Automatically translated.View original post

ðŸĢ Katsu Midori Review vs. Sushiro (Personal Opinion)

Let me tell you, today the main focus is Katsu Midori.

📍āļ„āļąāļ•āļŠāļķ āļĄāļīāđ‚āļ”āļĢāļī āļ‹āļđāļŠāļī

But compare it to Sushiro in case anyone is hesitating to choose a store.

ðŸĢ Sushiro (The latter for us)

Lately, it feels like the price has moved a lot.

Especially the non-salmon fish menu, which is what we want to eat.

But for us, I can't eat much.

Some fish meat is messy, perhaps because it is rarely ordered.

Advantages still rated:

â€Ē There are many Thai menus.

â€Ē There are two types of choyu to choose from, which is right here.

â€Ē It's easier to book than not to win.

ðŸĢ Katsu Midori (today's hero)

The last round to go was very impressive.

Especially the special menu that the chef raised his hand (first 2 photos)

👉 but the favorite is Hota Kick / Uni / Ikura.

It is very delicious. I like it very much. I want to eat again. It's crazy. ðŸĪ

Say, the special menu is really worth every menu.

The menu part on the belt. The feed resembles Sushiro.

Often fish are also salmon.

But the menu in the picture we eat is ordered from the entire tablet screen.

Overall feeling:

â€Ē Very fresh ingredients for sushi in the mall

â€Ē Very notable is shrimp and hotate, fresh, sweet, fine.

â€Ē Some raw fish on the menu still have a little feeling that it is not the most wow.

â€Ē Good rice balls, not broken, and can choose rice size

â€Ē Water can be ordered on screen. No need to call the staff.

â€Ē Big, delicious and feel worth the price

❗ Katsu Midori's only downside.

- It's very difficult to book.

🔍 A straightforward summary.

â€Ē Easy to eat, easy to book, medium taste → Sushiro

â€Ē Wanna eat good quality sushi, special value menu, outstanding raw materials → Katsu Midori

For us, if you ask which restaurant you want to go back to

The answer is Katsu Midori (if you can reserve)

# KatsuMidori # Sushiro # Sushi review # Food

2/4 Edited to

... Read moreāļˆāļēāļāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§āļ—āļĩāđˆāđ€āļ„āļĒāđ„āļ›āļ—āļēāļ™āļ‹āļđāļŠāļīāļ—āļĩāđˆāļ—āļąāđ‰āļ‡ Katsu Midori āđāļĨāļ° Sushiro āļĄāļē āļœāļĄāļ­āļĒāļēāļāđāļŠāļĢāđŒāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĢāļšāļĢāļīāļāļēāļĢāđāļĨāļ°āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ„āļĢāļąāļš āļ—āļĩāđˆ Katsu Midori āļ™āļ­āļāļˆāļēāļāļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ—āļĩāđˆāļŠāļ”āđāļĨāļ°āđ€āļĄāļ™āļđāļžāļīāđ€āļĻāļĐāļ—āļĩāđˆāļ„āļļāđ‰āļĄāļ„āđˆāļēāđāļĨāđ‰āļ§ āđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĢāļšāļĢāļīāļāļēāļĢāļ–āļ·āļ­āļ§āđˆāļēāļĄāļĩāļ„āļ§āļēāļĄāđƒāļŠāđˆāđƒāļˆ āļžāļ™āļąāļāļ‡āļēāļ™āļ„āļ­āļĒāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āļ­āļĒāđˆāļēāļ‡āļ”āļĩ āļ–āļķāļ‡āđāļĄāđ‰āļ§āđˆāļēāļāļēāļĢāļˆāļ­āļ‡āļ„āļīāļ§āļĒāļēāļāđāļ•āđˆāļ–āđ‰āļēāđ„āļ”āđ‰āđ„āļ›āđāļĨāđ‰āļ§āļĢāļđāđ‰āļŠāļķāļāļ„āļļāđ‰āļĄāļ„āđˆāļēāļ­āļĒāđˆāļēāļ‡āļĄāļēāļ āļāļēāļĢāļŠāļąāđˆāļ‡āļ­āļēāļŦāļēāļĢāļœāđˆāļēāļ™āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•āļāđ‡āļ—āļģāđƒāļŦāđ‰āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĢāļ­āļ™āļēāļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒāđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļŠāļąāđˆāļ‡ āđ€āļĄāļ™āļđāļ—āļĩāđˆāļŠāļąāđˆāļ‡āļ‡āđˆāļēāļĒāļ—āļģāđƒāļŦāđ‰āđ„āļĄāđˆāļžāļĨāļēāļ”āļ‚āļ­āļ‡āđ‚āļ›āļĢāļ”āļ­āļĒāđˆāļēāļ‡āđ‚āļŪāļ•āļēāđ€āļ•āļ° āļŦāļĢāļ·āļ­āļ­āļļāļ™āļīāļ—āļĩāđˆāļœāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļ āļŠāđˆāļ§āļ™ Sushiro āđāļĄāđ‰āļ§āđˆāļēāļĢāļēāļ„āļēāļˆāļ°āļ›āļĢāļąāļšāļ‚āļķāđ‰āļ™āđāļĨāļ°āļšāļēāļ‡āđ€āļĄāļ™āļđāļ›āļĨāļēāļ”āļīāļšāļ™āļĩāđˆāļ­āļēāļˆāļˆāļ°āđ„āļĄāđˆāļŠāļ”āđ€āļ—āđˆāļēāļ—āļĩāđˆāļ„āļēāļ”āļŦāļ§āļąāļ‡ āđāļ•āđˆāļāđ‡āļĒāļąāļ‡āļĄāļĩāļ‚āđ‰āļ­āļ”āļĩāļ­āļĒāđˆāļēāļ‡āđ€āļĄāļ™āļđāļ—āļĩāđˆāļ›āļĢāļąāļšāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āđ„āļ—āļĒ āļĄāļĩāđ‚āļŠāļĒāļļ 2 āđāļšāļšāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļĢāļŠāļŠāļēāļ•āļīāļ™āļąāļ§āđ† āđāļĨāļ°āļˆāļ­āļ‡āļ‡āđˆāļēāļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĨāļļāđ‰āļ™āđ€āļŦāļĄāļ·āļ­āļ™ Katsu Midori āđ€āļŦāļĄāļēāļ°āļāļąāļšāļ„āļ™āļ—āļĩāđˆāļ­āļĒāļēāļāļ—āļēāļ™āļ‹āļđāļŠāļīāļ‡āđˆāļēāļĒāđ† āđ„āļĄāđˆāđ€āļ™āđ‰āļ™āļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āļĄāļēāļ āļ­āļĩāļāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļ­āļĒāļēāļāđ€āļžāļīāđˆāļĄāļ„āļ·āļ­āļāļēāļĢāļ—āļēāļ™āđ‚āļŪāļ•āļēāđ€āļ•āļ°āļ—āļĩāđˆ Katsu Midori āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŦāļ­āļĒāđ€āļŠāļĨāļĨāđŒāđāļšāļšāļŠāļ”āđƒāļŦāļĄāđˆ āļ—āļļāļāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļāļąāļ”āļˆāļ°āļĢāļđāđ‰āļŠāļķāļāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŦāļ§āļēāļ™āđāļĨāļ°āđ€āļ™āļ·āđ‰āļ­āļ—āļĩāđˆāđ€āļ”āđ‰āļ‡ āļāļēāļĢāļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļ‹āļ­āļŠāļžāļīāđ€āļĻāļĐāļ—āļĩāđˆāđ€āļŠāļŸāđāļ™āļ°āļ™āļģāļĒāļīāđˆāļ‡āđ€āļžāļīāđˆāļĄāļĢāļŠāļŠāļēāļ•āļīāđƒāļŦāđ‰āļ­āļĢāđˆāļ­āļĒāļ‚āļķāđ‰āļ™āđ„āļ›āļ­āļĩāļ āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļŠāļ­āļšāļāļīāļ™āļ‹āļđāļŠāļīāđāļšāļšāđ€āļ•āđ‡āļĄāļ›āļēāļāđ€āļ•āđ‡āļĄāļ„āļģ āļ–āļ·āļ­āļ§āđˆāļēāļ—āļĩāđˆāļ™āļĩāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļĄāļēāļ āđƒāļ™āļ āļēāļžāļĢāļ§āļĄ āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļ­āļĒāļēāļāļ—āļēāļ™āļ‹āļđāļŠāļīāļ„āļļāļ“āļ āļēāļžāļ”āļĩ āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ„āļ·āļ­ Katsu Midori āđāļĄāđ‰āļˆāļ°āļ•āđ‰āļ­āļ‡āļ­āļ”āļ—āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĢāļˆāļ­āļ‡ āđāļ•āđˆāļĢāļąāļšāļĢāļ­āļ‡āļ§āđˆāļēāļ„āļ§āļēāļĄāļŠāļ”āđāļĨāļ°āđ€āļĄāļ™āļđāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļŠāļąāđˆāļ‡āļ‡āđˆāļēāļĒāļˆāļēāļāđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āļžāļĢāđ‰āļ­āļĄāļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļˆāļēāļāļšāļĢāļīāļāļēāļĢāļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“āļ­āļĒāļēāļāļāļĨāļąāļšāđ„āļ›āļ­āļĩāļāđāļ™āđˆāļ™āļ­āļ™ āļ–āđ‰āļēāđ€āļ›āđ‡āļ™āļŠāđ„āļ•āļĨāđŒāļāļīāļ™āļ‡āđˆāļēāļĒ āļˆāļ­āļ‡āļ‡āđˆāļēāļĒ āļĢāļŠāļŠāļēāļ•āļīāđ€āļšāļŠāļīāļ„ Sushiro āļāđ‡āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāđ„āļĄāđˆāđ€āļĨāļ§āđ€āļĨāļĒāļ„āļĢāļąāļš āđ‚āļ”āļĒāļŠāļĢāļļāļ›āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĨāļ­āļ‡āļ•āļēāļĄāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāđāļĨāļ°āļ‡āļšāļ›āļĢāļ°āļĄāļēāļ“āļ‚āļ­āļ‡āđāļ•āđˆāļĨāļ°āļ—āđˆāļēāļ™āļ”āđ‰āļ§āļĒ āļˆāļ°āđ„āļ”āđ‰āļ„āļ§āļēāļĄāļŠāļļāļ‚āļˆāļēāļāļāļēāļĢāļāļīāļ™āļ‹āļđāļŠāļīāđāļšāļšāđ€āļ•āđ‡āļĄāļ—āļĩāđˆāļˆāļĢāļīāļ‡āđ†