ttpd songs that fit in other albums

Okay Swifties, after my last post about TTPD songs finding their home in albums like Midnights, Lover, Fearless, and Speak Now, I just HAD to do a Part 2! The Tortured Poets Department is such a rich album, and there are so many more tracks that give me serious vibes from folklore, evermore, and even Red. It's like Taylor herself is hinting at these connections with her evolving sound! First up, let's talk about the incredible storytelling and raw emotion that makes so many TTPD songs feel like they could be folklore or evermore rejects (in the best way possible!). Take "loml," for instance. The poignant reflection and the way the narrative unfolds feels incredibly akin to the lyrical depth of tracks like "exile" or "tolerate it." It’s that gut-wrenching honesty, delivered with a poetic touch that defines those sister albums. Similarly, songs like "The Albatross" or "The Black Dog" share the intricate lyrical imagery and character-driven narratives that are hallmarks of folklore and *evermore*. You can almost imagine them nestled peacefully between "ivy" and "willow" on a rainy day. The focus on intricate metaphors and specific, evocative settings truly echoes the artistry of those two albums. Then we have the undeniable Red vibes pulsating through certain TTPD tracks. Red is all about the emotional rollercoaster, the intense highs and devastating lows of heartbreak, sometimes hidden behind an upbeat facade. "I Can Do It With a Broken Heart" is a prime example. Despite its seemingly upbeat tempo, the lyrics scream *Red*-era heartbreak – putting on a brave face and performing while crumbling inside. It's got that bittersweet, dance-through-the-pain energy that could easily follow "22" or precede "All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)." Another one that undeniably carries a Red intensity is "The Smallest Man Who Ever Lived." The raw anger, disillusionment, and specific call-outs here could easily sit alongside some of *Red*'s more scathing and emotionally charged tracks. The emotional intensity is palpable, reminiscent of the vulnerability and fury found in songs like "The Story of Us" (though that's from Speak Now, the feeling is similar to Red's intensity). Beyond these, there are other subtle hints. For example, some of the darker, more biting lyrics in TTPD might even give a fleeting reputation vibe, though the overall production usually steers it away. It’s fascinating how Taylor's songwriting continues to evolve while still retaining these threads that connect all her eras. The way she layers her experiences, from the youthful vulnerability in "So High School" that reminds me of Fearless, to the intense pop sadness in "Down Bad" and "imgonnagetyouback" which feel distinctly Midnights, it’s a testament to her consistent artistic vision. Even the playful yet defiant spirit in "But Daddy I Love Him" that evokes Speak Now shows how her past sounds are woven into her present work. What do you think, Swifties? Have you found other TTPD songs that make you feel like you're listening to a completely different album? Share your own picks in the comments below! It's so much fun to dissect these connections and appreciate the genius of Taylor's discography.