Automatically translated.View original post

Come see the cat in our room?🐈ðŸĪ­

# Cat room # House cat # Trending ♩ Cute # My favorite corner

Based on the original image, create a super realistic portrait (ultra-realistic portrait) of a woman whose face is 100% the same as the original reference. She looks straight at the camera in a lovely and gentle gesture, representing warmth and softness.

External appearance and dress:

Skin: White skin is radiant, shining gentle and soft beauty.

Makeup: Douyin-style makeup (Korean glam look), accentuating slightly big round-looking eyes, light pink blinds, and pink lips with soft gradients, to add sweetness, tenderness, and cuteness.

Apparel: Wear a form-fitting white crop T-shirt, revealing the waist range, paired with loose-fitting light blue jeans (oversized), giving a casual and modern-looking fashion street style look.

Shape: A proportionate natural hourglass shape, white skin, thin waist, and full hip (as per reference image).

Hairstyle: Long, thick, natural brown hair, curled, and gathering a high ponytail, with the front tresses frayed out slightly to gently frame the face.

Jewelry: Wear jewelry that matches her costume.

Scene and atmosphere:

Location: Scene inside a modern luxury condominium building. She sits near the large window or glass door of the balcony.

Additional elements: She was gently holding a large, plump, brown and white fluffy cat in her arms, and there was another grey fat cat lying next to her playing.

Backdrop: Interior of a modern luxury condo, with wide glass windows, overlooking a gently glowing sunset sky with light pink, orange and blue tones.

Photography techniques and image quality:

Lights: Bright and clean light, with cool tones (cool tones) and sharp color contrast, soft natural sunlight shining through the window in, increasing the realism and clarity of the scene.

Photography equipment: Shoot using Nikon Z9 camera with NIKKOR 24-70mm f / 2.8 S II lens (Nikon Z mount)

Special effects: Use shallow depth of field to create a soft bokeh effect, blurring the backdrop tenderly while the subject remains sharp in focus.

Quality: The image clearly captures the small details of clothes, jewelry and skin, offering professional realism, ultra high resolution, 8K.

2025/11/27 Edited to

... Read moreāļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļ āļēāļžāļ–āđˆāļēāļĒāđƒāļ™āļĢāļđāļ›āđāļšāļš ultra-realistic portrait āļ‚āļ­āļ‡āļŦāļāļīāļ‡āļŠāļēāļ§āļ—āļĩāđˆāļ­āļļāđ‰āļĄāđāļĄāļ§āļ‚āļ™āļ›āļļāļĒāđƒāļ™āļŦāđ‰āļ­āļ‡āļ„āļ­āļ™āđ‚āļ”āļĄāļīāđ€āļ™āļĩāļĒāļĄāļŦāļĢāļđāļ™āļĩāđ‰ āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļ”āļĩāļ‚āļ­āļ‡āļāļēāļĢāļœāļŠāļĄāļœāļŠāļēāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĻāļīāļĨāļ›āļ°āļāļēāļĢāļ–āđˆāļēāļĒāļ āļēāļžāđāļĨāļ°āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļšāļĢāļĢāļĒāļēāļāļēāļĻāđƒāļŦāđ‰āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ‰āļēāļāļŦāļĨāļąāļ‡āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļŦāļ™āđ‰āļēāļ•āđˆāļēāļ‡āļšāļēāļ™āđƒāļŦāļāđˆāđ€āļ›āļīāļ”āļĢāļąāļšāđāļŠāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļžāļĢāļ°āļ­āļēāļ—āļīāļ•āļĒāđŒāļ•āļ āļŠāđˆāļ§āļĒāļŠāļĢāđ‰āļēāļ‡āđ‚āļ—āļ™āđāļŠāļ‡āđ€āļĒāđ‡āļ™āļ—āļĩāđˆāļ™āļļāđˆāļĄāļ™āļ§āļĨāļāļąāļšāļ­āļļāļ“āļŦāļ āļđāļĄāļīāļŠāļĩāļ­āļąāļ™āļāļĨāļĄāļāļĨāļ·āļ™ āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ”āļđāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āļĄāļĩāļĄāļīāļ•āļī āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļŠāļ‡āļšāđāļĨāļ°āļ­āļšāļ­āļļāđˆāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļāļēāļĢāđƒāļŠāđ‰āđ€āļ—āļ„āļ™āļīāļ„āļĢāļ°āļĒāļ°āļŠāļąāļ”āļ•āļ·āđ‰āļ™ (shallow depth of field) āļĒāļąāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ‚āļŸāļāļąāļŠāļ—āļĩāđˆāļ•āļąāļ§āđāļšāļšāđāļĨāļ°āđāļĄāļ§āļŠāļąāļ”āđ€āļˆāļ™ āļ‚āļ“āļ°āļ—āļĩāđˆāļ‰āļēāļāļŦāļĨāļąāļ‡āļĨāļ°āļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ‚āļšāđ€āļāđ‰āļŠāļĩāļŠāļąāļ™āļŠāļ§āļĒāļ‡āļēāļĄ āđ€āļžāļīāđˆāļĄāļĄāļīāļ•āļīāđāļĨāļ°āļ„āļ§āļēāļĄāļ™āļļāđˆāļĄāļ™āļ§āļĨāđƒāļŦāđ‰āļ āļēāļžāđ‚āļ”āļĒāļĢāļ§āļĄ āļ™āļ­āļāļˆāļēāļāļ āļēāļžāļ–āđˆāļēāļĒāđāļĨāđ‰āļ§ āļŠāđ„āļ•āļĨāđŒāļāļēāļĢāđāļ•āđˆāļ‡āļāļēāļĒāļ‚āļ­āļ‡āļŦāļāļīāļ‡āļŠāļēāļ§āļ—āļĩāđˆāļŠāļ§āļĄāđ€āļŠāļ·āđ‰āļ­āļĒāļ·āļ”āļ„āļĢāļ­āļ›āļŠāļĩāļ‚āļēāļ§āđāļĨāļ°āļāļēāļ‡āđ€āļāļ‡āļĒāļĩāļ™āļŠāđŒāļ—āļĢāļ‡āļŦāļĨāļ§āļĄāđāļšāļšāļŠāļ•āļĢāļĩāļ—āđāļŸāļŠāļąāđˆāļ™ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļŠāļšāļēāļĒāđ† āđāļ•āđˆāļĒāļąāļ‡āļ—āļąāļ™āļŠāļĄāļąāļĒ āļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļāļēāļĢāđāļ•āđˆāļ‡āļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ™āđ‰āļ™āļ”āļ§āļ‡āļ•āļēāļāļĨāļĄāđ‚āļ•āđāļĨāļ°āļĢāļīāļĄāļāļĩāļ›āļēāļāļŠāļĩāļŠāļĄāļžāļđāđāļšāļšāđ„āļĨāđˆāļĢāļ°āļ”āļąāļš āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļŦāļ§āļēāļ™āļĨāļ°āļĄāļļāļ™āđāļĨāļ°āđ€āļ‚āđ‰āļēāļāļąāļšāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ‚āļ­āļ‡āļ āļēāļžāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§ āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ·āđˆāļ™āļŠāļ­āļšāđāļĄāļ§ āļāļēāļĢāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļ™āđˆāļēāļĢāļąāļāļ‚āļ­āļ‡āđāļĄāļ§āļ‚āļ™āļĒāļēāļ§āļ­āđ‰āļ§āļ™āļ—āđ‰āļ§āļ™āļŠāļĩāļ™āđ‰āļģāļ•āļēāļĨāļ‚āļēāļ§āđāļĨāļ°āđāļĄāļ§āļŠāļĩāđ€āļ—āļēāļ—āļĩāđˆāļ™āļ­āļ™āđ€āļĨāđˆāļ™āļ‚āđ‰āļēāļ‡āđ† āļŠāđˆāļ§āļĒāđ€āļ•āļīāļĄāđ€āļ•āđ‡āļĄāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ­āļšāļ­āļļāđˆāļ™āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ—āļĩāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĄāļ™āļļāļĐāļĒāđŒāļāļąāļšāļŠāļąāļ•āļ§āđŒāđ€āļĨāļĩāđ‰āļĒāļ‡āđƒāļ™āļšāđ‰āļēāļ™ āļāļēāļĢāđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āļ­āļļāļ›āļāļĢāļ“āđŒāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļāļĨāđ‰āļ­āļ‡āļĢāļ°āļ”āļąāļšāļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļ­āļĒāđˆāļēāļ‡ Nikon Z9 āļžāļĢāđ‰āļ­āļĄāđ€āļĨāļ™āļŠāđŒ NIKKOR 24-70mm f/2.8 S II āļĒāļīāđˆāļ‡āļŠāđˆāļ§āļĒāļĒāļ·āļ™āļĒāļąāļ™āļ–āļķāļ‡āļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡āļ‚āļ­āļ‡āļ‡āļēāļ™āļ āļēāļžāļ–āđˆāļēāļĒāļ™āļĩāđ‰ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ—āļĩāđˆāļĒāļ‡āļ•āļĢāļ‡āļ‚āļ­āļ‡āļŠāļĩāļŠāļąāļ™āļ—āļĩāđˆāđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļŠāļąāļ”āđ€āļˆāļ™āđƒāļ™āļ āļēāļž 8K āļ‹āļķāđˆāļ‡āđ€āļŦāļĄāļēāļ°āļāļąāļšāļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļšāļ™āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄāļ­āļ­āļ™āđ„āļĨāļ™āđŒāļ—āļĩāđˆāļ„āļēāļ”āļŦāļ§āļąāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡ āđ‚āļ”āļĒāļĢāļ§āļĄ āļ āļēāļžāđāļĨāļ°āļšāļĢāļĢāļĒāļēāļāļēāļĻāđƒāļ™āđ‚āļžāļŠāļ•āđŒāļ™āļĩāđ‰āđāļŠāļ”āļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ­āđˆāļ­āļ™āđƒāļ™āļāļēāļĢāļˆāļąāļ”āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļš āđāļĨāļ°āđ€āļŠāļ™āđˆāļŦāđŒāļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļšāļ‡āđˆāļēāļĒāđāļ•āđˆāđ€āļ›āļĩāđˆāļĒāļĄāļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļŠāļąāļ•āļ§āđŒāđ€āļĨāļĩāđ‰āļĒāļ‡āđāļĨāļ°āđāļŸāļŠāļąāđˆāļ™ āļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āļ­āđˆāļēāļ™āļĢāļđāđ‰āļŠāļķāļāļ­āļĒāļēāļāđ€āļ‚āđ‰āļēāļĄāļēāļŠāļąāļĄāļœāļąāļŠāđāļĨāļ°āđāļšāđˆāļ‡āļ›āļąāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ™āđˆāļēāļĢāļąāļāđ† āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āđƒāļ™āļŠāļļāļĄāļŠāļ™ #āļŦāđ‰āļ­āļ‡āđāļĄāļ§ āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī