđ‰āļēāļ„āļ™ āļ•āļąāļ”āļ•āđˆāļ­āļ§āļīāļ”āļĩāđ‚āļ­ āļ–āđˆāļēāļĒāļ āļēāļž āđ€āļ‚āļĩāļĒāļ™āđāļ„āļ›āļŠāļąāđˆāļ™ āļžāļĢāļĩāđ€āļ‹āļ™āļ•āđŒāļ‡āļēāļ™ āļŊāļĨāļŊ āļ—āļĢāļīāļ„: āļ—āļģ “āļŠāļēāļĢāļšāļąāļ + āđ€āļĨāļ‚āļŦāļ™āđ‰āļē” āđƒāļŦāđ‰āļŠāļąāļ” āļāļĢāļĢāļĄāļāļēāļĢāļˆāļ°āđ€āļ›āļīāļ”āļ–āļēāļĄāļ•āļēāļĄāļžāļ­āļĢāđŒāļ•āđ„āļ”āđ‰āđ„āļ§āļĄāļēāļ 2) āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ„āļģāļ–āļēāļĄāļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ—āļĩāđˆāđ€āļˆāļ­āļšāđˆāļ­āļĒ + āđāļ™āļ§āļ•āļ­āļš - “āļ—āļģāļ”āđ‰āļēāļ™āļ™āļĩāđ‰āļāļĩāđˆāļ›āļĩ/āđ€āļĢāļīāđˆāļĄāļĒāļąāļ‡āđ„āļ‡?” āļ•āļ­āļšāđ€āļ›āđ‡āļ™āđ„āļ—āļĄāđŒāđ„āļĨāļ™āđŒāļŠāļąāđ‰āļ™āđ† 3 āļŠāđˆāļ§āļ‡ (āđ€āļĢāļīāđˆāļĄâ€“āļžāļąāļ’āļ™āļē–āļœāļĨāļ‡āļēāļ™āļĨāđˆāļēāļŠāļļāļ”) - “āļŦāļēāđ€āļ‡āļīāļ™āđ€āļ­āļ‡āđ„āļŦāļĄ/āļˆāļąāļ”āļŠāļĢāļĢāđ€āļ§āļĨāļēāđ€āļĢāļĩāļĒāļ™āļāļąāļšāļ‡āļēāļ™āļĒāļąāļ‡āđ„āļ‡?” āļĒāđ‰āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļ§āļīāļ™āļąāļĒ āļ•āļēāļĢāļēāļ‡āđ€āļ§āļĨāļē āđāļĨāļ°āļāļēāļĢāļ•āļąāđ‰āļ‡āđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒāļĢāļēāļĒāļŠāļąāļ›āļ”āļēāļŦāđŒ - āļ„āļģāļ–āļēāļĄāļˆāļąāļšāļ‰āļĨāļēāļ/āļ„āļģāļ–āļēāļĄāļ„āļīāļ”āđ„āļ§: āļšāļēāļ‡āļ—āļĩāļĄāļēāđāļšāļšāđāļ›āļĨāļāđ† (āđ€āļŠāđˆāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­ āļŠāļĩāļĄāļ‡āļ„āļĨ āļŊāļĨāļŊ) āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļ•āļ­āļšāđƒāļŦāđ‰āļ–āļđāļāļŠāļļāļ” āđāļ•āđˆāļ•āļ­āļšāđƒāļŦāđ‰ “āļĄāļĩāđ€āļŦāļ•āļļāļœāļĨ” āđ€āļŠāđˆāļ™ 1) āļĒāļ­āļĄāļĢāļąāļšāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒ 2) āđ€āļŠāļ·āđˆāļ­āļĄāļāļąāļšāļˆāļīāļ•āļ§āļīāļ—āļĒāļē/āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āđƒāļˆ/āļāļēāļĢāđāļ•āđˆāļ‡āļāļēāļĒāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļŠāļĄ 3) āļ›āļīāļ”āļ—āđ‰āļēāļĒāļ”āđ‰āļ§āļĒāļĄāļļāļĄāļĄāļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āđāļšāļšāđ€āļ„āļēāļĢāļžāļ„āļ™āļ­āļ·āđˆāļ™ 3) āļ–āđ‰āļēāļ•āđ‰āļ­āļ‡āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ– (āļĢāđ‰āļ­āļ‡āđ€āļžāļĨāļ‡/āđ€āļ•āđ‰āļ™/āļžāļĢāļĩāđ€āļ‹āļ™āļ•āđŒ) - āđ€āļ•āļĢāļĩāļĒāļĄ 2 āļ•āļąāļ§āđ€āļĨāļ·āļ­āļ: āđ€āļžāļĨāļ‡āļ–āļ™āļąāļ” + āđ€āļžāļĨāļ‡āļŠāļģāļĢāļ­āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāļĒāļēāļāđ€āļāļīāļ™ (āļāļąāļ™āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™) - āļ‹āđ‰āļ­āļĄ â€œāļ—āđˆāļ­āļ™āļŪāļļāļ„ 30–45 āļ§āļī” āđƒāļŦāđ‰āđ€āļ›āđŠāļ°āļāļ§āđˆāļēāļ‹āđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āđ€āļžāļĨāļ‡ - āļāđˆāļ­āļ™āđ€āļĢāļīāđˆāļĄāđƒāļŦāđ‰āđāļ™āļ°āļ™āļģāļŠāļąāđ‰āļ™āđ† āļ§āđˆāļēāļˆāļ°āđ‚āļŠāļ§āđŒāļ­āļ°āđ„āļĢ āđ€āļžāļ·āđˆāļ­āļ•āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡āļāļĢāļĢāļĄāļāļēāļĢ 4) āđ€āļŠāđ‡āļāļĨāļīāļŠāļ•āđŒāļāđˆāļ­āļ™āļ§āļąāļ™āļŠāļąāļĄāļ āļēāļĐāļ“āđŒ (āļŠāļģāļ„āļąāļāļĄāļēāļ) - āļ›āļĢāļīāđ‰āļ™āļžāļ­āļĢāđŒāļ• 1 āļŠāļļāļ” + āđ„āļŸāļĨāđŒāđƒāļ™āļĄāļ·āļ­āļ–āļ·āļ­/āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• (āđ€āļœāļ·āđˆāļ­āļāļĢāļĢāļĄāļāļēāļĢāļ‚āļ­āļ”āļđāđ€āļĢāđ‡āļ§) - āđ€āļ•āļĢāļĩāļĒāļĄāļ„āļģāļ•āļ­āļš 60 āļ§āļīāļ™āļēāļ—āļĩ: āđāļ™āļ°āļ™āļģāļ•āļąāļ§, āļ—āļģāđ„āļĄāļ„āļ“āļ°āļ™āļĩāđ‰, āļˆāļļāļ”āđāļ‚āđ‡āļ‡, āļˆāļļāļ”āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļē - āđāļ•āđˆāļ‡āļāļēāļĒāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āđ‚āļ—āļ™āļŠāļļāļ āļēāļž āđāļĨāļ°āđ€āļĨāļ·āļ­āļāļ—āļĢāļ‡āļœāļĄ/āļĢāļ­āļ‡āđ€āļ—āđ‰āļēāļ—āļĩāđˆāđ€āļ”āļīāļ™āļŠāļ°āļ”āļ§āļ (āļšāļēāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āđ€āļ”āļīāļ™āļŦāļĨāļēāļĒāļˆāļļāļ”) 5) āļŦāļĨāļąāļ‡āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ„āļ§āļĢāļ—āļģāļ­āļ°āđ„āļĢ - āļˆāļ”āļ—āļąāļ™āļ—āļĩāļ§āđˆāļēāđ€āļ‚āļēāļ–āļēāļĄāļ­āļ°āđ„āļĢ āđ€āļĢāļēāļ•āļ­āļšāļ­āļ°āđ„āļĢ (āđ„āļ§āđ‰āđƒāļŠāđ‰āļ›āļĢāļąāļšāļĢāļ­āļšāļ•āđˆāļ­āđ„āļ›) - āļ–āđ‰āļēāļĄāļĩāļœāļĨāļ‡āļēāļ™āđƒāļŦāļĄāđˆ āđ€āļŠāđˆāļ™ āļ„āļĨāļīāļ›/āđāļ„āļĄāđ€āļ›āļāļĨāđˆāļēāļŠāļļāļ” āđ€āļāđ‡āļšāļĨāļīāļ‡āļāđŒāđ„āļ§āđ‰āđ€āļ›āđ‡āļ™ â€œāļ­āļąāļ›āđ€āļ”āļ•āļžāļ­āļĢāđŒāļ•” āđ€āļœāļ·āđˆāļ­āđ€āļĢāļĩāļĒāļāļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļĢāļ­āļšāļŠāļ­āļ‡āļŦāļĢāļ·āļ­āļĒāļ·āđˆāļ™āļ—āļĩāđˆāļ­āļ·āđˆāļ™ āļŠāļļāļ”āļ—āđ‰āļēāļĒ āļ­āļĒāļēāļāļšāļ­āļāļ§āđˆāļē “āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡ portfolio āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ‡āļēāļ™â€ āļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļžāļ­āļĢāđŒāļ•āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļĢāļēāđāļšāļšāļˆāļĢāļīāļ‡āđƒāļˆāđāļĨāļ°āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļš āļ•āđˆāļ­āđƒāļŦāđ‰āđ€āļ•āļĢāļĩāļĒāļĄāđ„āļĄāđˆāļ—āļąāļ™āļĄāļēāļ āļāļēāļĢāļˆāļąāļ”āļ‚āđ‰āļ­āļĄāļđāļĨāđƒāļŦāđ‰āļŠāļąāļ” + āļ‹āđ‰āļ­āļĄāđ€āļĨāđˆāļēāļ•āļąāļ§āđ€āļ­āļ‡āđƒāļŦāđ‰āļāļĢāļ°āļŠāļąāļš āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļĄāļąāđˆāļ™āđƒāļˆāļ‚āļķāđ‰āļ™āļĄāļēāļāļ„āđˆāļ°