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ðŸ“ļ Review Camera & Lens Used in 2026 âœĻ

I will review and give ⭐ stars from practical experience and value with personal feelings, maybe unpleasant, sorry. 🙏ðŸŧ

Let's start with the camera.

1.Canon EOS R6 Mark II ⭐

ðŸ”đ All-Work Hybrid Full Frame Camera

ðŸ”đ The most accurate focusing system in the Ultra Eye / Animal AF class.

High ðŸ”đ ISO handles Noise very well.

ðŸ”đ Suitable for shooting people / sports / animals / videos

ðŸ’Ą This is the main camera used to shoot birds, the most common use, because the focus is the most sensitive of all the cameras I have. If you want a "complete all work" camera, pick this up first, don't think too much.

📍 2.Canon EOS R8 ⭐

ðŸ”đ is a lightweight Full-Frame camera. Super easy to carry and good price for pro line beginners.

This ðŸ’Ą is used as a secondary camera. The file quality for me is considered very good, not losing R6 at all. It is used for work only. Because the battery is small, serious shooting, need to carry a lot of lumps. There is no work, sleep for many months.

ðŸ“ļ 3.Fujifilm X-H2 ⭐

ðŸ”đ APS-C Full Specs & Cool Fuji Color Files

ðŸ”đ 8K Video / 40MP Photo

ðŸ”đ, the focus system develops very quickly, if not sensitive objects such as birds.

ðŸ”đ Suitable Creative Line + Unique Color Style Scene

ðŸ’Ą, the end behind the camera exists. Shooting anything is beautiful.!!This is my favorite camera. I like it very much. It is used for shooting work-shooting fans-shooting birds-traveling. It is very versatile about bird-wildlife photography. This is very often used with a resolution of 40MP. The macroop also provides very sharp details. The details of feathers-wool are full. The focus system may not be as sensitive as other camps, but the resolution must be really sharp.

ðŸ“ļ Top Lens 2026

ðŸ”đ 1.RF 24-105mm f / 2.8L IS USM Z ⭐

📍. The zoom lens ends every job.

✔ïļ Covers Portrait → Landscape → Event

✔ïļ f / 2.8 throughout the range, both outdoor and indoor.

✔ïļ Shake the gods. Practical, fluid.

One ðŸ’Ą ends every job, the price is heavy, the lens is heavy, the price is heavy, but compared to having to change many lenses, carry many cameras, it is worth it. Mone of this lens, I personally like it very much.

ðŸ”đ 2.RF 70-200mm f / 4L IS USM ⭐

📍 A good weight telezoom for people to carry often.

✔ïļ Suitable for shooting sports / running / activity operator

✔ïļ, shaking, helping to pull clear, even shoulder

✔ïļ, lighter than f / 4, clear.

ðŸ’Ą the most popular lenses. The general range is good. Shoot the puncture angle. The angle is accidental. The emotional angle that a Candit photographer should have. This one I like is small and light. Compared to the old 70-200, even the f / 4, but it is worth it. It's really light. Confused. Confused. One-handed. Comfortable. Easy to carry in your pocket.

ðŸ”đ 3.RF 50mm f / 1.8 ⭐

📍 the most cost-effective 50mm classic distance

✔ïļ. Low cost.

✔ïļ Tap f / 1.8 Dissolve Pretty Back / ISO Better

✔ïļ Small easy to carry every day

ðŸ’Ą is probably the starting lens of many people, so am ðŸĪĢ the Feelport Basic, the smallest, the lightest, the cheapest.

ðŸ”đ 4.Sigma 85mm f / 1.4 Art (For RF / EF) ⭐

📍 Worth Quality Port Trate Lens

✔ïļ 85mm is the golden stage for Portrait.

✔ïļ Soft bokeh. High-level back melt.

✔ïļ sharp across the frame, even f / 1.4.

This ðŸ’Ą has to admit that it is a really sharp lens. According to the Sigma Art style, I like it since using 35 art. The more you shoot a beautiful light port, the better it will be. Hold and look professional, handsome, ðŸĪĢ but... Exchange with a heavy, heavy weight. The chip is missing. Really heavy. 😭

ðŸ”đ 5.EF 300mm f / 2.8L II ⭐

📍 Legendary Tele-Pro

✔ïļ Very clear. Little zoom but sharp.

✔ïļ Suitable for shooting sports / birds / event media

✔ïļ Insert Extender → Increased strength

ðŸ’Ą, the lens I used in early bird photography with the 2x extender used on the R6ii camera was very smooth, even as a grandfather lens, but the newer cameras rolled out the performance fully, compared to the previous Sigma 100-300 f2.8, which was used by a different person. This one is much more sensitive and lighter, can be able to walk and take pictures. Bird shooting is very comfortable. The range is 300 f2.8 without TC, used for a while, but the distance is not satisfactory, so I have to find more EF 600 lenses. ðŸĪĢ

ðŸ”đ 6.EF 600mm f / 4L II ⭐

📍 professional-chosen super-tele

✔ïļ Suitable for birds and wildlife / sports in the big field.

✔ïļ the sharpest in the super tele group.

✔ïļ Compared distance / quality = difficult competitor

ðŸ’Ą I want to shoot Wildlife seriously. This is the hero because the previous one is only 300mm + TC 2x = 600mm. But this one per TC 2x is up to 1200mm. How far is it ðŸĪĢ suitable for shooting wild animals, because in order not to disturb the behavior of wild animals, should not get too close to wild animals or birds. Our ability to shoot at a distance makes you frighten and shoot comfortably. But the disadvantage is that it has twice the weight and a very large cylinder. Can not hold for a long time. Must use a tripod to support the mobility of 0. Must carry the whole lens. Camera 😭

ðŸ”đ 7.Extender 2x III (for RF / EF) ⭐

📍 the lens power further.

✔ïļ Change 300 → 600

✔ïļ 600 → 1200

✔ïļ Batting AF does not fall in many models.

ðŸ’Ą The lens distance enhancer doesn't have much to explain. Many people ask if the focus is good. Is the picture dropped? For me, I can't distinguish it. ðŸĪĢ Because I usually wear it all the time to shoot birds.

ðŸ”đ 8.XF 18mm f / 2 R (Fujifilm) ⭐

📍 Wide Distance for Street / Landscape

✔ïļ Compact easy to carry.

✔ïļ Aperture is good for wide-angle scenes.

✔ïļ give you a natural perspective.

This ðŸ’Ą, I work for free, but have a lot of focus problems and a little frosted. When I try to use it, I like it. The wide angle is good. The picture composition is very good. When I get a story in the background, it fits the street line. I take a little long leg. I have to put a good element, take it out pretty.

ðŸ”đ 9.XF 16-80mm F4 R OIS WR ⭐

📍 Zoom All Benefits APS-C

✔ïļ spans from wide → medium-far.

✔ïļ Anti-Vibration Used to take general fluid

✔ïļ Price / outstanding quality

This ðŸ’Ą is a kitted lens that was bought with a Fujifilm xh2 camera. It is the lens that I use to shoot the most travel for the X-Series with a multi-purpose distance. When traveling or hiking, I use this lens alone to finish the trip. ðŸĪĐ

ðŸ”đ 10.XF 56mm F1.2 R WR ⭐

📍 Classic Level Fuji APS-C Trate Port

✔ïļ Bokeh is pretty deep.

✔ïļ sharp in the middle of the picture

✔ïļ Weather-Resistant

ðŸ’Ą f1.2 The sharp image melts the backdrop. The Fujifilm port line will love this lens, but it's a lens that I use very little because I rarely take ports. If anyone likes to shoot, the port may like it, but I may still ðŸĪĢ

ðŸ”đ 11.XF 150-600mm F5.6-8 R LM OIS WR ⭐

📍 Telegar for APS-C

✔ïļ Huge range on the X-Series.

✔ïļ good OIS help shoot birds / animals

✔ïļ. Lighter than a big-frame telefull.

ðŸ’Ą My first lens to start shooting birds. At first, I was still a beginner. I was still a beginner. The picture was blurred. I fell out of focus. When I got into the industry, my aunt helped to teach. Plus, looking for information from various sources to shoot clearly. I secretly thought it was clearer than the canon camera. But the focus system is still much slower. If I shoot a still bird clinging to a branch, a bird along a pond, I think it won't be very full. I forgot to tell. This lens is considered very light. Walking to find a bird in the garden. Along the forest is very good. Light, one-handed, comfortable. 🙂 ↔ïļ

* * * * * The information from GPT is mixed with pure feeling. ðŸĪĢ * * * *

Current update

I sold the EF 300 F2.8 II.

And add

Canon R5 Mark II Camera

Fujifilm X100VI Camera

Viltrox AF 9 F2.8 Lens (Fuji)

Have the opportunity to come to do more reviews 😅

# Review# Lens review # canon # fujifilm

7/11 Edited to

... Read moreāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļ„āļĒāđƒāļŠāđ‰āļāļĨāđ‰āļ­āļ‡āđāļĨāļ°āđ€āļĨāļ™āļŠāđŒāļŦāļĨāļēāļĒāļĢāļļāđˆāļ™āļ—āļąāđ‰āļ‡ Canon āđāļĨāļ° Fujifilm āđƒāļ™āļ›āļĩ 2026 āļœāļĄāļ­āļĒāļēāļāđāļŠāļĢāđŒāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ­āļļāļ›āļāļĢāļ“āđŒāđāļ•āđˆāļĨāļ°āļ•āļąāļ§āđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ‡āļēāļ™āđāļĨāļ°āļŠāđ„āļ•āļĨāđŒāļ–āđˆāļēāļĒāļ āļēāļžāļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļ„āļ™ āļŠāļģāļŦāļĢāļąāļšāļŠāđˆāļēāļ‡āļ āļēāļžāļŠāļēāļĒāļ–āđˆāļēāļĒāļ™āļāđāļĨāļ°āļŠāļąāļ•āļ§āđŒāļ›āđˆāļē āļāļĨāđ‰āļ­āļ‡ Canon EOS R6 Mark II āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļ āđ€āļžāļĢāļēāļ°āļĢāļ°āļšāļšāđ‚āļŸāļāļąāļŠ Eye/Animal AF āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āđāļĨāļ°āđāļĄāđˆāļ™āļĒāļģ āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļˆāļąāļšāļ āļēāļžāļ—āļĩāđˆāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āđ€āļĢāđ‡āļ§āđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļąāļ‡āļ§āļĨāđ€āļĢāļ·āđˆāļ­āļ‡āđ‚āļŸāļāļąāļŠāļŦāļĨāļąāļ āđāļĄāđ‰āļ§āđˆāļēāļāļĨāđ‰āļ­āļ‡āļŸāļđāļˆāļīāļ­āļĒāđˆāļēāļ‡ X-H2 āļˆāļ°āļĄāļĩāļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡āļ–āļķāļ‡ 40MP āđāļ•āđˆāļāđ‡āļ­āļēāļˆāļĒāļąāļ‡āļ—āļģāļ‡āļēāļ™āđ‚āļŸāļāļąāļŠāđ„āļĄāđˆāđ„āļ§āđ€āļ—āđˆāļē R6 āđƒāļ™āļŠāļ āļēāļžāđāļŠāļ‡āļ™āđ‰āļ­āļĒāđāļĨāļ°āļ§āļąāļ•āļ–āļļāđ€āļ„āļĨāļ·āđˆāļ­āļ™āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āļŠāđˆāļ§āļ™āđ€āļĨāļ™āļŠāđŒāļ—āļĩāđˆāļœāļĄāđƒāļŠāđ‰āļšāđˆāļ­āļĒāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­ Canon RF 24-105mm f/2.8L IS USM Z āđ€āļžāļĢāļēāļ°āļŠāļēāļĄāļēāļĢāļ–āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļ”āđ‰āļŦāļĨāļēāļĒāļ‡āļēāļ™ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ–āđˆāļēāļĒ Portrait, Landscape āļˆāļ™āļ–āļķāļ‡āļ‡āļēāļ™āļ­āļĩāđ€āļ§āļ™āļ•āđŒ āđ€āļĨāļ™āļŠāđŒāļ™āļĩāđ‰āļāļąāļ™āļŠāļąāđˆāļ™āļ”āļĩāļĄāļēāļ āđāļĨāļ°āļĢāļđāļĢāļąāļšāđāļŠāļ‡āļāļ§āđ‰āļēāļ‡āļ•āļĨāļ­āļ”āļŠāđˆāļ§āļ‡ āļ—āļģāđƒāļŦāđ‰āļ–āđˆāļēāļĒāđƒāļ™āļ—āļĩāđˆāđāļŠāļ‡āļ™āđ‰āļ­āļĒāđ„āļ”āđ‰āļ”āļĩ āđāļ•āđˆāļ”āđ‰āļ§āļĒāļ™āđ‰āļģāļŦāļ™āļąāļāđāļĨāļ°āļĢāļēāļ„āļēāļ­āļēāļˆāđ€āļ›āđ‡āļ™āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāđ€āļĨāļ™āļŠāđŒ Canon RF 50mm f/1.8 āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āđ€āļĨāļ™āļŠāđŒāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ—āļĩāđˆāļ„āļļāđ‰āļĄāļ„āđˆāļē āđ€āļŦāļĄāļēāļ°āļāļąāļšāļāļēāļĢāļ–āđˆāļēāļĒāļ‡āļēāļ™āļžāļ­āļĢāđŒāļ•āđ€āļ—āļĢāļ•āđāļĨāļ°āđƒāļŠāđ‰āļ‡āļēāļ™āļ—āļļāļāļ§āļąāļ™ āđ€āļžāļĢāļēāļ°āđ€āļĨāđ‡āļ āļžāļāļžāļēāļ‡āđˆāļēāļĒāđāļĨāļ°āļĨāļ°āļĨāļēāļĒāļŦāļĨāļąāļ‡āļŠāļ§āļĒ āļŠāļģāļŦāļĢāļąāļšāļŠāļēāļĒāļžāļāļžāļēāđāļĨāļ°āļŠāļ­āļšāļ„āļ§āļēāļĄāļ„āļĨāđˆāļ­āļ‡āļ•āļąāļ§ Fujifilm XF 16-80mm F4 R OIS WR āđ€āļ›āđ‡āļ™āđ€āļĨāļ™āļŠāđŒāļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļĄāļēāļāļŠāļģāļŦāļĢāļąāļšāļāļĨāđ‰āļ­āļ‡āļ‹āļĩāļĢāļĩāļŠāđŒ X āđ€āļžāļĢāļēāļ°āđƒāļŦāđ‰āļĢāļ°āļĒāļ°āļ‹āļđāļĄāļ—āļĩāđˆāļ„āļĢāļ­āļšāļ„āļĨāļļāļĄāļ•āļąāđ‰āļ‡āđāļ•āđˆāļŠāđˆāļ§āļ‡āļāļ§āđ‰āļēāļ‡āļ–āļķāļ‡āđ€āļ—āđ€āļĨāļāļĨāļēāļ‡ āļžāļĢāđ‰āļ­āļĄāļĢāļ°āļšāļšāļāļąāļ™āļŠāļąāđˆāļ™āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ āļēāļžāļ™āļīāđˆāļ‡āđāļĨāļ°āļŠāļąāļ”āđ€āļˆāļ™ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļŠāļ­āļšāļ–āđˆāļēāļĒāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđāļĨāļ°āļ āļēāļžāļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™āđƒāļ™āļŠāļ āļēāļžāđāļŠāļ‡āļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ€āļĢāļēāļĒāļąāļ‡āļ•āđ‰āļ­āļ‡āļžāļīāļˆāļēāļĢāļ“āļēāļ™āđ‰āļģāļŦāļ™āļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āđ€āļĨāļ™āļŠāđŒ Sigma 85mm f/1.4 Art āļ—āļĩāđˆāđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āđƒāļŦāđ‰āļāļēāļĢāļ„āļĄāļŠāļąāļ”āđāļĨāļ°āđ‚āļšāđ€āļāđ‰āļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄ āđāļ•āđˆāļāđ‡āļŦāļ™āļąāļāļĄāļēāļāļˆāļ™āļ–āļ·āļ­āļ–āđˆāļēāļĒāļ™āļēāļ™ āđ† āļĨāļģāļšāļēāļ āļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāđāļĨāļ°āļ‡āļēāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ‚āļ­āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĨāļ­āļ‡āđ€āļĨāļ·āļ­āļāļ­āļļāļ›āļāļĢāļ“āđŒāļ”āđ‰āļ§āļĒāļ•āļąāļ§āđ€āļ­āļ‡ āļžāļĢāđ‰āļ­āļĄāļ—āļ”āļĨāļ­āļ‡āļ–āđˆāļēāļĒāļ āļēāļžāđƒāļ™āļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļˆāļĢāļīāļ‡ āđ€āļžāļĢāļēāļ°āļ­āļļāļ›āļāļĢāļ“āđŒāđāļ•āđˆāļĨāļ°āļĢāļļāđˆāļ™āļĄāļĩāļ‚āđ‰āļ­āļ”āļĩāļ‚āđ‰āļ­āđ€āļŠāļĩāļĒāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™ āļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāđāļĨāļ°āļŠāđ„āļ•āļĨāđŒāļ–āđˆāļēāļĒāļ āļēāļžāļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļ„āļ™āļˆāļĢāļīāļ‡ āđ† āđāļĨāđ‰āļ§āļāļĨāđ‰āļ­āļ‡āđāļĨāļ°āđ€āļĨāļ™āļŠāđŒāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļ­āļšāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ­āļ‡āđƒāļ™āļĢāļ°āļĒāļ°āļĒāļēāļ§āļ„āļĢāļąāļš