Wip of a commission
Hey everyone! Seeing my latest 'Work in Progress' (WIP) sketch of this lion character got me thinking about how crucial the WIP stage is in any art commission. When I share a black and white line art sketch like this, it's not just a preview – it's a vital checkpoint! For those new to commissioning art, a WIP is essentially a snapshot of your artist's progress. It's usually shared at key milestones, like the initial sketch, clean line art, or flat colors. This is the perfect time for clients to give feedback and ensure the piece is heading in the right direction. When you receive a WIP, especially a sketch of a furry character with its unique features and a flowing mane, really take your time to look at it. Are the pose and expression right? Does the character match your vision? For this lion, for example, I'd be looking to see if the overall stance feels powerful but also relaxed, as intended. From my side as an artist, sharing WIPs helps me confirm I'm on the right track before investing hours into rendering. It saves both of us potential heartache later! Imagine if I went straight to full color without checking the sketch – revisions would be so much harder. My best advice for clients is to be specific and constructive with your feedback. Instead of 'I don't like it,' try 'Could we adjust the angle of the head slightly to make the character look more dominant?' Or for this lion sketch, 'Can the mane be a bit fuller on the left side?' Remember, this is your chance to fine-tune the vision before the artist commits to more detailed work. Speaking of characters, this particular black and white line art sketch focuses on the unique features of a lion-like furry. Getting the anatomy, the flow of the mane, and even subtle details of how the character is sitting down just right in the sketch phase is key to a dynamic final piece. Different furry characters, whether they're canine, feline, or mythical creatures, all have specific elements that need careful attention from the get-go. The complexity of a WIP also depends on the type of commission. A simple icon might only have one sketch WIP, while a full-scene illustration with multiple characters could have several, from rough thumbnails to detailed line art and color blocking. Each stage builds upon the last, and the feedback at each point is crucial. It’s also about building trust between the artist and client. When I share a WIP, I'm showing my process and inviting the client into my creative space. It ensures transparency and helps both parties feel confident about the final outcome. Whether it's a fierce lion or a playful fox, getting that initial pose and character personality right in the sketch is foundational. So, when you're looking for an artist, don't hesitate to ask about their WIP process – it's a sign of a professional and collaborative approach! What are your thoughts on WIPs, either as an artist or a commissioner?
