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Gems of the Cultural Heritage of the City of Two Kwai🛕âœĻ🙏ðŸŧ

If we come to Phitsanulok, what we can't miss on our trip is that Maha Maha Buddha Shinraj is named the most beautiful Buddha in the world at Srirat Maha Temple (Big Temple), today we invite friends to pay homage to the Buddha and see the Unseen spot for the glory of himself and his family, the Srirat Maha Temple, or "Big Temple," the landmark of Phitsanulok. 🛕

🛕 Srirat Mahavihara Temple, the first-class monastery, the monastery, the two houses of Phitsanulok Province, often called the Great Temple, or the Shin Raj Buddha Temple, is on the banks of the Nan River, on the east side, the place of the "Buddha Shinraj," the sacred golden Buddha, is known as the most beautiful Buddha in the world, which, when the temple was built, cast three monks at the same time, the Buddha Shinraj, the Buddha and the Buddha Sri Buddha, but the handsome Buddha Shinraj was not full of gold, so that a white Buddha is believed to be Indra to help the statue and cast gold, so that the rest of the gold was cast as a Buddha, the Buddha, the Buddha. At the temple of Phra Phra left in front of the temple of Buddha Shinraj. In the belief that worshiping for blessings will make money and money to be used as another place to pay homage to the dignity and respect of the Buddha. In addition to Buddha Shinraj and the rest of the Buddha on the west side, there are Buddha and Sri Prophet on the north and south of the temple. When the four monks pay homage to the temple, they are like paying homage to the relics of the temple prasang. The prasang of the temple is only open for worship once a year. During the Prasat Phra Phra Shinraj is around the end of January each year. There are some interesting things inside the temple. So we will take to get to know each other more

🛕 Phra Srirat Maha Mahavihara Temple is located in Phitsanulok District, Phitsanulok Province, on Buddha Street, on the banks of the Nan River, on the east side, opposite Phitsanulok City Hall.

âœĻ🙏ðŸŧ the unseen spot at the Great Temple is the Buddha Pang Buddha entering Nirvana, enshrined at the Temple of the Lord into Nirvana, on the south side of the temple near the Sri Prophet, with a yellow chest on one end, with two feet protruding, and at the end of the casket is the Buddha, sitting in worship of the body. According to legend, the Buddha's body could not be burned. 8 days after the Buddha's death, the Buddha offered respect, so he could burn the body.

âœĻ🙏ðŸŧ Buddha Shinraj (Grand Father): The president of the royal temple is regarded as the most beautiful Buddhist statue in Thailand.

âœĻ🙏ðŸŧ Prang: Located behind the Temple of Buddha Shinraj, it is an early Ayutthayan art built over the original pagoda during the Sukhothai Atharat period: The Buddha stood Pang, more than 10 meters tall, enshrined behind the Prang, among the remains of the old temple.

âœĻ🏛ïļ the Temple of God into Nirvana: It is a place to enshrine a mock royal chest, which is rare and few in Thailand.

ðŸ–ĪâœĻ Vessuwan: The old one enshrined inside the temple to the right of King Father Buddha Shinraj.

🙏ðŸŧ Featured Activities: On Saturday mornings, there is usually a siege activity in front of the Buddha temple of Shinraj.

ðŸ“ļ The atmosphere inside the temple is calm, shady, with a sense of Sukhothai art, suitable for worship and photography. In the back of the temple there are pagodas and other monks to see, with many OTOP souvenirs.

🚘🌍 travel and parking: The temple is located along the Nan River, on the east side, opposite the town hall. There is a parking lot available in both the temple and the surrounding area.

⭕ïļ the time to go ⭕ïļ: recommend early morning to avoid the crowd and experience the calm atmosphere, or early evening when the temple lights will illuminate beautifully. Anyone who likes to take pictures of beautiful architecture and merit lines should not miss it here.

🛕 Phra Sri Rat Maha Maha Temple, Phitsanulok Mon.

🛕 Location: 92 / 3 Buddha Street, City District, Phitsanulok District, Phitsanulok Province, Buddha District, City District, Phitsanulok (on the banks of the Nan River)

⏰ on-off hours: daily, 06.00-18 00 p.m.,

Shin Raj Buddha Temple: Open daily 08: 30 to 17: 00

💙 Facebook: Phra Sri Rat Maha Maha Phitsanulok Temple

Google Map: Phra Sri Rat Maha Maha Temple

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# Pin and eat # Phitsanulok beautiful temple # Phitsanulok review # Phitsanulok # Phitsanulok temple

6/23 Edited to

... Read moreāļāļēāļĢāļĄāļēāđ€āļĒāļ·āļ­āļ™āļ§āļąāļ”āļžāļĢāļ°āļĻāļĢāļĩāļĢāļąāļ•āļ™āļĄāļŦāļēāļ˜āļēāļ•āļļāļ§āļĢāļĄāļŦāļēāļ§āļīāļŦāļēāļĢāļ—āļĩāđˆāļžāļīāļĐāļ“āļļāđ‚āļĨāļ āļ™āļąāļšāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļĻāļĢāļąāļ—āļ˜āļēāđāļĨāļ°āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļēāļĢāļŠāļģāļĢāļ§āļˆāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļĨāļ°āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāđ„āļ—āļĒ āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāļ‰āļąāļ™āđ„āļ”āđ‰āļĄāļĩāđ‚āļ­āļāļēāļŠāđ„āļ›āđ€āļĒāļ·āļ­āļ™āļ§āļąāļ”āļ™āļĩāđ‰āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļŠāđ‰āļēāļ•āļĢāļđāđˆ āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļšāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđƒāļˆāļŠāļ‡āļšāđāļĨāļ°āđ€āļ›āļīāļ”āļĢāļąāļšāļžāļĨāļąāļ‡āļšāļ§āļāļˆāļēāļāļŠāļ–āļēāļ™āļ—āļĩāđˆāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāđ‚āļ”āļĒāļĢāļ­āļš āļāļēāļĢāđ„āļ”āđ‰āļŠāļąāļāļāļēāļĢāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļŠāļīāļ™āļĢāļēāļŠāļ—āļĩāđˆāļ‚āļķāđ‰āļ™āļŠāļ·āđˆāļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ‡āļ”āļ‡āļēāļĄāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļ āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ›āļīāļ”āļ›āļĢāļ°āļ•āļđāļŠāļđāđˆāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ„āļēāļĢāļžāđāļĨāļ°āļŠāļąāļĄāļœāļąāļŠāļ–āļķāļ‡āļ„āļ§āļēāļĄāļ‡āļ”āļ‡āļēāļĄāļ‚āļ­āļ‡āļĻāļīāļĨāļ›āļ°āđ„āļ—āļĒāđƒāļ™āļĢāļ°āļ”āļąāļšāļŠāļđāļ‡ āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđ„āļŪāđ„āļĨāļ•āđŒāļ—āļĩāđˆāđ„āļĄāđˆāļ„āļ§āļĢāļžāļĨāļēāļ”āļ„āļ·āļ­āļāļēāļĢāļŠāļĄāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ›āļēāļ‡āļžāļĢāļ°āļžāļļāļ—āļ˜āđ€āļˆāđ‰āļēāđ€āļ‚āđ‰āļēāļ™āļīāļžāļžāļēāļ™ āļ—āļĩāđˆāļ§āļīāļŦāļēāļĢāļžāļĢāļ°āđ€āļˆāđ‰āļēāđ€āļ‚āđ‰āļēāļ™āļīāļžāļžāļēāļ™ āļ‹āļķāđˆāļ‡āļŦāļĩāļšāļšāļĢāļĢāļˆāļļāļžāļĢāļ°āļšāļĢāļĄāļĻāļžāļˆāļģāļĨāļ­āļ‡āļĄāļĩāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļēāļ‡āļĻāļēāļŠāļ™āļēāļ—āļĩāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āđāļĨāļ°āļŦāļēāļŠāļĄāđ„āļ”āđ‰āļĒāļēāļāđƒāļ™āļ§āļąāļ”āļ­āļ·āđˆāļ™āđ† āļāļēāļĢāđ€āļ”āļīāļ™āļŠāļĄāļšāļĢāļīāđ€āļ§āļ“āļĢāļ­āļšāđ† āļ—āļģāđƒāļŦāđ‰āļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļĒāđ‰āļ­āļ™āđ€āļ§āļĨāļē āđāļĨāļ°āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļēāļ‡āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļœāļŠāļĄāļœāļŠāļēāļ™āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļŠāļĄāļąāļĒāļŠāļļāđ‚āļ‚āļ—āļąāļĒāđāļĨāļ°āļ­āļĒāļļāļ˜āļĒāļē āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļž āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđ€āļāđˆāļēāļŠāļ§āļĒāļ‡āļēāļĄāļˆāļēāļāļĒāļļāļ„āļ•āđˆāļēāļ‡āđ† āļĢāļ­āļšāļ§āļąāļ” āļĢāļ§āļĄāļ–āļķāļ‡āđāļŠāļ‡āđ„āļŸāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļĒāđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ”āļąāļšāļ­āļĒāđˆāļēāļ‡āļŠāļ§āļĒāļ‡āļēāļĄ āļāđ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ•āļīāļĄāđ€āļ•āđ‡āļĄāļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāļ—āļĩāđˆāļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ āļĒāļīāđˆāļ‡āļŦāļēāļāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļīāļˆāļāļĢāļĢāļĄāļ•āļąāļāļšāļēāļ•āļĢāļĢāļąāļšāļ­āļĢāļļāļ“āđƒāļ™āļ§āļąāļ™āđ€āļŠāļēāļĢāđŒ āļˆāļ°āļĒāļīāđˆāļ‡āļŠāļąāļĄāļœāļąāļŠāļ–āļķāļ‡āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļēāļĄāļąāļ„āļ„āļĩāļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™āļĢāļ­āļšāļ§āļąāļ” āļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ•āļĢāļ‡ āļ‚āļ­āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĄāļēāļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāļ§āļąāļ”āđ€āļ›āļīāļ”āđƒāļ™āđ€āļ§āļĨāļēāļ—āļĩāđˆāļ„āļ™āđ„āļĄāđˆāļĄāļēāļāļ™āļąāļ āļˆāļ°āđ„āļ”āđ‰āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāļŠāļ‡āļšāļāļ§āđˆāļēāļ›āļāļ•āļī āļžāļĢāđ‰āļ­āļĄāļāļąāļšāđ„āļ”āđ‰āļ–āđˆāļēāļĒāļ āļēāļžāđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļĢāđˆāļ‡āļĢāļĩāļš āđāļĨāļ°āļŦāļēāļāđ€āļ”āļīāļ™āļŠāļĄāļ„āļĢāļšāļ—āļąāđ‰āļ‡āļŠāļĩāđˆāļ­āļ‡āļ„āđŒāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļĢāļ­āļšāļ§āļīāļŦāļēāļĢ āļˆāļ°āļĢāļđāđ‰āļŠāļķāļāđ„āļ”āđ‰āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ‚āļŠāļ„āļ”āļĩāđāļĨāļ°āđ€āļ›āđ‡āļ™āļŠāļīāļĢāļīāļĄāļ‡āļ„āļĨāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļŠāļļāļ”āļ—āđ‰āļēāļĒ āļ§āļąāļ”āļžāļĢāļ°āļĻāļĢāļĩāļĢāļąāļ•āļ™āļĄāļŦāļēāļ˜āļēāļ•āļļāļŊ āļĒāļąāļ‡āļĄāļĩāļĢāđ‰āļēāļ™āļ‚āļ­āļ‡āļāļēāļ OTOP āļ—āļĩāđˆāļ„āļąāļ”āļŠāļĢāļĢāļŠāļīāļ™āļ„āđ‰āļēāļˆāļēāļāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđƒāļŦāđ‰āđ€āļĨāļ·āļ­āļāļ‹āļ·āđ‰āļ­āļāļĨāļąāļšāđ„āļ›āđ€āļ›āđ‡āļ™āļ‚āļ­āļ‡āļ—āļĩāđˆāļĢāļ°āļĨāļķāļ āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļŠāļļāļĄāļŠāļ™āđāļĨāļ°āđƒāļŦāđ‰āļœāļđāđ‰āļĄāļēāđ€āļĒāļ·āļ­āļ™āđ„āļ”āđ‰āļŠāļąāļĄāļœāļąāļŠāļāļąāļšāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ­āļĒāđˆāļēāļ‡āļ„āļĢāļšāļ„āļĢāļąāļ™ āļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āļāđ‡āļŠāļ°āļ”āļ§āļ āļĄāļĩāļ—āļĩāđˆāļˆāļ­āļ”āļĢāļ–āļĢāļ­āļ‡āļĢāļąāļšāļĄāļēāļāļžāļ­āļŠāļĄāļ„āļ§āļĢ āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāļĄāļēāđ€āļ—āļĩāđˆāļĒāļ§āļŠāļĄāļ§āļąāļ”āđƒāļŦāļāđˆāđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļˆāđāļĨāļ°āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ—āļļāļāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļāļĨāļąāļšāļĄāļēāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡