I love claymation!!!
Australian director, Adam Elliot’s Mary and Max is a master piece! It is his only feature film and took the crew 133 sets, 212 puppets and 475 props. It took six different animators completing five seconds a day! As a Wallace and Gromet fan, this is a must watch. It’s a lot heavier and a heart wrenching film. I won’t spoil you any details. If you want to check it out TW: self unalive attempt. This movie is not for kids.
Source: “Mary and Max: rewatching classic Australian films” by Luke Buckmaster on The Guardian
As someone who's always been fascinated by the magic of animation, especially stop-motion, discovering Adam Elliot's ‘Mary and Max’ was an absolute revelation. I've often heard people say, "I've never met anyone who's watched this movie," and it makes me want to tell everyone about this hidden gem, especially its incredible animation technique. When we talk about 'Mary and Max,' the claymation isn't just a style choice; it's integral to the film's soul. Unlike sleek CGI, claymation offers a tangible, almost raw texture that perfectly mirrors the imperfect, messy, yet beautiful human connections explored in the story. Every single frame, every tiny twitch of Max's brow or Mary's hair, is painstakingly sculpted and photographed. Imagine the dedication: the original article mentions 133 sets, 212 puppets, and 475 props, with six animators only managing five seconds of footage per day! This isn’t a quick process; it’s a labor of love that imbues the characters with a unique sense of vulnerability and realism, despite being made of clay. The tactile nature of the clay figures, like the distinct 'Max' character you see in the movie poster, adds a profound depth. You can almost feel the texture of their skin, the weight of their emotions. The film's predominantly grayscale palette, punctuated by occasional bursts of color, further emphasizes this. It grounds the fantastical elements of the story in a stark, yet beautiful, reality that enhances the film's themes of loneliness, mental health, and the search for connection. This painstaking process brings so much character to every detail, from the wonky spectacles to the detailed miniatures of New York and rural Australia. What truly elevates 'Mary and Max' is how this animation technique blends seamlessly with the stellar voice acting. Icons like Philip Seymour Hoffman, who voiced Max, and Toni Collette, as Mary, alongside Barry Humphries and Eric Bana, didn't just speak lines; they breathed life into these clay figures. Their nuanced performances, combined with the charmingly imperfect puppets, create characters that feel incredibly real and relatable, despite their unconventional appearance. It’s a testament to the power of claymation to convey deep, complex emotions, making you deeply invested in the friendship between these two "perfect strangers." For anyone interested in animation or just looking for a truly unique cinematic experience, delving into the 'Mary and Max' claymation technique is a must. It’s a powerful reminder of how much artistry and heart can be poured into every single frame, making a film an unforgettable journey.



I've seen this and I definitely shouldn't have what as a child in single digits