暂得之乐：暂得楼捐赠明清瓷器
「暂得楼」是收藏家胡惠春为自己的收藏所起的堂号，取自王羲之《兰亭集序》「欣于所遇，暂得于己，快然自足」，表达了他每一次与心仪文物相遇的喜悦。胡惠春分别于1950年和1988年将珍藏的300余件珍贵陶瓷文物捐赠给上海博物馆，其后人又陆续将暂得楼旧藏珍品捐出。
暂得楼捐赠给上海博物馆的陶瓷器数量可观，质量尤精，时间跨度从晋唐到清末，尤以明清官窑瓷器为重。本次展览从中精选明清陶瓷珍品集中呈现，涵盖官窑名品与艺术佳作。
The Zande Lou collection offers a fascinating glimpse into the rich ceramic heritage of China, particularly highlighting pieces from the Ming and Qing dynasties. As a collector, I deeply appreciate how Hu Huichun’s approach reflects more than just ownership; it captures the joy of encountering cherished artifacts, a sentiment beautifully derived from Wang Xizhi’s words in the Lantingji Xu. Visiting an exhibition featuring such donations, I was struck by the sheer range and quality of ceramics, especially the official kiln wares renowned for their refined craftsmanship and imperial significance. What makes this collection particularly remarkable is its breadth, covering eras from as early as Jin and Tang to the end of the Qing dynasty. Each piece tells a unique story, not only of artistic technique but also of historical context and cultural values imparted through porcelain artistry. For collectors and enthusiasts alike, understanding the provenance and restoration efforts behind these ceramics deepens appreciation. Moreover, seeing these treasures housed in the Shanghai Museum ensures their preservation and accessibility for future generations. Personally, engaging with such exhibitions inspires a greater respect for the delicate balance between aesthetic beauty and historical significance embodied in these ceramics. The Zande Lou donation exemplifies how private collectors can contribute to public heritage by sharing their passion and safeguarding cultural treasures. This act of generosity enhances our collective understanding of Chinese ceramic art and encourages ongoing interest and study in the field.
