Automatically translated.View original post

Sire S7 review from the heart of the non-playing Strat 😂😂

# Recap 2025

Sire Larry Carlton S7 New Gen

Strat guitar that makes hair "open up" again

I have to say that

I'm not very cheap with a Strat guitar.

There are many reasons, the feed, the sound, the way they play.

But... not with this guy.

I'll tell you why.

It started the day I went to Music Arms, Chonburi (after Central).

At first I was going to try the Tele Sire S7.

Frame pattern, double hum, with levers.

Seen from the picture is very beautiful.

And then I wanted a guitar with a lever.

Want to add some tricks to your own play

But when you get to...

The elder at the store said, "That model has not entered the branch yet."

And then asked back,

"Try the S7 Strat first?"

In my heart, I really don't have this style.

But out of curiosity,

So he replied:

"Arranged, elder"

And then he opened a new box to try there.

First Touch - Body

Not yet plugged in Jack

Saw immediately is...

Hey, red.

Intentional red, not box red

Take it first, one good feeling.

Look closer as a maple frame.

Beautiful

And I already like sharp-edged guitars.

There's this kind of binding.

The more it feels like "yes."

Ask if the body is ash or alder.

The answer directly is...

I don't care.

Beautiful is the end 😂

Neck - my favorite spot.

White neck first

This one is a personal taste.

I feel more fateful with a white neck than a black neck.

And this neck is edgeless.

Not just not sharp.

But it's really rounded from the edges of the wood.

Hold and feel very comfortable.

Shep's neck is a C compound.

Not big.

Easy Play

Scale 25.

For me, the balance is very good.

Inlays are not a typical dot.

It's a small detail.

But it makes sense

This guitar doesn't make it through.

Bridge / Control / Jack - Trivial Matter

The lever is a 2-pole system.

I'm better than the six-pole system.

Because time will set up

It's not messy. Don't check multiple points.

There are only two knobs in control.

I know three knobs is good.

But I played singing too

There is a lot to adjust.

It will be confusing.

The more the tone button... almost didn't touch it.

This one also has a rear coil cut.

For me is enough

Jack hole is on the side.

This one I like very much

Because before,

Lever playing time

The jack at the pickcard is cluttered.

This one is not

Pickup - the most surprising spot.

Frankly speaking.

The sound is very good.

The neck sounds clear, transparent.

It's a sound I haven't heard from my own play in a long time.

Enough to mix with the medium

Is a good descent

This sounds like Tele. No, haha.

The latter is a humbucker.

Good force

Maybe there's another stronger one.

But for me,

This is "enough and practical."

Take to play my own song

Stay.

No throttle.

Total feed summary

This guitar opened up my world.

I've tried many Strats.

Including Fender US.

But it felt tender.

Not quite a line

But this Sire is not.

Wide sound.

Can play in many styles

If anyone plays as a career,

Or thinking of wading for a long time.

I think so.

The key is

The one I'm playing here.

It's a factory setup.

Unpack and play now

Haven't adjusted anything

But it entered the hand

Who wants to try

Recommended to Music Arms Chonburi

Can tell him

Sire Larry Carlton S7

How was it tried?

Can talk to each other

I have a song recorded with this guy too.

I'll wait and hear it soon.

Thank you for reading until the end.

Nice to meet you.

War, sir.

# sireguitar # sirelarrycarlton # Guitar # misicarmschonburi āļŠāļĨāļšāļļāļĢāļĩ

2025/12/23 Edited to

... Read moreāļ–āđ‰āļēāļ„āļļāļ“āđ€āļ„āļĒāļĢāļđāđ‰āļŠāļķāļāđ„āļĄāđˆāļŠāļ­āļšāļŦāļĢāļ·āļ­āđ„āļĄāđˆāļ„āļļāđ‰āļ™āđ€āļ„āļĒāļāļąāļšāļāļĩāļ•āļēāļĢāđŒāļ—āļĢāļ‡ Stratocaster āđāļšāļšāđ€āļ”āļīāļĄ āđ† āđ€āļŠāđˆāļ™āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļšāļēāļ‡ āļŦāļĢāļ·āļ­āļŸāļĩāļĨāļāļēāļĢāļˆāļąāļšāļ—āļĩāđˆāđ„āļĄāđˆāļ–āļ™āļąāļ” Sire Larry Carlton S7 āļ­āļēāļˆāđ€āļ›āđ‡āļ™āļāļĩāļ•āļēāļĢāđŒāļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ„āļĄāđˆāļāļĩāđˆāļ•āļąāļ§āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļ™āđˆāļēāđ€āļŠāļ·āđˆāļ­ āļāļĩāļ•āļēāļĢāđŒāļĢāļļāđˆāļ™āļ™āļĩāđ‰āļĄāļĩāļˆāļļāļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļŠāļąāļ”āđ€āļˆāļ™āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ”āļĩāđ„āļ‹āļ™āđŒāđāļĨāļ°āļāļēāļĢāļ­āļ­āļāđāļšāļšāļ—āļĩāđˆāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļģāļ­āļĒāđˆāļēāļ‡āļĨāļ°āđ€āļ­āļĩāļĒāļ” āđ€āļŠāđˆāļ™āļŠāļĩāđāļ”āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļŠāļĩāļ˜āļĢāļĢāļĄāļ”āļēāđāļ•āđˆāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļĨāļ·āļ­āļāļŠāļĢāļĢāļĄāļēāļ­āļĒāđˆāļēāļ‡āļžāļīāļ–āļĩāļžāļīāļ–āļąāļ™ āļĢāļ§āļĄāđ„āļ›āļ–āļķāļ‡āļšāļ­āļ”āļĩāđ‰āļ—āļĩāđˆāđƒāļŠāđ‰āđ„āļĄāđ‰āđ€āļŸāļĢāļĄāđ€āļĄāđ€āļ›āļīāļĨ āļ‹āļķāđˆāļ‡āđƒāļŦāđ‰āļĨāļąāļāļĐāļ“āļ°āđ€āļŠāļĩāļĒāļ‡āđ€āļ‰āļžāļēāļ°āļ•āļąāļ§āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄāļ—āļēāļ‡āļŠāļēāļĒāļ•āļē āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩ binding āļ‚āļ­āļšāļ„āļĄāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŦāļĢāļđāļŦāļĢāļēāđāļĨāļ°āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļĄāļąāđˆāļ™āļ„āļ‡āđ€āļ§āļĨāļēāđ€āļĨāđˆāļ™ āļˆāļļāļ”āļŠāļģāļ„āļąāļāļ­āļĩāļāļ­āļĒāđˆāļēāļ‡āļ„āļ·āļ­āļ„āļ­āđāļšāļš edgeless āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļš Strat āļ—āļąāđˆāļ§āđ„āļ›āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āļ­āļēāļˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ€āļĨāđˆāļ™āđ„āļĄāđˆāļ„āļĨāđˆāļ­āļ‡ āļ•āļąāļ§āļ™āļĩāđ‰āļĄāļēāļžāļĢāđ‰āļ­āļĄāļāļąāļšāļ„āļ­āļŠāļĩāļ‚āļēāļ§āļĢāļŠāļ™āļīāļĒāļĄāđ€āļ‰āļžāļēāļ°āļ•āļąāļ§āļ—āļĩāđˆāđƒāļŦāđ‰āļŠāļąāļĄāļœāļąāļŠāļ–āļ™āļąāļ”āļĄāļ·āļ­āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļ™āļāļēāļĢāđ€āļĨāđˆāļ™āļ”āđ‰āļ§āļĒāđ€āļŠāļ› C compound āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āđƒāļŦāļāđˆāđ€āļāļīāļ™āđ„āļ›āđāļĨāļ°āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļšāļēāļĨāļēāļ™āļ‹āđŒāļ—āļĩāđˆāļ”āļĩ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļ­āļīāļ™āđ€āļĨāļĒāđŒāļĒāļąāļ‡āđ„āļĄāđˆāđƒāļŠāđˆāļ”āļ­āļ—āļ˜āļĢāļĢāļĄāļ”āļē āđ€āļžāļĢāļēāļ°āļĄāļĩāļāļēāļĢāļ­āļ­āļāđāļšāļšāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđ€āļĨāđ‡āļ āđ† āļ—āļĩāđˆāđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļāļĩāļ•āļēāļĢāđŒāļĢāļļāđˆāļ™āļ™āļĩāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰āļ–āļđāļāļ—āļģāđāļšāļšāļœāđˆāļēāļ™ āđ† āđāļ•āđˆāđƒāļŠāđˆāđƒāļˆāđƒāļ™āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” āļĢāļ°āļšāļšāļ„āļąāļ™āđ‚āļĒāļāđāļšāļš 2 āđ€āļŠāļēāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļāļēāļĢāļ•āļąāđ‰āļ‡āļŠāļēāļĒāđāļĨāļ°āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āļ‡āđˆāļēāļĒāļāļ§āđˆāļēāđāļšāļš 6 āđ€āļŠāļē āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļąāļ‡āļ§āļĨāļ§āđˆāļēāļāļēāļĢāđ€āļ‹āđ‡āļ•āļ­āļąāļžāļˆāļ°āļĒāļļāđˆāļ‡āļĒāļēāļ āļĄāļĩāļ›āļļāđˆāļĄāļ„āļ§āļšāļ„āļļāļĄāđ€āļžāļĩāļĒāļ‡ 2 āļ™āđ‡āļ­āļš āļ‹āļķāđˆāļ‡āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļĢāđ‰āļ­āļ‡āđ€āļžāļĨāļ‡āđ„āļ›āļžāļĢāđ‰āļ­āļĄāļāļąāļšāđ€āļĨāđˆāļ™āļāļĩāļ•āļēāļĢāđŒāđāļĨāđ‰āļ§āđ„āļĄāđˆāļ­āļĒāļēāļāļ§āļļāđˆāļ™āļ§āļēāļĒāļāļąāļšāļ›āļļāđˆāļĄāđ€āļĒāļ­āļ° āđ† āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĢāļ°āļšāļšāļ•āļąāļ”āļŪāļąāļĄāļ—āļĩāđˆāļžāļīāļ„āļ­āļąāļžāļŦāļĨāļąāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļŠāļĩāļĒāļ‡āļŠāļ°āļ­āļēāļ”āļ‚āļķāđ‰āļ™āđ‚āļ”āļĒāļĒāļąāļ‡āļ„āļ‡āļāļģāļĨāļąāļ‡āļ‚āļąāļšāđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ”āļĩ āļ—āļģāđƒāļŦāđ‰āđ€āļĨāđˆāļ™āđ€āļžāļĨāļ‡āđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļŠāđ„āļ•āļĨāđŒāļ­āļĒāđˆāļēāļ‡āļĄāļ·āļ­āļ­āļēāļŠāļĩāļž āđ€āļŠāļĩāļĒāļ‡āļžāļīāļ„āļ­āļąāļž neck āļ—āļĩāđˆāđƒāļŠāđāļĨāļ°āđ‚āļ›āļĢāđˆāļ‡ āļžāļĢāđ‰āļ­āļĄāļžāļīāļ„āļ­āļąāļžāļāļĨāļēāļ‡āļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āđ„āļ”āđ‰āļ”āļĩ āļĢāļ§āļĄāļ–āļķāļ‡āļžāļīāļ„āļ­āļąāļžāļŦāļĨāļąāļ‡āđāļšāļš humbucker āļ—āļĩāđˆāđƒāļŦāđ‰āđāļĢāļ‡āļ‚āļąāļšāļāļģāļĨāļąāļ‡āļ”āļĩ āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļœāļŠāļĄāļ—āļĩāđˆāļŦāļēāļĒāļēāļāđƒāļ™āļāļĩāļ•āļēāļĢāđŒāļ—āļĢāļ‡ Strat āļ—āļąāđˆāļ§āđ„āļ› āļ—āļĩāđˆāļ™āļĩāđˆāļœāļđāđ‰āđ€āļĨāđˆāļ™āļˆāļ°āđ„āļ”āđ‰āļĢāļąāļšāđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļāļ§āđ‰āļēāļ‡āđāļĨāļ°āļĨāļēāļāļĒāļēāļ§ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļ—āļąāđ‰āļ‡āļāļēāļĢāļ‹āļēāļ§āļ”āđŒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļĨāļ°āļĄāļļāļ™āđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āļ—āļĩāđˆāđ€āļĢāđ‰āļēāđƒāļˆāļŠāļģāļŦāļĢāļąāļšāđ€āļžāļĨāļ‡āļĢāđ‡āļ­āļāļŦāļĢāļ·āļ­āļŸāļąāļ‡āļāđŒāļŠāļąāļ™āļ•āđˆāļēāļ‡ āđ† Sire Larry Carlton S7 āđ€āļ›āđ‡āļ™āļāļĩāļ•āļēāļĢāđŒāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļ—āļąāđ‰āļ‡āļāļąāļšāļĄāļ·āļ­āļŠāļĄāļąāļ„āļĢāđ€āļĨāđˆāļ™āļ—āļĩāđˆāļ­āļĒāļēāļāļĨāļ­āļ‡āļ—āļĢāļ‡ Strat āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāđāļ™āđˆāđƒāļˆ āļˆāļ™āļ–āļķāļ‡āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļĩāļ•āļēāļĢāđŒāļ„āļļāļ“āļ āļēāļžāļŠāļđāļ‡āļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāđāļāļ°āļāļĨāđˆāļ­āļ‡ āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļŦāļēāļāļ„āļļāļ“āļ­āļĒāļđāđˆāđāļ–āļ§āļŠāļĨāļšāļļāļĢāļĩ āļŦāļĢāļ·āļ­āļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļąāļĄāļœāļąāļŠāļ”āđ‰āļ§āļĒāļ•āļąāļ§āđ€āļ­āļ‡ āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđ„āļ›āļĨāļ­āļ‡āļ—āļĩāđˆ Music Arms āļŠāļēāļ‚āļēāļŠāļĨāļšāļļāļĢāļĩ āđ€āļžāļ·āđˆāļ­āļžāļīāļŠāļđāļˆāļ™āđŒāļ§āđˆāļēāļāļĩāļ•āļēāļĢāđŒāļ•āļąāļ§āļ™āļĩāđ‰āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“āđ€āļ›āļīāļ”āđƒāļˆāļāļąāļšāļ—āļĢāļ‡ Strat āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļ­āļ™