Automatically translated.View original post

Film Review: Zogua 📌

When I saw the example, honestly, "I want to see it." This kind of brutal horror makes a lot of sense. 😂

The highlight is that of course, if you see a main actor like Klaudia, you will lose the worry because of the Netflix series "Query." The show is professional. It is not surprising that Klaudia is able to convey in a mother who behaves strangely and doesn't look like a normal person. When the movie started, we saw the eight teenagers who were the children that Klaudia kept for some reason, including the "super violent" way of punishing each child like killing each other. I personally liked it. It was a good idea why Klaudia's mother did it to a child like that. The movie opened to wonder. Everything, until the story that Mother Crowdia died and became a ghost chasing everyone. Because when all 8 children helped each other find out what this house was hidden?? The point of finding this kind of answer is interesting to follow. It's easy to access content, nothing complicated. Honestly, in the middle of the story, the haunted housekeeper is a chase to kill each other to one side. Enjoy the middle of the story. With all 8 children cradling each other when haunted. Some of them seem to survive, but they fall down to a brutal role. 😂 The director clearly intends to squeeze the hearts of the viewers and stories like this with Mother Klaodia, who has kept feelings for so long that they suppress. The behavior doesn't look normal than for people to sing. Wow, he wants the audience to be afraid of the same mother Klao.

😏 And finally, with the Zogua movie, there's a point to notice: the end of the movie is like a joke to play. The fun should be something super exciting. It pushes in a straight line, accelerates the machine at the viewer and ends simply. The good performances of Klaudia, some of the scenes play overflowing. Understand that he's been a mother with some knots that make the behavior look very unusual, but it's the use of one emotion throughout the movie. No crying or ranting.

Zogua: 6.5 / 10

# Movie review # New movie 2025 # Zoka # Horror movie

2025/8/22 Edited to

... Read moreāļ–āđ‰āļēāđƒāļ„āļĢāļāļģāļĨāļąāļ‡āļŦāļēāļĢāļĩāļ§āļīāļ§ â€œāđ‚āļĻāļāļēāļ āļīāļ§āļąāļ’āļ™āđŒâ€ āļāđˆāļ­āļ™āļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļ‹āļ·āđ‰āļ­āļ•āļąāđ‹āļ§ āđ€āļĢāļēāļ§āđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āļ—āļĩāđˆāļŠāļ­āļšāļŦāļ™āļąāļ‡āļŠāļĒāļ­āļ‡āļ‚āļ§āļąāļāļŠāļēāļĒ â€œāļšāđ‰āļēāļ™āļĄāļĩāļ„āļ§āļēāļĄāļĨāļąāļšâ€ āļĄāļēāļāđ† āđ€āļžāļĢāļēāļ°āļŦāļ™āļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āļžāļēāđ„āļ›āļœāļĩāđ‚āļœāļĨāđˆāļ•āļļāđ‰āļ‡āđāļŠāđˆāđ€āļ‰āļĒāđ† āđāļ•āđˆāđƒāļŠāđ‰āļšāļĢāļĢāļĒāļēāļāļēāļĻāđƒāļ™āļšāđ‰āļēāļ™ + āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļĄāđˆāļĨāļđāļāđ€āļ›āđ‡āļ™āđāļāļ™āļŦāļĨāļąāļ āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ™āđˆāļēāļāļĨāļąāļ§āļĄāļąāļ™āļ„āđˆāļ­āļĒāđ† āđ„āļ•āđˆāļ‚āļķāđ‰āļ™āđāļšāļšāļāļ”āļ”āļąāļ™ (āļžāļ­āđ€āļŦāđ‡āļ™āđ‚āļ›āļŠāđ€āļ•āļ­āļĢāđŒāļāļąāļšāļ›āļĢāļ°āđ‚āļĒāļ„āļ›āļĢāļ°āļĄāļēāļ“āļ§āđˆāļē “āļ—āļĩāđˆāļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāļ—āļĩāđˆāļŠāļļāļ” āļ„āļ·āļ­āļ—āļĩāđˆāļ—āļĩāđˆāļ­āļąāļ™āļ•āļĢāļēāļĒāļ—āļĩāđˆāļŠāļļāļ”” āļāđ‡āļžāļ­āđ€āļ”āļēāđ‚āļ—āļ™āđ„āļ”āđ‰āđ€āļĨāļĒāļ§āđˆāļēāļšāđ‰āļēāļ™āļŦāļĨāļąāļ‡āļ™āļĩāđ‰āđ„āļĄāđˆāļ›āļāļ•āļīāđāļ™āđˆāļ™āļ­āļ™) āļˆāļļāļ”āļ—āļĩāđˆāđ€āļĢāļēāļŠāļ­āļšāļ„āļ·āļ­āļŦāļ™āļąāļ‡āļ§āļēāļ‡ â€œāļ„āļģāļ–āļēāļĄâ€ āđƒāļŦāđ‰āļ„āļ™āļ”āļđāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ•āđ‰āļ™ āļ—āļģāđ„āļĄāđāļĄāđˆāļ–āļķāļ‡āļĢāļąāļšāđ€āļ”āđ‡āļāļĄāļēāđ€āļĨāļĩāđ‰āļĒāļ‡? āļ—āļģāđ„āļĄāļ•āđ‰āļ­āļ‡āļĨāļ‡āđ‚āļ—āļĐāđāļĢāļ‡āļ‚āļ™āļēāļ”āļ™āļąāđ‰āļ™? āđāļĨāđ‰āļ§āļšāđ‰āļēāļ™āļ™āļĩāđ‰āļ‹āđˆāļ­āļ™āļ­āļ°āđ„āļĢāđ„āļ§āđ‰? āļžāļ­āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ”āļīāļ™āđ„āļ›āļāļĨāļēāļ‡āđ† āļˆāļ°āđ€āļĢāļīāđˆāļĄāđ€āļ‚āđ‰āļēāđ‚āļŦāļĄāļ”āđ€āļ­āļēāļŠāļĩāļ§āļīāļ•āļĢāļ­āļ” āļĄāļĩāļ‰āļēāļāđ„āļĨāđˆāļĨāđˆāļē/āļœāļĩāļŠāļīāļ‡āļ—āļĩāđˆāļ—āļģāđ„āļ”āđ‰āļŠāļ™āļļāļāđāļĨāļ°āļ„āđˆāļ­āļ™āļ‚āđ‰āļēāļ‡āđ‚āļŦāļ”āļˆāļĢāļīāļ‡ (āļŠāļēāļĒāđ€āļĨāļ·āļ­āļ”āļŠāļēāļ”āļ­āļēāļˆāđ„āļĄāđˆāđ„āļ”āđ‰āļŠāļļāļ”āđ‚āļ•āđˆāļ‡ āđāļ•āđˆāļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡āļ—āļēāļ‡āļ­āļēāļĢāļĄāļ“āđŒāļāļąāļšāļāļēāļĢāļĨāļļāđ‰āļ™āļ§āđˆāļēāđƒāļ„āļĢāļˆāļ°āļĢāļ­āļ”āļ™āļĩāđˆāļ—āļģāļ‡āļēāļ™āļ”āļĩ) āđƒāļ™āđāļ‡āđˆāļāļēāļĢāđāļŠāļ”āļ‡ â€œāļ„āļĨāļēāļ§āđ€āļ”āļĩāļĒ” āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļšāļāļ‚āļ­āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļˆāļĢāļīāļ‡āđ† āļ„āļēāđāļĢāļāđ€āļ•āļ­āļĢāđŒāđāļĄāđˆāļ—āļĩāđˆāļĄāļĩāļ›āļĄ āļ—āļģāđƒāļŦāđ‰āļ„āļ™āļ”āļđāļĢāļđāđ‰āļŠāļķāļāļ—āļąāđ‰āļ‡āļāļĨāļąāļ§āļ—āļąāđ‰āļ‡āļŠāļ‡āļŠāļēāļĢāđ„āļ”āđ‰āđƒāļ™āļ„āļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđāļ•āđˆāļ–āđ‰āļēāđƒāļ„āļĢāđ„āļĄāđˆāļŠāļ­āļšāļāļēāļĢāđ€āļĨāđˆāļ™āđ‚āļ—āļ™āļ­āļēāļĢāļĄāļ“āđŒāļŦāļ™āļąāļāđ† āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļ­āļēāļˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļšāļēāļ‡āļ‹āļĩāļ™āļĄāļąāļ™āđāļĢāļ‡āđāļĨāļ°āļĒāļēāļ§āđ„āļ›āļ™āļīāļ” āđ€āļžāļĢāļēāļ°āļžāļĨāļąāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļˆāļ°āļĄāļēāđāļšāļšāđ€āļ•āđ‡āļĄāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ•āđ‰āļ™āļˆāļ™āļ—āđ‰āļēāļĒ āļŠāđˆāļ§āļ™āļ—āļĩāđˆāļ­āļĒāļēāļāđāļ™āļ°āļ™āļģāļāđˆāļ­āļ™āđ€āļ‚āđ‰āļēāđ„āļ›āļ”āļđ: 1) āļ„āļ§āļĢāļ„āļēāļ”āļŦāļ§āļąāļ‡āļ§āđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļĨāļ°āļ›āļĄ āļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āđāļšāļšāļŦāļ™āļąāļ‡āļŠāļ·āļšāļŠāļ§āļ™ 2) āļ–āđ‰āļēāđ„āļ›āļ”āļđāđ€āļžāļ·āđˆāļ­āđ€āļ­āļēāļ„āļ§āļēāļĄāļŠāļ°āđƒāļˆāļŠāđˆāļ§āļ‡āļāļĨāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡â€”āļĄāļĩāđƒāļŦāđ‰āļˆāļĢāļīāļ‡ āđāļĨāļ°āđ€āļžāļĨāļīāļ™āđāļšāļš â€œāļĨāļļāđ‰āļ™āđāļĨāđ‰āļ§āļĨāļļāđ‰āļ™āļ­āļĩāļâ€ 3) āļ•āļ­āļ™āļ—āđ‰āļēāļĒāļ­āļēāļˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ€āļĢāđˆāļ‡āđāļĨāļ°āļˆāļšāļ„āđˆāļ­āļ™āļ‚āđ‰āļēāļ‡āļ•āļĢāļ‡āđ„āļ›āļŦāļ™āđˆāļ­āļĒ āđƒāļ„āļĢāļŠāļ­āļšāļ•āļ­āļ™āļˆāļšāļžāļĩāļ„āļŦāļąāļāļĄāļļāļĄāļ­āļēāļˆāļ•āđ‰āļ­āļ‡āļ›āļĢāļąāļšāļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡ āļŠāļĢāļļāļ›āđāļšāļšāļ„āļ™āļ”āļđāļˆāļšāđāļĨāđ‰āļ§: “āđ‚āļĻāļāļēāļ āļīāļ§āļąāļ’āļ™āđŒâ€ āđ€āļ›āđ‡āļ™āļŦāļ™āļąāļ‡āļŠāļĒāļ­āļ‡āļ‚āļ§āļąāļāļ—āļĩāđˆāļ”āļđāļ‡āđˆāļēāļĒ āļ•āļīāļ”āļ•āļēāļĄāđ€āļžāļĨāļīāļ™ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļŠāđˆāļ§āļ‡āļāļĨāļēāļ‡āļ—āļĩāđˆāļŠāļ™āļļāļāļĄāļēāļ āļ–āđ‰āļēāļŠāļ­āļšāļ˜āļĩāļĄāļšāđ‰āļēāļ™āļĨāļąāļšāđ† āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļšāļīāļ”āđ† āđāļĨāļ°āļœāļĩāļŠāļīāļ‡āđ„āļĨāđˆāļĨāđˆāļē āļ™āđˆāļēāļĨāļ­āļ‡āđ„āļ›āļžāļīāļŠāļđāļˆāļ™āđŒāđƒāļ™āđ‚āļĢāļ‡āđ€āļĨāļĒ