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THE LAST BOOKSHOP IN LONDON 📚

THE LAST BOOKSHOP IN LONDON | THE LAST POWDER OF BOOKS Lovers ðŸ—ŊïļðŸ’–

â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ

Writing - Madeline Martin

Translation - Rat's daughter, Chunchaiya.

â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ â™Ŧ

The novel, which was inspired by the few London bookstores that survived World War II.

* â€Ē ☆ * â€Ē â€Ē *

We have finished reading this book for a while. The feeling after reading is very impressive. It is another book that was not expected again, hahahahaha. We really like that the story takes us to see the commonality of a young woman like Grace who came to London with the hope of the brilliance of young people in the early days. It shows the difficulty of adjusting when London was entering the war.

Terror, depressed atmosphere, feeling like she was separated, but she grew stronger, even though she was shaken, until she finally got through those moments.

And the key to getting her through the rough was the last bookstore in London.

The store used to be just a six-month temporary workplace for a recommendation slip to apply for a job in a famous mall, but she finally fell in love with those jobs and books. Many of the stories on the packed pages in the bookshelves of the store were her magical escapades, becoming something that healed the minds of the community, becoming a precious moment center and friendship that helped heal the wounds of a long tense war.

The books we read have received every emotion, the last fortress of the book lovers.

ðŸ—ŊïļðŸ“š

# thelastbookshopinlondon # Favorite book # Novels # Translated literature # The last fortress of book lovers

9/7 Edited to

... Read moreTHE LAST BOOKSHOP IN LONDON āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ™āļ§āļ™āļīāļĒāļēāļĒāļ˜āļĢāļĢāļĄāļ”āļēāđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđāļ•āđˆāļĒāļąāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļĢāđ‰āļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđƒāļ™āļāļēāļ™āļ°āļĻāļđāļ™āļĒāđŒāļĢāļ§āļĄāļŠāļļāļĄāļŠāļ™āđāļĨāļ°āļ—āļĩāđˆāļŦāļĨāļšāļ āļąāļĒāļ—āļēāļ‡āđƒāļˆāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļ§āļēāļ”āļāļĨāļąāļ§āđāļĨāļ°āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāđ‚āļĨāļāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 2 āļĢāđ‰āļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāđāļŦāļĨāđˆāļ‡āļ‚āļēāļĒāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ­āļĒāđˆāļēāļ‡āđ€āļ”āļĩāļĒāļ§ āđāļ•āđˆāļĒāļąāļ‡āđ€āļ›āđ‡āļ™āđāļŦāļĨāđˆāļ‡āļšāđˆāļĄāđ€āļžāļēāļ°āļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡āđāļĨāļ°āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāđƒāļŦāđ‰āļāļąāļšāļœāļđāđ‰āļ„āļ™āļĢāļ­āļšāļ‚āđ‰āļēāļ‡āļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āđ€āļŦāļĨāđˆāļēāļœāļđāđ‰āļĢāļąāļāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ•āđˆāļēāļ‡āļžāļķāđˆāļ‡āļžāļēāļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđƒāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāļŦāļ™āļĩāļˆāļēāļāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ­āļąāļ™āđ‚āļŦāļ”āļĢāđ‰āļēāļĒāđƒāļ™āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļĢāđ‰āļēāļ™āđāļŦāđˆāļ‡āļ™āļąāđ‰āļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ‹āļķāđˆāļ‡ "āļāļĨāđ‰āļēāļŦāļēāļāļ•āļĢāļēāļšāđƒāļ”āļ—āļĩāđˆāđ€āļĢāļēāļĒāļąāļ‡āļĄāļĩāļŦāļ™āļąāļ‡āļŠāļ·āļ­āđāļĨāļ°āļĄāļ­āļ‡āđ‚āļĨāļāđƒāļ™āđāļ‡āđˆāļ”āļĩāđ€āļŠāļĄāļ­" āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ­āļąāļ™āļŠāļ°āļ—āđ‰āļ­āļ™āļˆāļēāļ OCR āļ§āđˆāļē āđāļĄāđ‰āđƒāļ™āđ€āļ§āļĨāļēāļĒāļēāļāļĨāļģāļšāļēāļ āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āđ€āļŠāļēāļŦāļĨāļąāļāļŠāļģāļ„āļąāļ āļ™āļ­āļāļˆāļēāļāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āđ€āļāļĢāļ‹āđāļĨāđ‰āļ§ āļ™āļ§āļ™āļīāļĒāļēāļĒāļĒāļąāļ‡āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āļ­āļ‡āļŠāļąāļ‡āļ„āļĄāļĨāļ­āļ™āļ”āļ­āļ™āđƒāļ™āļĒāļļāļ„āļ™āļąāđ‰āļ™ āļāļēāļĢāļ—āļĩāđˆāļĢāđ‰āļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļēāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āđāļĄāđ‰āļ„āļ§āļēāļĄāļ—āļļāļāļ‚āđŒāļĒāļēāļāļˆāļ°āđ€āļ‚āđ‰āļēāļĄāļēāļ–āļēāđ‚āļ–āļĄāļāđ‡āļ•āļēāļĄ āļ”āđ‰āļ§āļĒāļāļēāļĢāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ­āđˆāļ­āļ™ āļ—āļģāđƒāļŦāđ‰āļ™āļąāļāļ­āđˆāļēāļ™āđ„āļ”āđ‰āļŠāļąāļĄāļœāļąāļŠāļĄāļīāļ•āļīāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļāļĨāļąāļ§ āļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡ āđāļĨāļ°āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļŠāđˆāļ§āļ™āļ•āļąāļ§ āļœāđˆāļēāļ™āļĄāļļāļĄāļĄāļ­āļ‡āļ‚āļ­āļ‡āļ•āļąāļ§āļĨāļ°āļ„āļĢāļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĄāļ™āļļāļĐāļĒāđŒāļˆāļĢāļīāļ‡āļˆāļąāļ‡āđāļĨāļ°āđ„āļĄāđˆāļŠāļ§āļĒāļŦāļĢāļđāđ€āļāļīāļ™āđ„āļ› āļŦāļēāļāļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ„āļ™āļ—āļĩāđˆāļĢāļąāļāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļŦāļĢāļ·āļ­āļ•āđ‰āļ­āļ‡āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļœāđˆāļēāļ™āđ€āļĨāļ™āļŠāđŒāļ‚āļ­āļ‡āļ§āļĢāļĢāļ“āļāļĢāļĢāļĄāđāļ›āļĨ āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļˆāļ°āđ€āļ›āđ‡āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāđƒāļŦāđ‰āļ„āļļāļ“āļ„āđˆāļēāļ—āļēāļ‡āļˆāļīāļ•āđƒāļˆāđāļĨāļ°āļ„āļ§āļēāļĄāļšāļąāļ™āđ€āļ—āļīāļ‡āļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļžāļĢāđ‰āļ­āļĄāļŠāđˆāļ‡āļ•āđˆāļ­āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļ„āļ§āļēāļĄāļĄāļ·āļ”āļĄāļīāļ”āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāđ‚āļĨāļāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 2 āļ—āļĩāđˆāļĨāļ­āļ™āļ”āļ­āļ™ āļ”āļąāļ‡āļ™āļąāđ‰āļ™ THE LAST BOOKSHOP IN LONDON āļˆāļķāļ‡āđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļē āđāļ•āđˆāļ„āļ·āļ­āļšāļ—āđ€āļĢāļĩāļĒāļ™āđāļĨāļ°āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļĢāļąāļāļŦāļ™āļąāļ‡āļŠāļ·āļ­āđāļĨāļ°āļŠāļļāļĄāļŠāļ™ āļ„āļ™āļ—āļĩāđˆāļĄāļ­āļ‡āļŦāļēāļŠāļīāđˆāļ‡āđ€āļĨāđ‡āļāđ† āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļĒāļķāļ”āđ€āļŦāļ™āļĩāđˆāļĒāļ§āļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡āđƒāļ™āļĒāļļāļ„āļ—āļĩāđˆāđ‚āļĨāļāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™