Available online at quellsgalore.univer.se

When I first imagined it, I wanted to take viewers on a journey far beyond what the mind can see—a trip through the unseen layers of existence. The clock came first. I painted it as a representation of Saturn, the ruler of time, its face mapped with astrological constellations that tell stories older than we can comprehend. The hands of the clock are frozen, yet the gears hum quietly, like they’re whispering secrets about the cycles of life. Hidden within those gears, I painted a red thread. It’s subtle, but it’s there, weaving through the clock’s inner workings, connecting everything to God—the divine force that ties us all together.

The shadowy figure came next. It started as just a silhouette, but as I painted, I realized it was the ego—dark, elusive, and heavy. It lingered near the edges, refusing to let go. Then came the flesh and higher self, layered and overlapping like fragments of a single being. They felt like a reflection of me, of all of us, caught between who we are, who we pretend to be, and who we’re destined to become.

At the top, I wanted to peel back reality itself. I painted angelic numbers shining through the surface, arranged in trippy, matrix-like patterns. They felt alive, almost as if they were keys to something bigger. Those numbers—those codes—made me feel like I was revealing a glimpse of the divine, like I was offering a tiny window into a higher dimension.

This painting isn’t just art to me—it’s a map of transformation. It’s a reminder that everything is connected, from the gears of time to the divine threads that bind us. It tells the story of our shadows, our struggles, and our ascension into something greater. And through it all, it asks us to look beyond what we see and trust what we feel.