Roald Dahl’s The BFG (Singapore 2026)
We is in Giant Country for the first preview show in Singapore and had the most phizz-whizzing time! 💫🎺👂
This stage adaptation of Roald Dahl’s The BFG is such a magical and whimsical show. Visually stunning, with some of the most incredible puppetry seen on stage.
A huge part of its success lies in Toby Olié’s beautiful puppet designs. The varying sizes cleverly show the scale between characters, and it’s amazing how the show relies less on big set pieces and more on puppetry, clever lighting, and the believability the actors bring to their roles.
John Leader’s BFG feels younger and more energetic than the usual portrayal, which brings him closer in age to Sophie, giving them more of a best-friends rather than child–grandparent dynamic. Martha Bailey Vine as Sophie is a curious and brave little smartypants you can’t help but root for.
I think my favourite has to be the Queen — Helena Lymbery is hilarious and I was laughing every time she appeared. Her butler Tibbs played by Sargon Yelda adds to the fun, while Philip Labey and Luke Sumner are such a chaotic and brilliant duo as Captain Smith and Captain Frith. Richard Riddell is fearsome and menacing as the villainous Bloodbottler. Uma Patel as Kimberley, Sophie’s best friend, brings such a wholesome energy and shares lovely chemistry with Sophie.
And lastly, the real MVPs are the puppeteers, who manoeuvre the giant puppets with such incredible skill and precision. I couldn’t imagine this show being even half of what it is without their immense talent and pitch-perfect execution.
A truly splendiferous show for Human Beans of all ages! Just beware there might be some whizzpopping involved. 💨✨
🗓️ 22 Apr – 9 May 2026
📍 Esplanade Theatre
If you're curious about the behind-the-scenes magic of The BFG stage adaptation, one of the standout features is the innovative puppetry that brings the giant characters to life with incredible realism. The use of clever lighting and subtle set design allows the audience to focus more on the performances and the imaginative world rather than on elaborate backdrops. Many will appreciate that John Leader’s portrayal of the BFG presents him as more youthful and energetic, which creates a refreshing dynamic especially with Sophie’s character, enhancing the friendship theme instead of a traditional guardian approach. This fresh take offers a new experience even for longtime fans of Roald Dahl’s beloved story. In addition to the captivating performances, audiences have often shared how Helena Lymbery’s comedic timing as the Queen adds a delightful layer of humor that lightens the story, making it fun for adults and children alike. The energetic interactions between Captain Smith and Captain Frith bring chaos and laughter, balancing the more intense moments driven by the villain Bloodbottler. For those planning to attend, performances run from April 22 to May 9, 2026, at the Esplanade Theatre in Singapore. Tickets are highly anticipated, so booking early is recommended to enjoy this rare chance to see a Royal Shakespeare Company production co-produced by Singapore Repertory Theatre. Many attendees have also noted how the term 'Human Beans' and 'whizzpopping' used throughout the show add a whimsical charm true to Dahl’s unique language style, making it an immersive and joyful experience. Whether you’re bringing family or looking for a nostalgic trip down memory lane, this production of The BFG promises an unforgettable adventure filled with heart, humor, and magic.
