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Buddha Ash Dong with Memories of the Black Rose Cat. ðŸĪ Memories used to exist.

"That tragedy was not only never recounted, if still forgotten and eventually obliterated as it never happened, as were hundreds of thousands of other stories of unremembered countries."

ðŸ–Ī the content below is Biu's personal opinion. There is no right and no wrong. Just want everyone to read more books. Anyone who has other opinions can come to joy. ðŸ–Ī

🐈‍⎛ Buddha Asdong and the Memory of the Black Rose Cat

✏ïļ Viriporn Nitiprapha

📚 Historical Novel / General Literature / Life Line - Family / Memory and Truth

⚠ïļ If anyone with this book is in the pickle pile, Longhood picks it up again 🙂, reads 10 chapters, and reads it very slippery, beautiful language. ⚠ïļ

ðŸŒū Buddha Asdong with the Memory of the Memory of the Black Rose Cat ⭐

The story of the memory (?) that Grandma Si told the star rat, the story of the life, love, and grief of the Chinese diaspora to Thailand, the "set" family that lived in the midst of change, the heat of politics, the endless world war.

Amidst all the turmoil, family relationships were even more complex, a difficult knot to unravel, full of the words duty, bloodline and love that shaped and cut deep in the heart at the same time.

(Moi and personal opinion)

ðŸĪ and Buddha Asdong and the Memory of the Black Rose Cat ðŸĪ

⚠ïļ this, many people probably don't like the old society, the old wives, the wives, the wives, the wives, the wives, the wives, the wives, the ⚠ïļ

This story is aimed for a long time, because the name is very long, and if you look at the name is to guess the plot, only that there are cats and memories 😂. When you actually read it, Oh, very difficult, hahahahaha, not bad, but a kind of writing that is not used to, like a narrative and a depiction. During the character is sad, he narrates a lot, life is broken, heart is broken. 💔

The other thing is that this story is hard to read because of a lot of characters. Chinese people, bigger families, remember who did what, what kind of habits. Big read almost 10 + chapters, which the dimensions of the characters are very varied, and each decision comes out of the knot and the resentment in the heart that accumulates from small to burst out. (Feel who did me... I did answer) There is a plot twist to feel wow.

Overall, this book is a Chinese family in Thailand whose descent life will swing up and down like a roller coaster in an era of internal and external conflict, very real, very painful, and satisfying in some chapters (whichever one looks).

No matter how much history changes,

The human heart is still fragile.

📌 IG / TIKTOK / RESHELF @ BBBOOKNOOK

# bbreadsomebooks # Read according to lemon8 # Books # Book drug sign # Books to read

4/20 Edited to

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Read moreāļ–āđ‰āļēāļ„āļļāļ“āļāļģāļĨāļąāļ‡āļŠāļąāđˆāļ‡āđƒāļˆāļ§āđˆāļēāļˆāļ°āđ€āļĢāļīāđˆāļĄ â€œāļžāļļāļ—āļ˜āļĻāļąāļāļĢāļēāļŠāļ­āļąāļŠāļ”āļ‡āļāļąāļšāļ—āļĢāļ‡āļˆāļģāļ‚āļ­āļ‡āļ—āļĢāļ‡āļˆāļģāļ‚āļ­āļ‡āđāļĄāļ§āļāļļāļŦāļĨāļēāļšāļ”āļģ” āļ”āļĩāđ„āļŦāļĄ (āļŦāļĢāļ·āļ­āđ€āļ›āđ‡āļ™āļŠāļēāļĒāļāļ­āļ‡āļ”āļ­āļ‡āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™) āļ­āļąāļ™āļ™āļĩāđ‰āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāļ—āļģāđāļĨāđ‰āļ§āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļ‚āđ‰āļēāļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ„āļ”āđ‰āđ„āļ§āļ‚āļķāđ‰āļ™ āđ€āļžāļĢāļēāļ°āđ€āļĨāđˆāļĄāļ™āļĩāđ‰ “āļ āļēāļĐāļēāļŠāļ§āļĒ” āļĄāļēāļ āđāļ•āđˆāļˆāļąāļ‡āļŦāļ§āļ°āļāļēāļĢāđ€āļĨāđˆāļēāļˆāļ°āļ„āđˆāļ­āļ™āļ‚āđ‰āļēāļ‡āļžāļĢāļĢāļ“āļ™āļēāđāļĨāļ°āļ„āđˆāļ­āļĒāđ€āļ›āđ‡āļ™āļ„āđˆāļ­āļĒāđ„āļ› āļ—āļģāđƒāļŦāđ‰āļŠāđˆāļ§āļ‡āļ•āđ‰āļ™āļĢāļđāđ‰āļŠāļķāļāļ­āđˆāļēāļ™āļŠāđ‰āļēāđ„āļ”āđ‰āļˆāļĢāļīāļ‡ 1) āļāđˆāļ­āļ™āļ­āđˆāļēāļ™: āļ—āļģāđ‚āļžāļĒāļ•āļąāļ§āļĨāļ°āļ„āļĢāđāļšāļšāļšāđ‰āļēāļ™āđ† āđ€āļĨāđˆāļĄāļ™āļĩāđ‰āļĄāļĩāļ•āļąāļ§āļĨāļ°āļ„āļĢāđ€āļĒāļ­āļ°āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđƒāļŦāļāđˆ āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļˆāļ”āļŠāļ·āđˆāļ­ + āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļŠāļąāđ‰āļ™āđ† āļĨāļ‡āļŠāļĄāļļāļ” (āđ€āļŦāļĄāļ·āļ­āļ™āđƒāļ™āļĢāļđāļ›āļ—āļĩāđˆāļĄāļĩāļšāļąāļ™āļ—āļķāļāļĒāđˆāļ­/āđ„āļŪāđ„āļĨāļ•āđŒ) āđ€āļŠāđˆāļ™ â€œāļĒāļēāļĒāļĻāļĢāļĩ – āļ„āļ™āđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļŦāđ‰āļŦāļ™āļđāļ”āļēāļ§āļŸāļąāļ‡â€, “āļ•āļĢāļ°āļāļđāļĨāļ•āļąāđ‰āļ‡ â€“ āđāļāļ™āļŦāļĨāļąāļāļ‚āļ­āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡â€ āđāļĨāđ‰āļ§āļ„āđˆāļ­āļĒāđ€āļ•āļīāļĄāļ™āļīāļŠāļąāļĒ/āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļŠāļģāļ„āļąāļāļ—āļĩāļŦāļĨāļąāļ‡ āļ§āļīāļ˜āļĩāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāļĄāļēāļāđ€āļ§āļĨāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļ•āļąāļ”āļŠāļĨāļąāļšāļŠāđˆāļ§āļ‡āļŠāļĩāļ§āļīāļ•āļŦāļĢāļ·āļ­āļĒāđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģ āđ€āļžāļĢāļēāļ°āđ€āļĢāļēāļˆāļ°āđ„āļĄāđˆāļŦāļĨāļļāļ”āļ§āđˆāļēāđƒāļ„āļĢāđ€āļ›āđ‡āļ™āđƒāļ„āļĢ 2) āļ•āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡āđƒāļŦāđ‰āļ–āļđāļ: āļ™āļĩāđˆāļ„āļ·āļ­ â€œāļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģ” āļĄāļēāļāļāļ§āđˆāļē “āļžāļĨāđ‡āļ­āļ•āļ§āļīāđˆāļ‡â€ āļŠāļ·āđˆāļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļšāļ­āļāļ­āļĒāļđāđˆāđāļĨāđ‰āļ§āļ§āđˆāļēāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ—āļĢāļ‡āļˆāļģ āđāļĨāļ°āļ•āļąāļ§āļšāļ—āļāđ‡āđ€āļĨāđˆāļ™āļāļąāļšāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡/āļ„āļ§āļēāļĄāļ„āļĨāļēāļ”āđ€āļ„āļĨāļ·āđˆāļ­āļ™āļ‚āļ­āļ‡āļāļēāļĢāđ€āļĨāđˆāļē āļšāļēāļ‡āļŠāđˆāļ§āļ‡āļ­āđˆāļēāļ™āđ€āļŦāļĄāļ·āļ­āļ™āļāļģāļĨāļąāļ‡āļ™āļąāđˆāļ‡āļŸāļąāļ‡āļœāļđāđ‰āđƒāļŦāļāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļ™āļšāđ‰āļēāļ™ āļĄāļēāļāļāļ§āđˆāļēāļāļēāļĢāļ•āļēāļĄāļŦāļēāļ„āļģāļ•āļ­āļšāđāļšāļšāļ™āļīāļĒāļēāļĒāļŠāļ·āļšāļŠāļ§āļ™ āļ–āđ‰āļēāļ„āļļāļ“āđ€āļ›āļīāļ”āđ‚āļŦāļĄāļ”āļ­āđˆāļēāļ™āđāļšāļš â€œāļ‹āļķāļĄâ€ āļˆāļ°āļ­āļīāļ™āļāļ§āđˆāļē āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ‰āļēāļāļ—āļĩāđˆāļžāļđāļ”āļ–āļķāļ‡āļāļēāļĢāļŠāļđāļāđ€āļŠāļĩāļĒ āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ‚āļ­āļ‡āļāļēāļĢāļ”āļģāļĢāļ‡āļ­āļĒāļđāđˆ āļŦāļĢāļ·āļ­āļ›āļĢāļ°āđ‚āļĒāļ„āļ„āļĄāđ† āļ—āļĩāđˆāļ­āļĒāļēāļāđ„āļŪāđ„āļĨāļ•āđŒāđ€āļāđ‡āļšāđ„āļ§āđ‰ 3) āđ€āļ—āļ„āļ™āļīāļ„āļœāđˆāļēāļ™ 10 āļšāļ—āđāļĢāļāđƒāļŦāđ‰āđ„āļ”āđ‰ āđ€āļĢāļēāđāļšāđˆāļ‡āļ­āđˆāļēāļ™āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āļŠāļąāđ‰āļ™āđ† āļ§āļąāļ™āļĨāļ° 1-2 āļšāļ— āđāļĨāđ‰āļ§āļˆāļ” â€œāļŦāļ™āļķāđˆāļ‡āļ›āļĢāļ°āđ‚āļĒāļ„āļ—āļĩāđˆāļˆāļģāđ„āļ”āđ‰â€ āļ•āđˆāļ­āļšāļ— āđ€āļŠāđˆāļ™ āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļ•āļąāļ§āļĨāļ°āļ„āļĢ āļāļēāļĢāļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļŠāļģāļ„āļąāļ (āļšāļēāļ‡āļŦāļ™āđ‰āļēāļˆāļ°āļĄāļĩāļŦāļąāļ§āļ‚āđ‰āļ­/āļ•āļ­āļ™āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ˜āļĩāļĄāļŠāļąāļ”āļ‚āļķāđ‰āļ™) āļžāļ­āļŠāļ°āļŠāļĄāđ„āļ›āđ€āļĢāļ·āđˆāļ­āļĒāđ† āļˆāļ°āđ€āļĢāļīāđˆāļĄāđ€āļŦāđ‡āļ™āđāļžāļ•āđ€āļ—āļīāļĢāđŒāļ™āļ‚āļ­āļ‡āđāļĢāļ‡āđāļ„āđ‰āļ™ āļŦāļ™āđ‰āļēāļ—āļĩāđˆ āļŠāļēāļĒāđ€āļĨāļ·āļ­āļ” āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļšāļīāļ”āđ€āļ›āđ‡āļ™āļ›āļĄāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļˆāļēāļāļ™āļąāđ‰āļ™āļ„āļ§āļēāļĄāļĨāļ·āđˆāļ™āļˆāļ°āļĄāļēāđ€āļ­āļ‡āļˆāļĢāļīāļ‡āđ† 4) āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļĢāļđāđ‰āļāđˆāļ­āļ™ (āđ€āļœāļ·āđˆāļ­āļšāļēāļ‡āļ„āļ™āđ„āļĄāđˆāļŠāļ­āļš) āļšāļĢāļĢāļĒāļēāļāļēāļĻāđ€āļ›āđ‡āļ™āļŠāļąāļ‡āļ„āļĄāļŠāļĄāļąāļĒāļāđˆāļ­āļ™ āļĄāļĩāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļšāļšāļŠāļēāļĒāđ€āļ›āđ‡āļ™āđƒāļŦāļāđˆ āđ€āļĄāļĩāļĒāļŦāļĨāļ§āļ‡āđ€āļĄāļĩāļĒāļ™āđ‰āļ­āļĒ āđ€āļĄāļĩāļĒāđ€āļ”āđ‡āļāļœāļąāļ§āđāļāđˆ āđāļĨāļ°āļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡āļ‚āļ­āļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļˆāļĩāļ™āļžāļĨāļąāļ”āļ–āļīāđˆāļ™āđƒāļ™āđ„āļ—āļĒ āđƒāļ„āļĢāđ„āļ§āļāļąāļšāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ™āļĩāđ‰āļ­āļēāļˆāļ•āđ‰āļ­āļ‡āđ€āļ•āļĢāļĩāļĒāļĄāđƒāļˆ āđāļ•āđˆāļ–āđ‰āļēāļĄāļ­āļ‡āđƒāļ™āđāļ‡āđˆāļ āļēāļžāļŠāļ°āļ—āđ‰āļ­āļ™āļĒāļļāļ„āļŠāļĄāļąāļĒ āļĄāļąāļ™āļ—āļģāđƒāļŦāđ‰āđ€āļĢāļ·āđˆāļ­āļ‡ â€œāđ€āļˆāđ‡āļšāđāļĨāļ°āļˆāļĢāļīāļ‡â€ āļĄāļēāļ 5) āļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āđ„āļ”āđ‰āļ­āļ°āđ„āļĢ āļŠāļģāļŦāļĢāļąāļšāđ€āļĢāļēāđ€āļĨāđˆāļĄāļ™āļĩāđ‰āđƒāļŦāđ‰āļ—āļąāđ‰āļ‡āļ­āļēāļĢāļĄāļ“āđŒ “āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāđ„āļĄāđˆāļ–āļđāļāđ€āļĨāđˆāļēāļˆāļ™āđ€āļĨāļ·āļ­āļ™āļŦāļēāļĒ” āđāļĨāļ°āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āļ‚āđ‰āļ­āļŦāļ™āļķāđˆāļ‡āļ§āđˆāļē āļ•āđˆāļ­āđƒāļŦāđ‰āđ‚āļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ„āđˆāđ„āļŦāļ™ āļŦāļąāļ§āđƒāļˆāļ„āļ™āļāđ‡āđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ”āļīāļĄ āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđ€āļ•āļĢāļĩāļĒāļĄāđ‚āļžāļŠāļ•āđŒāļ­āļīāļ—/āļŠāļ•āļīāļāđ€āļāļ­āļĢāđŒāļ”āļēāļ§āđ„āļ§āđ‰āđāļ›āļ°āļ›āļĢāļ°āđ‚āļĒāļ„āļ—āļĩāđˆāđ‚āļ”āļ™ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļĄāļĩāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ‡āļ—āļĩāđˆāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļ­āļĒāļēāļāļŦāļĒāļļāļ”āļ„āļīāļ”āđ€āļ‡āļĩāļĒāļšāđ† āļ–āđ‰āļēāļ„āļļāļ“āđ€āļĢāļīāđˆāļĄāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļĢāļđāđ‰āļŠāļķāļāļŦāļ™āļ·āļ” āļ­āļĒāđˆāļēāđ€āļžāļīāđˆāļ‡āļ•āļąāļ”āļŠāļīāļ™āđ€āļĨāđˆāļĄāļ™āļĩāđ‰āđ€āļĢāđ‡āļ§ āļĨāļ­āļ‡āđƒāļŦāđ‰āđ€āļ§āļĨāļēāļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 10 āļšāļ— āđāļĨāđ‰āļ§āļ„āđˆāļ­āļĒāļ”āļđāļ§āđˆāļē “āļ āļēāļĐāļē” āļāļąāļš â€œāļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģ” āļ‚āļ­āļ‡āļĄāļąāļ™āļžāļēāļ„āļļāļ“āđ„āļŦāļĨāđ„āļ›āđ„āļ”āđ‰āđāļ„āđˆāđ„āļŦāļ™

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Big headed Buddha
Where you’ll usually find him. In my lap!
Keely M

Keely M

73 likes

Pink laughing buddha
#buddha #pendant #chinesefashion #vintagestyle #jewerly
Lisajewelry

Lisajewelry

1 like

A woman in a red patterned headscarf and grey tank top looks at the camera. Her long dark hair frames her face. The background shows a dark closet door on the left and a bright window with white blinds on the right, reflecting the article's theme of capturing true form.
Perfection does not exist! Snap that pic!
How many times do we take a million pics trying to capture that perfect shot? We want the lighting perfect, the background to be aesthetically perfect, we want every single hair on our heads to be in tiptop shape. Stop overthinking it and just snap that pic! Catch yourself in your true form. My bac
Lilysflow

Lilysflow

14 likes

Buddha pinching the moon
Photographer captures a perfect moment when a Buddha statue pinches the moon. #buddha #moon #pinch #photography #foryourpage
PositiveVibesOnly

PositiveVibesOnly

6 likes

Buddha Blessed Temple in Kentucky, USA 🇚ðŸ‡ļ
#Nepalinusa #travelvlog #nepaliinusa #America #Nepal
thesb_escapes

thesb_escapes

3 likes

I used to think healing meant forgetting everything that broke me. But the truth is, those memories still exist. They just don’t have the same power over me anymore. Healing isn’t pretending it never happened—it’s reclaiming my life so the past becomes a scar, not an open wound. ðŸ–Ī
Echoofchildhood

Echoofchildhood

0 likes

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