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ðŸ’ĨOpen worship, shareðŸ’Ĩ

âœĻ Monk Eyes Closed "Print Luang" Mixed Metal Texture "Moon Pen Version"/āđ„āļ­āļ„āļ­āļ™āļŠāļĒāļēāļĄThe King of the Golden Mountain Temple, Phatthalung, 1992, built little and rare, the blindfold of his eyes, he said, printed the Luang, the Golden Mountain Temple, 1935, the Mon Pen ceremony, the 12th month, the metallic texture, mixed with slate and old monks, the line of the mountain, the ancient cast, the Master of Si Silver, the Temple of Don Sala, the ceremony, evokes the group, and the characters of the line, the Buddha, the merciful and the very good fortune, perform the golden ceremony, the day, the night, the ninth month, at the Temple of the Golden Mountain, Khun Jung. Phatthalung, with the president of the golden ceremony, the teacher of the temple, the master of the temple, the monk of the temple, the monk of the temple, the monk of the mountain of gold, the master of the temple, the master of the monk, the priest of the temple, the monk, the monk of the temple, the monk, the monk of the monk, sat in the four directions, consisting of 1, the teacher of the Red Cross, the monk of the temple, the monk of the temple, the monk of the east, 2, the master of the glass, the monk of the temple of Khok, the monk, the monk of the monk, and the monk of the south, 3. The monk of Dharma Sunthorn (the king of the father), the temple of Trysiam, the temple of the monk of the west, 4. The monk of the temple of Kognian, the temple of the monk of the north, and there are five monks sitting in the monk of the monk of the monk, consisting of 1. Father Brahma, the temple of the house of the garden, 2. Father, the temple of the monk, 3. Father distilled, the temple of the monk, 4. Father, the temple of the monk, 5. Father Indra, Quan Pantaram Temple, and 9 Chai Chai monks, scheduled for 3 days and 3 nights at the entrance of the Golden Mountain Temple, with the faculty of the Master of the Venerable Temple, he reeds, seated many of them as follows: 1. The Provost of the Venerable Ministry (Father Anomo), the Abbot of the Golden Mountain Temple, Tiangchai Point, 2. The Provost of Ga Lack (Master of the Golden Merit), the Abbot of Don Sala, the President of the Buddha Ceremony, 3. The Provost of Siriva (Master of Sri Silver Atharro), the Temple of Don Sala, the Provost of Mug Miko, the Provost of the Temple, 5. Provost Dharma Sunthorn (Master Prathomno) Temple of Trysiam 6. Abbey of the Cave of Khao Silver, Mon Chumphon 7. Provost of Chumphon Chumphon 7. Temple of the Garden House 8. Supreme Leaf Distilled Achthomno (Father Distilled) Temple of Khao Oh 9. Bishop of the Gods Vivaranol (Father of the Gods) Temple of Prudalang 10. Mahachuan (Master Chuan) Temple of Kognian 11. Mahajrugn (Master Chumphon) Temple of Vivaraniram, Mon Narathiwas 12. Indra (Father Indra) Temple of Kantaram 10. The teacher of the Sri Brahma Pith Temple, Singapore, 14. Master Sompong, the Brahma World Temple, Nakhon Si Thammarat, 15. Master of the Khok Yam Temple, Phatthalung, the faculty chanted the ritual of the Buddha by the faculty from the Intrawas Temple, Phatthalung, and the secular students of the Temple of Khao, led by 1. Master Maj. Master of the Patharakkadej, the master of the ceremony, 2. Master of the Diamond Rat, the assistant of the ceremony, 3. Master of the Residence, 4. Master Sondhi Vithanawit, who helped you with the ceremony at this ceremony, coincides with the 12th day of the month, according to the ancient superstition texts of his bureau. Oh, it is later considered to be the Great Utm, with fortune, compassion, the Great, the Great, the Good, the Wisdom, the Vasana in all respects.

2025/11/3 Edited to

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āđāļĨāļ°āļĄāļĩāļžāļĢāļ°āļ„āļ“āļēāļˆāļēāļĢāļĒāđŒāļˆāļēāļāļŦāļĨāļēāļĒāļ§āļąāļ”āļĄāļēāļĢāđˆāļ§āļĄāļžāļīāļ˜āļĩāļ­āļĒāđˆāļēāļ‡āļ„āļĢāļšāļ–āđ‰āļ§āļ™ āđ‚āļ”āļĒāļžāļīāļ˜āļĩāļ›āļĨāļļāļāđ€āļŠāļāđƒāļŠāđ‰āđ€āļ§āļĨāļēāļ–āļķāļ‡ 3 āļ§āļąāļ™ 3 āļ„āļ·āļ™ āļ—āļĩāđˆāļ­āļļāđ‚āļšāļŠāļ–āļ§āļąāļ”āļ āļđāđ€āļ‚āļēāļ—āļ­āļ‡ āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļžāļĨāļąāļ‡āļ‚āļ­āļ‡āļžāļĢāļ°āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļ‚āđ‰āļĄāļ‚āļĨāļąāļ‡āđāļĨāļ°āļ—āļĢāļ‡āļžāļļāļ—āļ˜āļ„āļļāļ“āļŠāļđāļ‡āļŠāļļāļ” āļ”āđ‰āļ§āļĒāļ›āļąāļˆāļˆāļąāļĒāļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ™āļĩāđ‰ āļ—āļģāđƒāļŦāđ‰āļžāļĢāļ°āļ›āļīāļ”āļ•āļēāđ€āļ‚āļēāļ­āđ‰āļ­ āļžāļīāļĄāļžāđŒāļĨāļđāļāđ€āļ™āļĩāļĒāļ‡ āļĢāļļāđˆāļ™āļˆāļąāļ™āļ—āļĢāđŒāđ€āļžāđ‡āļ āļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāđ€āļ„āļēāļĢāļžāļ™āļąāļšāļ–āļ·āļ­āļ­āļĒāđˆāļēāļ‡āļāļ§āđ‰āļēāļ‡āļ‚āļ§āļēāļ‡āđāļĨāļ°āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļžāļĢāļ°āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ 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