Sexty Sev In #chuckitall
Let’s see if we can kick Us off some shit!
Never Quit
All stand on tip toes
Ten down
In the ground
Where Eyes found
Even in Free Fall
Who has the gall
To scream
fuck Chuck
It all
Matters
Shoots & Ladders
Splatters ball batters
Say n o buck
He crushed it
All
All it all all it all
Chuck it
eyes summon
Mix el plex
On net flex
Insta duh weigh it up
Gram
Dam oh damn
Wait just a minute
I thought
eyes had a Plan
eye on demand
i boasted
you roasted
We all
Laughed and cried
Some a little in side
Died
All for a laugh track line
For the simple mind
Oh my spine
Gold and sold
To behold
My Will
Will be my Test
I meant!
eyes love You
The World does Two!
Of Us
Two of Us!
The the the
Two of Us
I try to focus on any thing else
But it all is a limitless compulsion I felt
Feel feeling still
I Will
It all to be True
And You
You Will
Be Mine!
Let’s Quit wasting
Our borrowed Time!
Two gather
Us together
Devine Devine Devine
Praise God and Jesus
For Your Shine
I have to stop this soon
It has become a new cocoon
And I don’t have Time
Or the Room
To keep up with the consume
It is a routine check out
Designated let out
Don’t want me to stay
I Will get out
Of the Way
Where I will stay
So far so far so far a way
I cannot pray
Knot today
I say
None of this is real any way
Hey hey hey
Wake up wake up
Get up and go
Go and get up
Wake up
Up Chuck it all
Spew it all out
Let them all see You verbal vomit
Spit commit a massacre
Of mind’s eyes
That don’t see rite
From writ to wrong
Customize your sing along song
Do You know
Mary Jo
Wanna
Smoke some
Did You know
Mary Jo
Wanna
Smoke some
Let’s all go!
Mary Jo
Wanna Smoke some
It all
Wanna smoke it all
Mary Jo wanna
Mary Jo Wanna
Wanna smoke some more
Some more some more
Mary Jo
Wanna
Smoke King on some
Mary Jo
Wanna Mary Jo wanna
Mary Jane Mary Jane
Who the hell is Jane!
Mary O
Mary mother of
Mary mother of
Gee Zeus
Reborn
To kill the marred veil
Universe
Cursed multiverse
worse!
End of times
End it all
Book chapter verse word
Will all Fall
Reflecting on the evocative and fragmented style of this poem, I find it compelling how the author channels a raw and urgent voice, mixing cultural slang with spiritual allusions to create something deeply personal yet broadly resonant. The repetition of phrases like "Chuck it all" and references to "Mary Jo" and "Mary Jane" hint at a metaphorical or possibly literal exploration of escape, addiction, or transformation. What stands out most is the poem's rhythmic cadence, almost like a chant or a freestyle verse, which invites readers to engage emotionally rather than just intellectually. The use of imagery such as "Shoots & Ladders," "splatters ball batters," and "verbal vomit" evokes a vivid, sometimes chaotic mental landscape that mirrors feelings of struggle, resilience, and defiance. In my own experience with creative writing, embracing a freeform style like this can be liberating—allowing the subconscious to surface without constraint. This poem also reminds me how poetry can serve as a spiritual and psychological cocoon, a means to process intense emotions or existential thoughts. Furthermore, the reference to divine praise and invocation of "God and Jesus" alongside disruptive themes illustrates a conflict between sacred and profane, order and chaos, which is a powerful dynamic in artistic expression. It challenges readers to consider how faith and doubt intertwine in life's complexity. Lastly, the OCR-found phrase "Shoots & Castles" and the playful yet cryptic text fragments enrich the chaotic visual texture of the poem, adding layers of urban culture and perhaps commentary on consumerism and identity. This blend of elements encourages readers not only to interpret but to feel the poem’s pulse—engaging actively with its mysterious energy. Overall, #chuckitall feels like an invitation to shed pretenses and confront raw truths, a poetic call to embrace the messiness of existence with honesty and courage.
