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ðŸĪðŸŠðŸĨðŸ§ļ

Appointment to take a picture with my favorite camera, but almost got the flu home. ‾ïļ

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Many people ask about their favorite camera.# sonyrx100m3ðŸĪ There's an additional question coming into the DM.

â€Ē Wouldn't the camera flash on?

â€Ē What kind of skin work?

â€Ē What mode is regularly used?

Can say that this younger person, whatever the situation is, sand is used as a portrait mode. One round is over. No need to do anything more. Any girl, if the camera is easy to use, good work is recommended.

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Today I took both open flash and normal pictures with the story of today's photo shoot, so I can say that almost Fel just got a really beautiful picture. ðŸĪ

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Start with the first problem, make an appointment with your friends to take a picture at the Buddhist Bridge, but the plan was wrong because it was raining so hard, almost couldn't get the picture back home. Everyone started to flounce, but the sand was also a fighter. 😅ðŸĪĢ I thought, "Well, near there's Asiatique the Riverfront, enough to take a picture, arrange to hit the express. 📍

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Inside coordinates. Any girl wants the mood of a beautiful fire festival. A little person can introduce the side of the pedestrian zone before reaching Jurasic Word. Can say that the most beautiful picture will definitely get home. ðŸŦķðŸŧ

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But if it doesn't rain, tell me that both Buddhist Bridge and Asiatique have beautiful, juicy pictures.

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For anyone to go to the mouth of the market canal and take a car, suggest to get off the Buddhist bridge, circle the car under the bridge, and observe the first landing area with the first seven on the left, saying that the parking area is very good, but maybe a little later. 20.30 The parking is good. 💐

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For anyone looking for a beautiful camera, the coordinates take pictures, please leave the younger in mind. Everyone

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# Byptns review # Trending # Sony camera # Drug sign with lemon8

2025/8/17 Edited to

... Read moreāļāļĨāđ‰āļ­āļ‡ Sony RX100M3 āđ€āļ›āđ‡āļ™āļāļĨāđ‰āļ­āļ‡āļ„āļ­āļĄāđāļžāļ„āļ—āļĩāđˆāļ‚āļķāđ‰āļ™āļŠāļ·āđˆāļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāđāļĨāļ°āļ āļēāļžāļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ­āļšāļ–āđˆāļēāļĒāļ āļēāļžāļšāļļāļ„āļ„āļĨāđāļĨāļ°āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡ āļ”āđ‰āļ§āļĒāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđ‚āļŦāļĄāļ” Portrait āļ—āļĩāđˆāđƒāļŠāđ‰āļ‡āļēāļ™āļ‡āđˆāļēāļĒ āļœāļđāđ‰āđƒāļŠāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ–āđˆāļēāļĒāļ āļēāļžāđ„āļ”āđ‰āļŠāļ§āļĒāļ‡āļēāļĄāļ āļēāļĒāđƒāļ•āđ‰āđāļŠāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļŦāļĢāļ·āļ­āđ€āļ›āļīāļ”āđāļŸāļĨāļŠāļŠāđˆāļ§āļĒāđ€āļŠāļĢāļīāļĄāļ„āļ§āļēāļĄāļŠāļ§āđˆāļēāļ‡ āđ‚āļ”āļĒāđ„āļĄāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ„āļ”āđ‰āļ āļēāļžāļ„āļĄāļŠāļąāļ” āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ‚āļ­āļ‡āļœāļīāļ§āđāļĨāļ°āļŠāļĩāļŠāļąāļ™āļŠāļĄāļˆāļĢāļīāļ‡āļ•āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāļ–āđˆāļēāļĒāļ āļēāļžāđƒāļ™āļšāļĢāļĢāļĒāļēāļāļēāļĻāđ€āļ—āļĻāļāļēāļĨāļŦāļĢāļ·āļ­āļŠāļ–āļēāļ™āļ—āļĩāđˆāļĄāļĩāđāļŠāļ‡āđ„āļŸāļŠāļ§āļĒ āđ† āļ­āļĒāđˆāļēāļ‡ Asiatique the Riverfront āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļĢāļīāļĄāđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē āđ‚āļ‹āļ™āļ„āļ™āđ€āļ”āļīāļ™āļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļēāļāđˆāļ­āļ™āļ–āļķāļ‡ Jurassic World āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ€āļāđ‡āļšāļ āļēāļžāļšāļĢāļĢāļĒāļēāļāļēāļĻāļˆāļąāļ‡āļŦāļ§āļ°āđ„āļŸāļ›āļĢāļ°āļ”āļąāļšāđāļĨāļ°āļ–āđˆāļēāļĒāļĢāļđāļ›āļ„āļđāđˆāļāļąāļšāđāļŠāļ‡āđ„āļŸāļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āđ‚āļ”āļĒāļŠāļ āļēāļžāđāļ§āļ”āļĨāđ‰āļ­āļĄāļŠāļ§āļĒāļ‡āļēāļĄāđāļĨāļ°āļĄāļĩāļ„āļ™āđ„āļĄāđˆāļŦāļ™āļēāđāļ™āđˆāļ™āđ€āļ—āđˆāļēāđ‚āļ‹āļ™āļ­āļ·āđˆāļ™ āđ† āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ–āđˆāļēāļĒāļ āļēāļžāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļ•āļąāļ§āļĄāļēāļāļ‚āļķāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļŠāļģāļĢāļ­āļ‡āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļžāļ—āļĩāđˆāļŠāļ°āļžāļēāļ™āļžāļļāļ—āļ˜āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđāļĨāļ™āļ”āđŒāļĄāļēāļĢāđŒāļāļĒāļ­āļ”āļ™āļīāļĒāļĄ āđāļ•āđˆāđƒāļ™āļŠāđˆāļ§āļ‡āļ§āļąāļ™āļāļ™āļ•āļāđāļĢāļ‡ āļāļēāļĢāļĄāļēāļ—āļĩāđˆ Asiatique āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļĒāļąāļ‡āļ„āļ‡āļĄāļĩāļ āļēāļžāļŠāļ§āļĒ āđ† āđ€āļāđ‡āļšāđ„āļ§āđ‰āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļžāļĨāļēāļ” āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļ™āļģāļĢāļ–āļŠāđˆāļ§āļ™āļ•āļąāļ§āđ„āļ›āļĒāļąāļ‡āļ›āļēāļāļ„āļĨāļ­āļ‡āļ•āļĨāļēāļ” āļ„āļ§āļĢāļ”āļđāļˆāļļāļ”āļˆāļ­āļ”āļĢāļ–āļšāļĢāļīāđ€āļ§āļ“āđƒāļ•āđ‰āļŠāļ°āļžāļēāļ™āļ—āļĩāđˆāļĄāļĩāđ€āļ‹āđ€āļ§āđˆāļ™āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļąāļ‡āđ€āļāļ•āļ‹āđ‰āļēāļĒāļĄāļ·āļ­ āļ‹āļķāđˆāļ‡āļĄāļĩāļ—āļĩāđˆāļˆāļ­āļ”āļĢāļ–āļ—āļĩāđˆāļŠāļ°āļ”āļ§āļāđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđ€āļĄāļ·āđˆāļ­āđ„āļ›āđƒāļ™āļŠāđˆāļ§āļ‡āļŦāļĨāļąāļ‡ 20.30 āļ™. āļ—āļĩāđˆāļˆāļ­āļ”āļˆāļ°āđ€āļžāļĩāļĒāļ‡āļžāļ­āđāļĨāļ°āđ€āļ‚āđ‰āļēāļ­āļ­āļāđ„āļ”āđ‰āļŠāļšāļēāļĒ āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļāļĨāđ‰āļ­āļ‡āļĢāļļāđˆāļ™āļ™āļĩāđ‰āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđāļŠāļ‡āđāļĨāļ°āđ‚āļŦāļĄāļ”āļ āļēāļžāļšāļļāļ„āļ„āļĨāļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āļ—āļģāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļŦāļĢāļ·āļ­āļĄāļ·āļ­āļŠāļĄāļąāļ„āļĢāđ€āļĨāđˆāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļĨāđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļąāļ§āđ„āļ›āļ–āđˆāļēāļĒāļ āļēāļžāđ„āļ”āđ‰āļ—āļļāļāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĒāļļāđˆāļ‡āļĒāļēāļ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļāļēāļĢāđ€āļĨāļ·āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆāļ–āđˆāļēāļĒāļ āļēāļžāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄ āđ€āļŠāđˆāļ™ āļŠāļ°āļžāļēāļ™āļžāļļāļ—āļ˜āđāļĨāļ° Asiatique the Riverfront āļˆāļ°āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļŠāļĩāļŠāļąāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļ™āļļāļāđƒāļ™āļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļž āļžāļĢāđ‰āļ­āļĄāđ„āļ”āđ‰āļ āļēāļžāļŠāļ§āļĒāļ„āļļāļ“āļ āļēāļžāļĢāļ°āļ”āļąāļšāļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļāļĨāļąāļšāļšāđ‰āļēāļ™āļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡