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ðŸ”ĨIncludes superstitious fiction by 🖋ïļ. ðŸ”Ĩ

# Y novel # Superstition # meb ♩ Tumbler

📌 Sapteri Nang [Motocross]

📝 Synopsis + Spoil: In the past, Kambir was the executioner who put down the sword against "it," the traitor of the city, and Tinah was the one who exposed the plan of "it" without even the sake of the bloodline, and the verbal curse at that time caused the descendants of more than 400 years to face a helpless fate, and they were both facing "it" again to blot out the shadows of all nations.

As soon as he met, Kambir realized that Tinah was the magic curtain that guarded Tinah's circle, and that magic he was familiar with, and he had never seen it, until on the day his best friend was accidentally entered by "you in the wind," Kambir realized that Tinah was the same man he saw in his dream... and that dream was so intense that he made the fierce man tremble, and he had to be in the arms of a younger man with a trembling body.

🔖 Review

This is enough. It's a Bogbag son of a bitch who, after feeling with the elder, is addicted to him as a shadow of karma. Mr. Ek is a quiet person who likes to use his eyes instead of words. Guess the mood is hard because there is one face, the face is fierce. But even if you look fierce, you are kind. Even if you say that you are not busy, but secretly send your own nodes to follow you all the time. The younger person is a supporter. When these two people use a magic pair, one is a sword, the other is a shield. This is a good ending. There is no drama.

📌 Sambhaeng Chittang [Passion Vataka]

📝 Synopsis + Spoil When the desire to possess, provoke, stray, cling to what is not his own, to imprison the mind deep into passion, that morphs into a chain of restraints.

In the previous life, Prin spoke verbally, to exchange his millennia for the truth of a man, to make him immobilize him in an endless cycle of swimming, and that power, indeed, walked to the way of breaking away, but only a short verbal that meant to save a man's life in happiness, became a huge debt to pay back.

Kampnath doesn't know why he feels strange after receiving flowers every day when he wakes up, and doesn't know why he feels attracted to each other.

Prin knows what he's here for, and as soon as he meets what he's been waiting for so long that people don't want to guess, the first thing he intends to do is return that person to his arms.

🔖 Review: This story is a somewhat more complicated line of superstition and horror than the first installment, but it has a common ground. The characters have past and present installments. Everyone is clear on every action of their own, but fiction is transmitted through behavior, not speech. If an uninterpretive reader may feel that fiction is difficult to read, there are challenges in themselves as to whether or not we can guess the character's thoughts.

As before, the novel has no drama or love tragedy, but it highlights the origin that the events of the story are how it came to be. The content has a total of two volumes. The hero has been crazy since the first half of the book to the end of the story. It is a green flag hero that ticks all the correct verses. Mr. Ek has reached the beginning of the story, a dashing line, but Hima Reason is not a helpless, and it seems too dangerous only in the minds of the elder people. It is a novel that binds superstition to the hypothetical history enough (but a lot of lectures. Who is not good at this style may feel like taking off the mind).

2025/11/8 Edited to

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āļ—āļģāđƒāļŦāđ‰āļ™āļīāļĒāļēāļĒāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāđ„āļŠāļĒāļĻāļēāļŠāļ•āļĢāđŒāđāļ•āđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āđ„āļĄāđˆāļĄāļĩāļ”āļĢāļēāļĄāđˆāļēāļĢāļļāļ™āđāļĢāļ‡ āđƒāļ™āļŠāļąāļĄāļ āđ€āļ§āļŠāļĩ āļˆāļīāļ•āļ•āļąāļ‡ [āļāļīāđ€āļĨāļŠāļ§āļąāļāļāļ°] āļ™āļąāđ‰āļ™ āļĄāļĩāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āđ„āļ›āļˆāļēāļāļ āļēāļ„āđāļĢāļ āļ”āđ‰āļ§āļĒāļāļēāļĢāļšāļĢāļĢāļˆāļļāļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆāļœāđˆāļēāļ™āļžāļĪāļ•āļīāļāļĢāļĢāļĄāđāļĨāļ°āļ§āļēāļˆāļēāļŠāļēāļ›āļ—āļĩāđˆāļœāļđāļāļĄāļąāļ”āļ•āļąāļ§āļĨāļ°āļ„āļĢāđ„āļ§āđ‰āđƒāļ™āļ§āļąāļāļˆāļąāļāļĢāļāļīāđ€āļĨāļŠ āļāļēāļĢāļšāļĢāļĢāļĒāļēāļĒāļ—āļĩāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āđāļĨāļ°āđ€āļ™āđ‰āļ™āļāļēāļĢāļ–āļ­āļ”āļ„āļ§āļēāļĄāļ„āļīāļ”āļ­āļ­āļāļĄāļēāļœāđˆāļēāļ™āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļĄāļēāļāļāļ§āđˆāļēāļ„āļģāļžāļđāļ”āļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļēāļĢāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ™āļīāļĒāļēāļĒāļĄāļĩāļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļĒāļąāļ‡āļœāļŠāļĄāļœāļŠāļēāļ™āļ„āļ§āļēāļĄāļŠāļĒāļ­āļ‡āļ‚āļ§āļąāļāđāļĨāļ°āđ„āļŠāļĒāļĻāļēāļŠāļ•āļĢāđŒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āđ„āļĄāđˆāđƒāļŠāđ‰āļ”āļĢāļēāļĄāđˆāļēāđāļ•āđˆāđ€āļ™āđ‰āļ™āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļŦāļ•āļļāđāļĨāļ°āļœāļĨāļ‚āļ­āļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļ­āļ”āļĩāļ•āđāļĨāļ°āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļāļēāļĢāđƒāļŠāđ‰āļ„āļģāđāļĨāļ°āļ§āļĨāļĩāļŠāļģāļ„āļąāļāļˆāļēāļ OCR āļ­āļĒāđˆāļēāļ‡ "āđāļāđ‰āļ§āļ­āļąāļĻāļ™āļąāļĒ" āđāļĨāļ° "āļˆāļīāļ•āļ•āļē" āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļĄāļīāļ•āļīāđƒāļŦāđ‰āļœāļđāđ‰āļŠāļ™āđƒāļˆāđ„āļ”āđ‰āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļ™āļąāļāđ€āļ‚āļĩāļĒāļ™āđāļĨāļ°āđāļ™āļ§āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāđ€āļ‰āļžāļēāļ°āđ€āļˆāļēāļ°āļˆāļ‡āļ™āļĩāđ‰ āļŠāđˆāļ§āļ™āļ„āļģāļŠāļģāļ„āļąāļāļ­āļĒāđˆāļēāļ‡ "meb" āļ„āļ·āļ­āļ­āļĩāļšāļļāđŠāļ„āļŠāđ‚āļ•āļĢāđŒāļ—āļĩāđˆāļ™āļīāļĒāļēāļĒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ§āļēāļ‡āļˆāļģāļŦāļ™āđˆāļēāļĒ āļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āļ­āđˆāļēāļ™āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļŦāļēāļ‹āļ·āđ‰āļ­āļ­āđˆāļēāļ™āļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļĨāļīāļ‚āļŠāļīāļ—āļ˜āļīāđŒāđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§āļ™āļīāļĒāļēāļĒāļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ­āļšāļ­āđˆāļēāļ™āļ™āļīāļĒāļēāļĒāļ§āļēāļĒāļ—āļĩāđˆāļĄāļĩāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāđ„āļŠāļĒāļĻāļēāļŠāļ•āļĢāđŒāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āļĄāļĩāļĄāļīāļ•āļīāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ‚āļ­āļ‡āļ•āļąāļ§āļĨāļ°āļ„āļĢāļ—āļĩāđˆāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āđāļĨāļ°āļˆāļĢāļīāļ‡āđƒāļˆ 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