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A total of 5 best-loved novels to recommend.📕

👋. Today, come to introduce a bang novel. Read it and come to the game! I encourage my friends to read it. I don't want to miss the fun. Today comes in the Chinese fiction category. ðŸĪ­

📍 if friends have any novels that are read and fun to recommend in the comments ðŸĨ°

1. Vasana of the Saltfish 🐟: The heroine likes to live the ultimate slow life, as society calls it, "Saltfish." The heroine goes through the body of a student of the school of perseverance, is one of the hundreds of beautiful women who are recruited to serve the hero, a master who is leaving 500 years of perseverance, but the annoying hero likes to kill people as a hobby. Our heroine can't live a saltfish life. Find every way not to be killed.

📌 will say that this story is also made into a series.

Title: Saltfish Vasana

Genres: Retro, Divinity, Romantic, Dramatic

No. of episodes: 33

Broadcast: YOUKU, Netflix

2: Stroking the Heroine ðŸ•ĩðŸŧ‍♂ïļ: This story, the hero is a praetor guard. To say that this story, the hero is a god-level liar, taking advantage of the amnesiac heroine's second brother, but the more lies, our hero is constantly being beaten by the heroine, with the ability to read the face of the person, help the hero investigate many cases, the closer he is, the closer he is, along with lies that are always hard to hide, he finds all kinds of ways to keep her from leaving (6 books end).

This is another story I'd like to suggest about the heroine's ability to read the facial expressions of people. The author wrote very well. The story is so addictive that he can't be read, investigated, political.

3. Ten Thousand Nights ðŸ‘ļðŸŧðŸŦ…ðŸŧ: This story, our heroine followed her friend to take revenge on her ex-boyfriend, but hit back and forth, must be forbidden because her friend would fall off the balcony, but she missed her friend, fell off the balcony so hard. At that time, grabbed the way, grabbed the hero, who was an ex-boyfriend of her friend, fell down the balcony together, and woke up again to find that she was very unlucky to be in the body of Hong Hao, who was not her husband's lover. But, our heroine did not come through alone, the heroine also came through the emperor's body. All right, this heroine is not common, biting together, and has to join. The head sank together, lived as sweet as an ant (2 books end)

It's another interesting plot. This heroine is extraordinary. The hero is very slapstick. Each part is sweeter and sweeter. The heroine is very cute, saying that she only has an IQ of 80 with the hero, but when she finds things and analyzes it is great.

4. Master of the World 😈: The heroine used to be the master of the hero, but the heroine was the ruler of the devil of the world. Our hero was already in Dharma, but our heroine was going to be a disciple. The hero was very offended, so he planned to gather the Dharma houses to take care of the heroine until she died, leaving only a fraction of her breath. The heroine, having lost his life, understood that the precious things in life were missing. The protagonist, a disciple who fell in love with the master, took a soul to rest at the magic ginseng tree on the mountain of Jevi San to give a new fruit, but two magic ginseng fruits. The first result was the heroine, and then another result. Who's the rest? The ginseng is full of hidden stories. The puzzles are still hidden. (4 books end)

📌 have a series to watch.

Title: Master Mara Revisited

Genres: Xian gods, drama, romance

No. of episodes: 40

Broadcast channel: wetv

5. Across time to become a female military doctor ðŸ‘ĐðŸŧ‍⚕ïļðŸ‘ĐðŸŧ‍✈ïļ: This heroine came across the world in the era of China (at the end of the Qing Dynasty, China was reformed from an absolute regime to a republican democracy). Our heroine had to impersonate a man from the beginning of the story. Because of family problems and enemies, we had to rely on the heroine. The new commander of Tien, the heroine underwent multiple attacks to avenge the enemy. The heroine loved, but also had a duty to enjoy the love of the monk-lady in one place. It was another that was not laid down. 👓 (7 books, end)

I can tell you that the author wrote very well, giving us a glimpse of the events of China at the time.

# Fiction # Ancient Chinese fiction # Translation fiction # Love fiction # Male and female fiction# Books # Favorite books # Fiction books # Trending # Drug labels with lemon8

2025/8/24 Edited to

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Read moreāļ–āđ‰āļēāļ„āļļāļ“āļŦāļĨāļ‡āđ€āļ‚āđ‰āļēāļĄāļēāđ€āļžāļĢāļēāļ°āļ„āļģāļ§āđˆāļē “āļœāļĄāļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ§āļēāļŠāļ™āļēāļ‹āđˆāļ­āļ™āđ€āļĢāđ‰āļ™āđƒāļ™āđ€āļāļĄâ€ (āļŠāļēāļĒāđ€āļāļĄ/āļĢāļ°āļšāļš/āđāļŸāļ™āļ•āļēāļ‹āļĩ) āđāļ•āđˆāļ­āļĒāļēāļāđ„āļ”āđ‰āļĨāļīāļŠāļ•āđŒāļ­āđˆāļēāļ™āđ€āļžāļĨāļīāļ™āđƒāļ™āđ‚āļ—āļ™ â€œāļĨāļļāđ‰āļ™-āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”-āļĄāļĩāļŠāļ°āļ•āļēāļāļĢāļĢāļĄāļžāļąāļ§āļžāļąāļ™â€ āđāļšāļšāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļ›āđ‡āļ™āđ€āļāļĄāļˆāđ‹āļē āļĨāļ­āļ‡āļĄāļ­āļ‡ 5 āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāđ€āļĢāļēāļ›āđ‰āļēāļĒāļĒāļēāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡āđ„āļ”āđ‰āđ€āļĨāļĒāļ„āđˆāļ° āđ€āļžāļĢāļēāļ°āđāļ•āđˆāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĄāļĩāđāļāļ™āļ„āļĨāđ‰āļēāļĒāļāļąāļ™āļĄāļēāļāđ† āļ„āļ·āļ­āļĄāļĩ “āļŠāļ°āļ•āļē” āļšāļąāļ‡āļ„āļąāļšāđƒāļŦāđ‰āļ•āļąāļ§āđ€āļ­āļāļ•āđ‰āļ­āļ‡āđ€āļĨāđˆāļ™āļ•āļēāļĄāļāļ•āļīāļāļēāđ‚āļĨāļāđƒāļŦāļĄāđˆ āđāļĨāļ°āļ„āđˆāļ­āļĒāđ† āđāļāđ‰āļ—āļēāļ‡āļˆāļ™āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”āđ„āļ”āđ‰ 1) āļŠāļēāļĒāđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”/āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļĨāđˆāļ™āđ‚āļŦāļĄāļ”āļŪāļēāļĢāđŒāļ”: “āļ§āļēāļŠāļ™āļēāļ‚āļ­āļ‡āļ›āļĨāļēāđ€āļ„āđ‡āļĄâ€ āļŸāļĩāļĨāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļĢāļēāđ‚āļ”āļ™āđ‚āļĒāļ™āđ€āļ‚āđ‰āļēāđāļĄāļžāđƒāļŦāļĄāđˆāđāļĨāđ‰āļ§āļ•āđ‰āļ­āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđ„āļĄāđˆāļ•āļēāļĒāđƒāļŦāđ‰āđ„āļ”āđ‰ āļ™āļēāļ‡āđ€āļ­āļāļŠāļēāļĒāļŠāđ‚āļĨāļ§āđŒāđ„āļĨāļŸāđŒāđāļ•āđˆāļ”āļąāļ™āđ„āļ›āļ­āļĒāļđāđˆāđƒāļ™āļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļžāļĨāļēāļ”āļ™āļīāļ”āđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­āļˆāļšāđ€āļāļĄ āļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļ„āđˆāļ­āļĒāđ† āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨ āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ˜āļ‡āļ•āļēāļĒ āđāļĨāļ°āļŦāļēāļŠāđˆāļ­āļ‡āļĢāļ­āļ”āđāļšāļšāļ„āļ™āļ‰āļĨāļēāļ”āđāļ•āđˆāđ„āļĄāđˆāļ­āļĒāļēāļāđ€āļŦāļ™āļ·āđˆāļ­āļĒāđ€āļāļīāļ™āđ„āļ› āđāļ–āļĄāļĄāļĩāđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™āļ‹āļĩāļĢāļĩāļŠāđŒāļ”āđ‰āļ§āļĒ āđ€āļœāļ·āđˆāļ­āļ­āļĒāļēāļāļŠāļĨāļąāļšāđ„āļ›āļ”āļđāļžāļąāļāļŠāļēāļĒāļ•āļē 2) āļŠāļēāļĒāļ­āđˆāļēāļ™āļ„āļ™/āļŠāļ·āļšāļ„āļ”āļĩāđ€āļŦāļĄāļ·āļ­āļ™āļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļœāļđāđ‰āđ€āļĨāđˆāļ™: “āļĨāļđāļšāļ„āļĄāļ­āļ‡āļ„āļĢāļąāļāļĐāđŒāļŠāļ§āļĄāļĢāļ­āļĒ” āļ–āđ‰āļēāļŠāļ­āļšāļžāļĨāđ‡āļ­āļ•āļ—āļĩāđˆāļ•āļąāļ§āļĨāļ°āļ„āļĢāļ•āđ‰āļ­āļ‡āļ­āđˆāļēāļ™āđ€āļāļĄ āļ­āđˆāļēāļ™āļŦāļ™āđ‰āļē āļ­āđˆāļēāļ™āđ€āļˆāļ•āļ™āļē āļ­āļąāļ™āļ™āļĩāđ‰āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļĄāļēāļ āļ™āļēāļ‡āđ€āļ­āļāļĄāļĩāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļŠāļĩāļŦāļ™āđ‰āļēāļ„āļ™ āđ€āļŦāļĄāļ·āļ­āļ™āļĄāļĩāļŠāļāļīāļĨāļŠāđāļāļ™āļšāļąāļŸ/āļ”āļĩāļšāļąāļŸ āļŠāđˆāļ§āļĒāļžāļĢāļ°āđ€āļ­āļāļ„āļĨāļĩāđˆāļ„āļ”āļĩāđ„āļ›āđ€āļĢāļ·āđˆāļ­āļĒāđ† āļ„āļ§āļēāļĄāļŠāļ™āļļāļāļ„āļ·āļ­āļ„āļ§āļēāļĄāđ‚āļāļŦāļāļ—āļĩāđˆāļ—āļąāļšāļ‹āđ‰āļ­āļ™āđāļĨāļ°āđāļĢāļ‡āļāļ”āļ”āļąāļ™āļ§āđˆāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āļˆāļ°āđ‚āļ›āđŠāļ°āđāļ•āļāđ€āļĄāļ·āđˆāļ­āđ„āļŦāļĢāđˆ 3) āļŠāļēāļĒāļ„āļđāđˆāļāļąāļ”/āļ—āļ°āļĨāļļāļĄāļīāļ•āļīāđāļšāļšāļĄāļēāļžāļĢāđ‰āļ­āļĄāļāļąāļ™: “āļ„āļđāđˆāļŠāļ·āđˆāļ™āļŦāļĄāļ·āđˆāļ™āļĢāļēāļ•āļĢāļĩ” āļ­āļąāļ™āļ™āļĩāđ‰āđƒāļŦāđ‰āļŸāļĩāļĨ co-op āđ€āļāļĄāļĄāļēāļāļ„āđˆāļ° āđ€āļžāļĢāļēāļ°āļžāļĢāļ°āđ€āļ­āļāļ™āļēāļ‡āđ€āļ­āļ â€œāļŦāļĨāļļāļ”āļĄāļē” āđāļĨāđ‰āļ§āļ•āđ‰āļ­āļ‡āļˆāļąāļšāļĄāļ·āļ­ (āđāļšāļšāđ„āļĄāđˆāļ„āđˆāļ­āļĒāđ€āļ•āđ‡āļĄāđƒāļˆ) āđ€āļžāļ·āđˆāļ­āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”āđƒāļ™āļ§āļąāļ‡ āļ­āđˆāļēāļ™āđ€āļžāļĨāļīāļ™āđ€āļžāļĢāļēāļ°āļˆāļąāļ‡āļŦāļ§āļ°āļ•āļĩāļāļąāļ™-āļŠāđˆāļ§āļĒāļāļąāļ™āļĄāļąāļ™āļĨāļ‡āļ•āļąāļ§ āđāļĨāđ‰āļ§āļ„āļ§āļēāļĄāļŦāļ§āļēāļ™āļ„āđˆāļ­āļĒāđ† āđ„āļ•āđˆāļĢāļ°āļ”āļąāļšāđāļšāļšāļ„āļ™āđ€āļĢāļīāđˆāļĄāđ„āļ§āđ‰āđƒāļˆāļāļąāļ™ 4) āļŠāļēāļĒāļ”āļĢāļēāļĄāđˆāļēāļŦāļ™āļąāļ+āļ›āļĢāļīāļĻāļ™āļēāļŠāļ°āļ•āļē: “āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļēāļĢāļŦāļ§āļ™āļ āļžâ€ āļ–āđ‰āļēāļŠāļ­āļšāđ€āļŠāđ‰āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđāļ™āļ§āļšāļļāļžāđ€āļž/āļ§āļēāļŠāļ™āļē/āļāļĢāļĢāļĄāđ€āļāđˆāļē āļ—āļĩāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļĄāļĩāđ€āļ„āļ§āļŠāļ•āđŒāļŦāļĨāļąāļāļĒāļēāļ§āđ† āđƒāļŦāđ‰āļ•āļēāļĄāđ„āļ‚ āļĄāļĩāļ›āļĄāļĢāļąāļāļ›āļĄāđāļ„āđ‰āļ™ āđāļĨāļ°āļ„āļ§āļēāļĄāļĨāļąāļšāļ—āļĩāđˆāļ„āđˆāļ­āļĒāđ† āđ€āļ›āļīāļ” āļ­āļąāļ™āļ™āļĩāđ‰āļˆāļ°āļ–āļđāļāđƒāļˆ āđāļ–āļĄāļĄāļĩāļ‹āļĩāļĢāļĩāļŠāđŒāđƒāļŦāđ‰āļ”āļđāļ”āđ‰āļ§āļĒ āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āļŠāļ­āļšāļ­āļēāļĢāļĄāļ“āđŒāđ€āļ‚āđ‰āļĄāđ† 5) āļŠāļēāļĒāļžāļĩāđ€āļĢāļĩāļĒāļ”āđƒāļāļĨāđ‰āļĒāļļāļ„āđƒāļŦāļĄāđˆ+āļšāļ—āļšāļēāļ—āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļŠāļąāļ”: “āļ‚āđ‰āļēāļĄāđ€āļ§āļĨāļēāļĄāļēāđ€āļ›āđ‡āļ™āđāļžāļ—āļĒāđŒāļ—āļŦāļēāļĢāļŦāļāļīāļ‡â€ āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āļŠāļ­āļšāđ‚āļĨāļāļ—āļĩāđˆāļĄāļĩāļāļ•āļīāļāļēāļŠāļąāļ‡āļ„āļĄāļˆāļĢāļīāļ‡āļˆāļąāļ‡ āļ•āđ‰āļ­āļ‡āļ›āļĨāļ­āļĄāļ•āļąāļ§ āļ•āđ‰āļ­āļ‡āļ—āļģāļ āļēāļĢāļāļīāļˆ āđāļĨāļ°āļĄāļĩāļ‰āļēāļāļšāđ‰āļēāļ™āđ€āļĄāļ·āļ­āļ‡āđƒāļŦāđ‰āļ•āļēāļĄ āļĨāļļāđ‰āļ™āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ° â€œāļŦāļ™āđ‰āļēāļ—āļĩāđˆâ€ āđ€āļŦāļĄāļ·āļ­āļ™āļ•āđ‰āļ­āļ‡āļšāļēāļĨāļēāļ™āļ‹āđŒāļŠāļ­āļ‡āđ€āļ„āļ§āļŠāļ•āđŒāđ„āļ›āļžāļĢāđ‰āļ­āļĄāļāļąāļ™ āļ—āļĢāļīāļ„āđ€āļĨāļ·āļ­āļāđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļŦāđ‰āļ•āļĢāļ‡āđƒāļˆāđāļšāļšāđ„āļ§āđ† āļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđ€āļĢāļē: - āļ­āļĒāļēāļāļ‚āļģāđ† āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ” āļ­āđˆāļēāļ™āļ‡āđˆāļēāļĒ: āļ§āļēāļŠāļ™āļēāļ‚āļ­āļ‡āļ›āļĨāļēāđ€āļ„āđ‡āļĄ - āļ­āļĒāļēāļāđ„āļ”āđ‰āļŠāļ·āļšāļŠāļ§āļ™+āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡+āđ€āļāļĄāļˆāļīāļ•āļ§āļīāļ—āļĒāļē: āļĨāļđāļšāļ„āļĄāļ­āļ‡āļ„āļĢāļąāļāļĐāđŒāļŠāļ§āļĄāļĢāļ­āļĒ - āļ­āļĒāļēāļāđ„āļ”āđ‰āļ„āļđāđˆāļāļąāļ”/āđ‚āļĢāđāļĄāļ™āļ•āļīāļāļŸāļĩāļĨāļ”āļĩ: āļ„āļđāđˆāļŠāļ·āđˆāļ™āļŦāļĄāļ·āđˆāļ™āļĢāļēāļ•āļĢāļĩ - āļ­āļĒāļēāļāđ„āļ”āđ‰āļ”āļĢāļēāļĄāđˆāļēāļŦāļ™āļąāļ+āļ›āļĄāļŠāļ°āļ•āļē: āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļēāļĢāļŦāļ§āļ™āļ āļž - āļ­āļĒāļēāļāđ„āļ”āđ‰āļžāļĩāđ€āļĢāļĩāļĒāļ”āļŠāļ‡āļ„āļĢāļēāļĄ/āļ›āļĨāļ­āļĄāļ•āļąāļ§/āđ‚āļĨāļāļŠāļĄāļˆāļĢāļīāļ‡: āļ‚āđ‰āļēāļĄāđ€āļ§āļĨāļēāļĄāļēāđ€āļ›āđ‡āļ™āđāļžāļ—āļĒāđŒāļ—āļŦāļēāļĢāļŦāļāļīāļ‡ āļ–āđ‰āļēāđ€āļĨāđ‡āļ‡āđāļ™āļ§ â€œāđ€āļāļĄâ€ āļ­āļĒāļđāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™ āļšāļ­āļāļŠāđ„āļ•āļĨāđŒāļ—āļĩāđˆāļŠāļ­āļš (āļĢāļ°āļšāļš, āđ€āļāđ‡āļšāđ€āļĨāđ€āļ§āļĨ, āļžāļĢāļ°āđ€āļ­āļāđ€āļ—āļž, āļŦāļĢāļ·āļ­āļŠāļēāļĒāđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”) āđ€āļ”āļĩāđ‹āļĒāļ§āđ€āļĢāļēāļŠāđˆāļ§āļĒāļˆāļąāļšāļ„āļđāđˆāļˆāļēāļāļĨāļīāļŠāļ•āđŒāļ™āļĩāđ‰āđƒāļŦāđ‰āļ•āļĢāļ‡āļāļ§āđˆāļēāđ€āļ”āļīāļĄāđ„āļ”āđ‰āļ„āđˆāļ°