Project I started two years ago
This couple of deer-like creatures was inspired by the fourth frame in this slideshow, taken from one of my old TikTok videos from two years ago.
I only mess around with AI for concept and references, those are only slides 4 and 5.
The others I drew myself, the last one is my attempt at digital (I’m new to it)
For the past year, I’ve studied animals like gazelles, kangaroos, foxes and maned wolves to get them just right, exactly how I imagined them.
It’s hard to say whether or not it’s harder to draw them bipedal or quadrupedal.
Let me know what you think!
It's so interesting to hear what you all think about my creature designs! You know how I mentioned struggling with whether bipedal or quadrupedal forms are harder to draw? Well, for this project, diving deep into bipedal deer-like creatures has been a truly fascinating challenge and a huge learning curve. The query 'bipedal deer' really hits home for me, as this concept has been at the core of my two-year art journey. Initially, the idea of a 'bipedal deer' might sound a bit unconventional, but that's exactly what drew me in! There's a unique storytelling potential in giving animal forms a more human-like posture. It allows for so much more expression, interaction (like the two creatures holding hands in one of my digital illustrations!), and even the possibility of wearing clothes, which some of you spotted in my later works. Creating these figures, from the elegant gazelle-like creature to the striking teal-skinned, horned character, felt like giving them a new voice and presence. My journey often started with foundational pencil sketches, trying to get the basic skeletal form right. It’s not just about standing them up; it's about making them look natural and balanced. I spent countless hours observing animals like kangaroos – nature's master bipedalists – to understand how weight shifts, how legs articulate, and how balance is maintained. This research was crucial because a mere deer standing on two legs often looks awkward without careful consideration of its new anatomy. The long tails I often give them also play a role in counter-balance, much like a kangaroo's! Mastering the hip structure and spinal articulation for a creature that walks on two legs, but originally four, was a significant hurdle. Transitioning from these detailed pencil sketches, often done on translucent paper to layer ideas, to digital art was another exciting step. It's where the creatures really started to come alive, gaining fur, horns, and unique personalities. For example, getting the elegant curve of their horns or the flow of their tails just right in a bipedal stance means thinking about how gravity would affect them differently. The digital illustration showing the two horned creatures holding hands really pushed me to think about their hand anatomy and how they would interact, creating a moment of palpable connection. Seeing the date 'Jan 24, 2023' on one of my digital pieces reminds me of a significant milestone in bringing these characters to life. One of the most rewarding parts has been seeing these bipedal creatures evolve from simple lines into complex digital illustrations. Each bipedal stance, each expression, and every detail, like the subtle muscle definition or the texture of their fur, tells a part of their unique story. It’s not just about drawing an animal; it's about crafting a new being that feels both familiar and fantastical, pushing the boundaries of creature design. I hope you enjoy seeing their evolution as much as I enjoyed creating them!







