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Cushion PRADA - 3CE ðŸŦðŸ’

Now the mesh cushion is coming up.

There are many brands. Mission mesh is everywhere.

Actually, there have been many rounds out for a long time, but like these days, they're back out.

Personally, we initially watched the prada review, but it didn't wow much.

Fit to try on the face of the counter is wow, fine texture, light, beautiful skin

If you are in the air conditioner, you don't have to brush the dust on it (the skin is mixed towards the dry).

But secretly attached to the drop color, if buying again, will choose brighter than 1 shade of skin, should be beautiful. Tin resistant is smooth, but when the next evening starts to drop

But still smooth

For the part of 3CE, it's also addictive from prada about mesh guides.

Saw him out again, so went to try it, smooth and light (not as light as prada)

The face is quite bloated, drop, but not as much as prada. Buying the wrong fit or half shades of white is enough. I feel that the meat is heavier than prada and a little tougher. I have to set the powder along. So I stick to the face.

The loose powder set is considered to be pretty wrong.

The puff is quite similar, but when pressed on a 3ce cook, the meat will come out quite a lot. Phil is more like he wears it.

Summary

⭐ satisfied:

Prada ⭐

I really want to break the drop and the high price, but with light, beautiful skin.

Smoothing, not focusing on pores at all, is worth it.

P.S. Find a way to use JSM's setting spray and not drop.

3ce ⭐

With a slightly heavier texture, a little less smooth, but the color doesn't drop much. With a price of less than 1,000 baht, it's worth a lot of interchangeability.

# Trending # Drug sign with lemon8 # Cushion # 3CE # pradamaking

2025/9/3 Edited to

... Read moreāđƒāļ™āļĒāļļāļ„āļ—āļĩāđˆāļ„āļļāļŠāļŠāļąāđˆāļ™āđāļšāļš Mesh āļŦāļĢāļ·āļ­āļ„āļļāļŠāļŠāļąāđˆāļ™āļ•āļēāļ‚āđˆāļēāļĒāļāļģāļĨāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļ­āļĒāđˆāļēāļ‡āļŠāļđāļ‡ āļŦāļĨāļēāļĒāđāļšāļĢāļ™āļ”āđŒāļ•āđˆāļēāļ‡āļ—āļĒāļ­āļĒāļ­āļ­āļāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰āļ—āļąāđ‰āļ‡āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āđ€āļ™āļ·āđ‰āļ­āļŠāļąāļĄāļœāļąāļŠāđāļĨāļ°āļāļēāļĢāļ›āļāļ›āļīāļ”āļœāļīāļ§ PRADA āđāļĨāļ° 3CE āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļĒāļ­āļ”āļ™āļīāļĒāļĄāļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāđāļĨāļ°āļ­āļĒāļēāļāļĨāļ­āļ‡āđƒāļŠāđ‰āļāļąāļ™āļĄāļēāļāļ‚āļķāđ‰āļ™ āļŠāļģāļŦāļĢāļąāļš PRADA āļĢāļļāđˆāļ™āļ„āļļāļŠāļŠāļąāđˆāļ™āļ•āļēāļ‚āđˆāļēāļĒāļˆāļ°āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāđ€āļ™āļ·āđ‰āļ­āļ„āļļāļŠāļŠāļąāđˆāļ™āļšāļēāļ‡āđ€āļšāļē āļ—āļģāđƒāļŦāđ‰āļœāļīāļ§āļ”āļđāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļĨāļ°āļŠāļ§āļĒāđƒāļŠāđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđāļ›āđ‰āļ‡āļāļļāđˆāļ™āļŦāļēāļāļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļžāđāļ§āļ”āļĨāđ‰āļ­āļĄāļ—āļĩāđˆāđ€āļĒāđ‡āļ™āļŠāļšāļēāļĒāļ­āļĒāđˆāļēāļ‡āđƒāļ™āļŦāđ‰āļ­āļ‡āđāļ­āļĢāđŒ āļ•āļąāļ§āđ€āļ‰āļ”āļŠāļĩāļ­āļēāļˆāļ•āđ‰āļ­āļ‡āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŠāļ§āđˆāļēāļ‡āļāļ§āđˆāļēāļœāļīāļ§āļˆāļĢāļīāļ‡ 1 āđ€āļ‰āļ”āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļ”āļĢāļ­āļ›āļ‚āļ­āļ‡āļŠāļĩāļŦāļĨāļąāļ‡āļœāđˆāļēāļ™āđ„āļ›āļ—āļąāđ‰āļ‡āļ§āļąāļ™ āļ‹āļķāđˆāļ‡āļ›āļąāļāļŦāļēāļ™āļĩāđ‰āļŠāļēāļĄāļēāļĢāļ–āđāļāđ‰āđ„āļ‚āđ„āļ”āđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļ‰āļĩāļ” setting spray āļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āđ€āļŠāđˆāļ™āļ‚āļ­āļ‡ jsm āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļĨāđ‡āļ­āļ„āđ€āļĄāļ„āļ­āļąāļžāđƒāļŦāđ‰āļ­āļĒāļđāđˆāļ—āļ™āļ™āļēāļ™āļ‚āļķāđ‰āļ™ āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ 3CE āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđāļšāļĢāļ™āļ”āđŒāļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āļŠāļ·āđˆāļ™āļŠāļ­āļšāđ€āļžāļĢāļēāļ°āļĢāļēāļ„āļēāļ™āđˆāļēāļ„āļšāļŦāļēāđ„āļĄāđˆāđ€āļāļīāļ™ 1,000 āļšāļēāļ— āđāļĨāļ°āļĒāļąāļ‡āļ„āļ‡āđƒāļŦāđ‰āļœāļĨāļĨāļąāļžāļ˜āđŒāđ€āļĄāļ„āļ­āļąāļžāļ—āļĩāđˆāļ”āļđāļ”āļĩ āđāļĄāđ‰āđ€āļ™āļ·āđ‰āļ­āļ„āļļāļŠāļŠāļąāđˆāļ™āļˆāļ°āļŦāļ™āļąāļāļāļ§āđˆāļē PRADA āđ€āļĨāđ‡āļāļ™āđ‰āļ­āļĒāđāļĨāļ°āļ•āđ‰āļ­āļ‡āđ€āļ‹āđ‡āļ•āđāļ›āđ‰āļ‡āļāļļāđˆāļ™āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļ„āļ§āļēāļĄāđ€āļŦāļ™āļĩāļĒāļ§āđ€āļŦāļ™āļ­āļ°āļŦāļ™āļ° āđāļ•āđˆāļāđ‡āđāļĨāļāļĄāļēāļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ„āļļāđ‰āļĄāļ„āđˆāļēāđāļĨāļ°āļāļēāļĢāļ›āļāļ›āļīāļ”āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļŠāļ§āļĒāļ‡āļēāļĄāđ„āļĄāđˆāđāļžāđ‰āļāļąāļ™ āđ‚āļ”āļĒāļŠāļĩāļ„āļļāļŠāļŠāļąāđˆāļ™āļ‚āļ­āļ‡ 3CE āļĄāļĩāļ„āļ§āļēāļĄāļ„āļ‡āļ—āļĩāđˆāļ”āļĩāļāļ§āđˆāļē āđ„āļĄāđˆāļ”āļĢāļ­āļ›āđ€āļĢāđ‡āļ§āđ€āļ—āđˆāļē PRADA āļŸāļĩāļĨāļĨāļīāđˆāļ‡āļ‚āļ­āļ‡āļžāļąāļŸāļ—āļĩāđˆāđƒāļŠāđ‰āļāļ”āļ„āļļāļŠāļŠāļąāđˆāļ™āđƒāļ™āđāļ•āđˆāļĨāļ°āđāļšāļĢāļ™āļ”āđŒāļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ­āļĩāļāļˆāļļāļ”āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™ 3CE āļˆāļ°āļĄāļĩāđ€āļ™āļ·āđ‰āļ­āļ„āļļāļŠāļŠāļąāđˆāļ™āļ­āļ­āļāļĄāļēāļĄāļēāļāļāļ§āđˆāļē āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļŠāļļāđˆāļĄāļŠāļ·āđ‰āļ™ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļĨāļļāļ„āļœāļīāļ§āļ‰āđˆāļģ āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆ PRADA āļˆāļ°āļ„āļ§āļšāļ„āļļāļĄāļ›āļĢāļīāļĄāļēāļ“āđ€āļ™āļ·āđ‰āļ­āđ„āļ”āđ‰āļ”āļĩāļāļ§āđˆāļē āđāļ•āđˆāđƒāļŦāđ‰āļœāļīāļ§āļ—āļĩāđˆāļ”āļđāļšāļēāļ‡āđ€āļšāļēāđāļĨāļ°āđ€āļĢāļĩāļĒāļšāđ€āļ™āļĩāļĒāļ™āļāļ§āđˆāļēāļŠāļąāļ”āđ€āļˆāļ™ āļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ„āļļāļŠāļŠāļąāđˆāļ™āļ•āļēāļ‚āđˆāļēāļĒāļˆāļķāļ‡āļ‚āļķāđ‰āļ™āļ­āļĒāļđāđˆāļāļąāļšāļŠāļ āļēāļžāļœāļīāļ§āđāļĨāļ°āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļ„āļ™ āļ–āđ‰āļēāļ•āđ‰āļ­āļ‡āļāļēāļĢāļĨāļļāļ„āļšāļēāļ‡āđ€āļšāļēāđāļĨāļ°āđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļžāļĢāđ‰āļ­āļĄāļŠāļđāļœāļīāļ§āļŠāļ§āļĒ PRADA āļ™āđˆāļēāļˆāļ°āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļĄāļēāļāļāļ§āđˆāļē āđāļ•āđˆāļ–āđ‰āļēāđ€āļ™āđ‰āļ™āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŦāļĒāļąāļ”āđāļĨāļ°āļ­āļĒāļēāļāđ„āļ”āđ‰āļ„āļļāļŠāļŠāļąāđˆāļ™āļ—āļĩāđˆāļ•āļīāļ”āļ—āļ™āļ™āļēāļ™āđƒāļ™āļĢāļēāļ„āļēāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰ 3CE āļāđ‡āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļ”āđ‰āļ”āļĩāđ„āļĄāđˆāļ™āđ‰āļ­āļĒ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ„āļ§āļĢāļ—āļ”āļĨāļ­āļ‡āđ€āļ‰āļ”āļŠāļĩāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļœāļīāļ§āļˆāļĢāļīāļ‡ āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļ›āļąāļāļŦāļēāļŠāļĩāļ„āļļāļŠāļŠāļąāđˆāļ™āļ”āļĢāļ­āļ›āļŦāļĨāļąāļ‡āļœāđˆāļēāļ™āđ„āļ›āđƒāļ™āđāļ•āđˆāļĨāļ°āļ§āļąāļ™ āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāđƒāļŠāđ‰ setting spray āđāļĨāļ°āđāļ›āđ‰āļ‡āļāļļāđˆāļ™āđ€āļ›āđ‡āļ™āļ•āļąāļ§āļŠāđˆāļ§āļĒāļĒāļķāļ”āđ€āļĄāļ„āļ­āļąāļžāđƒāļŦāđ‰āļ”āļđāļŠāļ”āđƒāļŠāļ­āļĒāļđāđˆāļ•āļĨāļ­āļ” āļĄāļĩāđ€āļ—āļ„āļ™āļīāļ„āļ‡āđˆāļēāļĒāđ† āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļāļēāļĢāđƒāļŠāđ‰āļ„āļļāļŠāļŠāļąāđˆāļ™āļ•āļēāļ‚āđˆāļēāļĒāļ‚āļ­āļ‡āļ„āļļāļ“āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđāļšāļĢāļ™āļ”āđŒ āļŠāļĢāđ‰āļēāļ‡āļĨāļļāļ„āļœāļīāļ§āļŠāļ§āļĒāļŠāļĄāđƒāļˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡